Philadelphia Inquirer's Scores
- Movies
- TV
For 3,131 reviews, this publication has graded:
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70% higher than the average critic
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3% same as the average critic
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27% lower than the average critic
On average, this publication grades 5.7 points higher than other critics.
(0-100 point scale)
Average Movie review score: 67
| Highest review score: |
Critic Score
100
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| Lowest review score: |
Critic Score
0
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Score distribution:
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Positive: 2,358 out of 3131
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Mixed: 513 out of 3131
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Negative: 260 out of 3131
3,131
movie reviews
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Reviewed by
Steven Rea 100
The Conformist has a decadent visual beauty about it that's breathtaking. But as striking as Bertolucci's classic looks, there's even more powerful stuff in the storytelling. -
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Reviewed by
Carrie Rickey 100
This is the breakthrough work of one of world cinema's most visionary artists. -
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Reviewed by
Desmond Ryan 100
The new print does justice to Philippe Agostini's splendidly atmospheric cinematography. -
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Reviewed by
Steven Rea 88
Remy, the little rat who stars in the big, beautiful, funny Ratatouille, isn't gross at all. In fact, he's adorable. -
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Reviewed by
Carrie Rickey 100
Most of all, it is the improbably entertaining story of how new media are altering the very nature of courtship and friendship. -
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Reviewed by
Steven Rea 100
A monumental achievement that documents a coordinated and complicated response to a monumental tragedy.- Posted Jan 3, 2013
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- Posted Jan 26, 2012
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Reviewed by
Carrie Rickey 100
If we approach with sympathy and curiosity, we will be rewarded with same. And our souls, not to mention our bicycles, will soar to the heavens. -
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Reviewed by
Carrie Rickey 100
It is the most influential movie you've never seen, deeply affecting many artists and experimental directors who saw it on the museum circuit in 1977 and 1978. -
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Reviewed by
Steven Rea 88
Fused with paranoia and almost unbearable suspense, The Hurt Locker is powerful stuff. -
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Reviewed by
Steven Rea 75
With rich, detailed, cinematic animation and terrific sound effects, WALLE pulls this unlikely love story off. -
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Reviewed by
Steven Rea 75
The Return of the King is too long...The various story lines...come together in stilted, episodic ways. The narrative is less-than-seamless. -
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Reviewed by
Steven Rea 100
Amour arrives with plaudits and praise. But this is not hype, it is all deserved. This is a masterpiece.- Posted Jan 24, 2013
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Reviewed by
Desmond Ryan 88
A classic of subversive surrealism. -
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Reviewed by
Carrie Rickey 100
It is with gravity and levity and incomparable grace that Ang Lee's Crouching Tiger, Hidden Dragon -- by light years the best movie of 2000. -
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Reviewed by
Carrie Rickey 88
The film is more than laborious eye-blinking - it's also dazzling visually, its potent imagery conjured by cinematographer Janusz Kaminski. But finally, Diving Bell is about something imperceptible: consciousness. -
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Reviewed by
Carrie Rickey 88
French movies are not so neatly resolved. In fact, the point of many French movies, such as this provocative one from director Laurent Cantet, is that some problems don't have satisfying solutions - or resolutions. -
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Reviewed by
Steven Rea 100
35 Shots of Rum is visual poetry, but poetry that examines the human condition with insight and illumination. -
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Reviewed by
Steven Rea 63
But moving across this tableau is Frodo and his gang, and here the trouble lies...Not a one seems believable as conveyed by Wood, who forever looks to be on the brink of a good sob. Likewise, his hobbit sidekick Samwise Gamgee (Sean Astin) is a real wuss. -
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Reviewed by
Steven Rea 75
Although Toy Story 3 plays with themes of aging and obsolescence, it's really a straight-ahead action pic, with the toys planning, and attempting, their escape and rescue missions. (Hey, it's The A-Team!) -
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Reviewed by
Steven Rea 88
This long (nearly three hours), revelatory movie is both a thrilling adventure about endurance and survival, and an elegiac examination of centuries-old tribal culture, fast-fading in the new millennium. -
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Reviewed by
Steven Rea 100
A slo-mo gem of gangster cool, of vintage Hollywood noir reimagined by a French new waver in love with American cars, American jazz, and the kind of trench-coated tough-guys embodied by Humphrey Bogart and Robert Mitchum. -
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Reviewed by
Steven Rea 100
With a bit of Tintin and Tati, Charlie Chaplin and Wallace and Gromit echoing in the pacing and comic sensibility, Triplets of Belleville conjures up a world that's totally surprising and sublime. -
