Pittsburgh Post-Gazette's Scores

  • TV
For 1,334 reviews, this publication has graded:
  • 41% higher than the average critic
  • 3% same as the average critic
  • 56% lower than the average critic
On average, this publication grades 5.9 points lower than other critics. (0-100 point scale)
Average TV Show review score: 59
Highest review score: 100 The Good Wife: Season 2
Lowest review score: 0 American Body Shop: Season 1
Score distribution:
  1. Mixed: 0 out of 617
  2. Negative: 0 out of 617
617 tv reviews
  1. An animated series with an odd mix of historical figures and parodies of teen-appeal TV, advertising and music. It's a bizarre combination, to be sure, but it works. [12 Jan 2003, p.D-3]
    • Pittsburgh Post-Gazette
  2. Last summer Oxygen's The Glee Project proved a better TV show that Fox's "Glee" and it appears that may be more true in the show's second season.
  3. It's a true character piece with top-notch acting all around. [21 Mar 2004, p.TV-5]
    • Pittsburgh Post-Gazette
  4. It's the characters of Banshee and their labyrinth of relationships that make the show an engrossing, entertaining portrait of a fictional small town.
  5. It's a sensitive, one-hour portrait of three teens: one gay, one lesbian, one transgender.
  6. An exhilarating, fast-paced competition filled with colorful characters, "The Amazing Race" is a pulse-pounding good time.
    • Pittsburgh Post-Gazette
  7. Roth's Lightman is not nearly the curmudgeon Dr. House (Hugh Laurie) is, nor is he as entertaining, but Lie to Me has the makings of a fine procedural for viewers who can't seem to get enough of this type of series.
  8. Tonight's premiere has a zippy energy that can be attributed to the writing and Mr. Cumberbatch's riveting, gonzo performance. He plays Sherlock as authoritative and arrogant but also with a hint of excited madness that makes for an engrossing new take on this classic character.
  9. It's mysterious and exciting, a suspenseful and tense action-drama. [6 Nov 2001]
    • Pittsburgh Post-Gazette
  10. Did the new network screw up the show? Not that I could tell from the incomplete first episode sent for review (no judge's remarks or eliminations).
  11. Season four promises more of the same while expanding on stories in the books and in some cases improving on what could be long literary slogs.
  12. Season two pulls viewers back on board with intriguing plot twists, more light moments and strong performances.
  13. Clearly this show is not for the easily offended. Not everyone will appreciate this kind of humor, but anyone who values smart, provocative comedy that's about truth telling will be intrigued.
  14. Most sketch comedy shows decline with age but IFC's Portlandia continues to show signs of smart, savvy, new comic life in its fourth season.
  15. The show creates tension--through atmosphere and characters the audience cares about--and offers so many make-you-jump scares that by the end of an episode, you're left breathless.
  16. A highly entertaining and addictive costume drama.
  17. Executive producer David Eick said, "We wanted to make it less about escapism and more about moral complexity and great characters." In its early episodes, Caprica certainly succeeds in achieving those goals.
  18. As entertainment, United States of Tara succeeds through humor, vivid characters and a stunning performance by Collette, who disappears into the roles of Tara's alters.
  19. Atmospheric and strange (images of power lines abound for no discernible reason), Durham County is not much of a murder mystery--viewers know who the killer(s) are by the end of the first episode--but it is an intriguing crime drama that's more character-driven than it is procedural.
  20. Smart, thrilling and politically timely, "Sleeper Cell" works overtime to mix believable character drama with jolts of surprising plot twists.
  21. Saul isn’t a failure at all. Instead, Saul feels like a series with many of the hallmarks of classic “Breaking Bad” episodes that’s set in the familiar “Bad” universe, emphasizing a similar vibe that mixes personal drama with dark comedy.
  22. This first episode back sets a lot of goals for itself: Remind viewers of the backstory, advance the plot from the cliffhanger, and introduce and resolve the murder-of-the-week. Daisies succeeds in accomplishing these tasks and even finds time for a "Sound of Music" shout-out as Olive pulls a Maria von Trapp en route to a nunnery.
  23. It's edgier than "7th Heaven," but not so edgy that parents will be turned off. It also expands the definition of a family and realistically shows the complexity of intergenerational relationships. [5 Oct 2000, p.D-6]
    • Pittsburgh Post-Gazette
  24. The series retains its trademark flash forwards that signal murders and/or deceits yet to be revealed. It's one of the show's more operatic touches but this time the revelation, a fantastic and personal driver for stories, feels less like an attempt to manipulate the audience and more rooted in the plausible.
  25. The question becomes will more screen time allow the Big Secret to make sense? That will determine if the whole of Wayward Pines is ultimately worth watching. If nothing else, the first five hours are at turns intriguing, mysterious, engrossing and spooky.
  26. Next week's episode has more taut scenes than tonight's premiere, which has to lay the groundwork for the season. No surprise -- last season, it took several episodes before "24" began to live up to its promise. [29 Oct 2002]
    • Pittsburgh Post-Gazette
  27. Underemployed is one of the most enjoyably upbeat twentysomething scripted dramas to hit prime time in ages.
  28. They're not making evolutionary leaps but these men do show enough signs of progress that viewers who appreciated their struggles and triumphs in the first season will have renewed reason to cheer them on in season two.
  29. The Tick"is a funny, creative show and a risk worth taking. It's disappointing Fox has so little faith in these oddball superheroes. [8 Nov 2001, p.E-4]
    • Pittsburgh Post-Gazette
  30. Elfman, the best thing about the short-lived ''Townies,'' is a lovely live-wire who makes eccentricity appear irresistible; Gibson, who was ill-used on ''Chicago Hope,'' is a magnetic leading man who can simultaneously seem vulnerable and stable. As a pair, they fulfill the first essential requirement of a screen romance: they make you want to see them end up together. [24 Sept 1997, p.D-7]
    • Pittsburgh Post-Gazette

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