Pittsburgh Post-Gazette's Scores

  • TV
For 1,370 reviews, this publication has graded:
  • 41% higher than the average critic
  • 3% same as the average critic
  • 56% lower than the average critic
On average, this publication grades 6.1 points lower than other critics. (0-100 point scale)
Average TV Show review score: 59
Highest review score: 100 The Good Wife: Season 2
Lowest review score: 0 American Body Shop: Season 1
Score distribution:
  1. Mixed: 0 out of 628
  2. Negative: 0 out of 628
628 tv reviews
  1. Depending on the subjects mocked and viewers' personal sacred cows, Root of All Evil won't appeal to everyone on a weekly basis (future episodes include Donald Trump vs. Viagra, Paris Hilton vs. Dick Cheney and Las Vegas vs. the human body), but it is a successful attempt to re-package stand-up comedy for prime time.
  2. It's an interesting and damning film but not as engrossing as HBO's recent "The Jinx" series.
  3. Orphan Black begins with a solid, well-constructed, one-hour pilot that breezily introduces the characters and the show's conceit. It does allow some questions to linger, but it won't leave viewers scratching their heads in confusion, an important distinction and a balance not all genre shows are capable of getting right.
  4. Fans of “Six Feet Under” are likely to enjoy Transparent while those who find characters who make consistently poor choices frustrating and may be less enamored. “Transparent” isn’t funny all that often, but at its heart it does tell a relatively new, original story in a way that’s grounded and heartfelt without being at all saccharine.
  5. It’s a small adventure befitting the 30-minute running time but it’s also clever in the way it ultimately puts the “Toy Story” characters in a recognizable situation, which is similar to the big-screen movies.
  6. NBC's "Heroes" is the best pilot of fall 2006. Whether it continues to soar in future episodes remains to be seen.
  7. Executive producers Todd Slavkin and Darren Swimmer ("Smallville") tie the show's tangle of plots and relationships together with an agile skill that makes this new Melrose Place more appealing than the show's concept suggests should be possible.
  8. What makes "Desperate Housewives" so much fun is that as ridiculous as some of the scenarios are ... these scenes are also rooted in truth. Sure, the show offers a heightened reality, but it's not too far-fetched. [30 Sep 2004]
    • Pittsburgh Post-Gazette
  9. The series maintains its sense of creating a believable universe. Yes, a few characters are explained away without making an appearance (BBQ owner we hardly knew ye) but the show tries hard to reward long-time fans.
  10. It's amusing and knowing and will make some viewers smile, but it probably won't provoke gales of laughter. And that's fine. It's still more clever than most single-camera comedies ABC has put on the air in recent years.
  11. It's too soon to declare Worst Week the fall's best new sitcom, but if the show's writers can find a way to sustain its seemingly unsustainable premise, it may overcome all doubts. It's certainly off to a strong start.
  12. If you're looking for a smart, brain-massaging sitcom, watch NBC's Thursday night lineup. If you're just seeking a few (sometimes cheap) laughs, Sherri provides.
  13. Rescue Me is not a show for the easily offended. Profanity is rampant along with sexual innuendo and references to sex acts. It can be profane in the extreme, however, and it rings true to the characters and their situations. [19 June 2005, p.TV-5]
    • Pittsburgh Post-Gazette
  14. Much is written today about the products that come out of Hollywood, but rarely do we glimpse the drudgery that's involved in bringing movies to life. Project Greenlight offers a rare and unvarnished glimpse at the friction-filled cogs and gears that drive the Hollywood machine. [2 Dec 2001, p.TV-5]
    • Pittsburgh Post-Gazette
  15. Netflix’s Daredevil makes the case that not all superhero shows are created equal and this one improves markedly on both the previous “Daredevil” movie and the other, current Marvel universe TV series.
  16. There's nothing gritty or particularly realistic about ABC's Women's Murder Club, but that's OK. The show is an entertaining, estrogen-powered hour regardless.
  17. Dexter will probably never reach the dramatic, creative heights it did in season one, but with this new season the show's producers found a way to sustain the premise by concentrating on the show's characters and, in particular, looking at how Dexter lives with his desire-to-kill rather than dwelling on the myriad ways he might get caught.
  18. Even as the show deals with serious issues--immigration, euthanasia--Weeds feels lighter and funnier in the new season.
  19. There are times the whole affair feels little to similar to season one, but by the end of the second episode a new character has entered the series, promising to shake things up in a necessary way.
  20. It’s dark, bloody and occasionally sexy, as it usually is, and Thrones fans wouldn’t want it any other way.
  21. The premiere episode of Deutschland 83 delivers an excellent mix of coming of age character drama and espionage derring-do. For viewers not allergic to subtitles, it's well worth watching.
  22. Funny enough and real enough, The Real O’Neals fits in well with ABC’s established Wednesday night comedies.
  23. Don't Trust the B---- in Apt. 23 gets off to a strong comedic start with a quick-witted, fast-paced premiere episode.
  24. The new Roots offers a strong dose of drama--too strong, perhaps, for some viewers who will shy away from scenes of brutality--and compelling character stories.
  25. Essentially a prime-time soap, Bomb Girls is a well-plotted, smartly written soap that doesn't shy away from, shocking, even gruesome, plot turns in showing the dangers of working in a bomb-making factory.
  26. With a witty script by series creator Michelle Lovretta, Lost Girl mixes mystery-of-the-week plots and character stories with an overarching mythology in a way that's palatable for fans of serialized and procedural dramas.
  27. Producers Barney Rosenzweig and Ken Wales have graced their show with beautiful locations, poetic scripts and very good actors, particularly among the women. [3 Apr 1994]
    • Pittsburgh Post-Gazette
  28. A smart, deliberately paced, closed-ended miniseries.
  29. Zombies are coming on strong, particularly in the well-made, engrossing (and gross) premiere episode of AMC's The Walking Dead.
  30. Against all odds, this week's premiere turns out to be a competent, highly watchable hour of television, the most promising broadcast network premiere since "Southland."

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