Philadelphia Inquirer's Scores

  • Movies
  • TV
For 3,526 reviews, this publication has graded:
  • 70% higher than the average critic
  • 3% same as the average critic
  • 27% lower than the average critic
On average, this publication grades 5.9 points higher than other critics. (0-100 point scale)
Average Movie review score: 68
Highest review score: 100 The Son's Room
Lowest review score: 0 Surviving Christmas
Score distribution:
3,526 movie reviews
  1. Ultimately, the values and the CGI are good, but the acting is broad and the chipmunks aren't really differentiated. What happened to Alvin, the rodent counterpart of Dennis the Menace? Was he declawed in the translation to CGI?
  2. Shrek the Third isn't a movie, it's the extension of a brand.
  3. Shot in Panama, with a cast of local Indians and B-tier Latino and Anglo actors, End of the Spear has neither the marquee heft nor the artistic gravitas of "The New World."
  4. Not one of Sparks' best flicks (The Notebook is quite good) Safe Haven is marred by film cliches. It has an alarming number of throwaway montage sequences.
  5. Chicken Little is entirely lacking in anything "Disneyesque."
  6. Shortbus suffers from a vague, ad lib-y script and a cast that, while hardly shy, isn't exactly charismatic.
  7. Somehow the star emerges from this mess smelling like pure testosterone. You can't stop the Rock.
  8. What redeems the film...is that for every nonstop explosion, there's a hilarious burst of Reynolds' nonstop patter.
  9. The trouble with The Last Kiss comes down to Paul Haggis' screenplay.
  10. Muniz is quite winning as a plucky teen who is constantly being thrown into situations over his head. But the usually reliable Anthony Anderson e-mails in his performance as Cody's handler.
  11. An alarmingly charmless attempt to evoke the elegant romance and jaunty, jet-setting intrigue of the aforementioned titles, The Tourist is notable for the total absence of movie-star heat that movie stars are paid unseemly sums to radiate.
  12. Suffers from "Bridget Jones" Syndrome but without that movie's charms.
  13. As in "An Education," Scherfig's settings are unshowy, imparting period flavor without overwhelming what is, ultimately, an underwhelming film.
  14. Until Seven Days in Utopia sucker punches you with a surfeit of faith-based platitudes, its upbeat brand of golf mysticism isn't altogether unappealing.
  15. The film never gives you a real sense of what drove Darin on, fighting a heart ailment (from childhood rheumatic fever) and fighting an industry and press that wanted to pigeonhole him.
  16. Less the blistering satire it imagines itself than a blustering, bloody, blundering melodrama about bottom feeders nibbling each other.
    • Philadelphia Inquirer
  17. A script with the most underdeveloped characters and spectacularly realized visuals since "Titanic."
    • Philadelphia Inquirer
  18. Mildly diverting and utterly dispensable.
  19. There is much of interest in Baumbach's pictures - the confident handling of actors, the introspection, the terra-cotta and teal-painted walls. But what do you call a comedy of manners that's not particularly funny? [19 June 1998, p.04]
    • Philadelphia Inquirer
  20. The folks at Disney's Touchstone Pictures would have been wiser, however, just to have forgotten all about this hyperactive farce.
  21. From its jungle forays to its waterfall tumbles to its deadly spider bites - is entirely, utterly unoriginal.
  22. A handsome Holocaust melodrama hobbled by a transparent and cartoonish script.
  23. Rather like listening to Vladimir Horowitz play "Chopsticks."
    • Philadelphia Inquirer
  24. A strange mix of showbiz whodunit and soft-core eroticism, with a couple of fine actors - Kevin Bacon and Colin Firth - wandering around stunned and stoned-looking, as if someone slipped them a mickey.
  25. The best that can be said about the movie is that it's harmless and mostly charmless. The Clone Wars is to Star Wars what karaoke is to pop music.
  26. What's on screen is a hash, though it may very well be the most comprehensive catalog of male erotic fantasies in one single film.
    • Philadelphia Inquirer
  27. Essentially, the film functions as a holiday catalog, introducing fans to a new Pokemon whose effigy they can collect in trading cards.
  28. Seyfried holds the camera's attention, playing this storybook business pretty much straight, although David Leslie Johnson's script puts the actress sorely to the test.
  29. Too bad the filmmakers didn't trust the material. For Ella doesn't need music and references to other, better, movies to cast its unique spell.
  30. A dark, shaky, standard-issue superhero picture.

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