PopMatters' Scores

For 490 reviews, this publication has graded:
  • 34% higher than the average critic
  • 5% same as the average critic
  • 61% lower than the average critic
On average, this publication grades 7.3 points lower than other critics. (0-100 point scale)
Average TV Show review score: 58
Highest review score: 100 The Office (UK): Season 1
Lowest review score: 0 Get This Party Started: Season 1
Score distribution:
  1. Mixed: 0 out of 182
  2. Negative: 0 out of 182
182 tv reviews
    • 73 Metascore
    • 40 Critic Score
    It doesn't help that the vehicles reviewed thus far aren't surprising (Lamborghinis, Mustangs, Aston Martins), but the shenanigans the hosts set up for themselves can be thrilling.
  1. Unsupervised appears content to amble along, reiterating what we've seen before.
  2. Anyone who learned politics from The West Wing will feel adrift in Commander in Chief's vacuum. Where are the polls, the clamoring press? We get little proof that the nation President Allen governs even exists.
  3. As George W. Bush describes his thinking on September 11, it's hard not to wonder, well, what he was thinking. It's a mystery that remains unanswered in George W. Bush: The 9/11 Interview.
  4. We cheered for Jack McCoy to convict the scumbag criminal on Law & Order and for Ally McBeal to speak out for the wrongly accused. Here, there are no easy answers, but the difficulty doesn't tax viewers' intellectual curiosity so much as their patience.
  5. The performance and the script's stretches (stick around for Peterson's climactic strip search) are less convincing than campy.
  6. At once schematic and preachy, it never indicates the stakes--either for its “diverse” players or for you.
    • 64 Metascore
    • 40 Critic Score
    Despite some promising moments in the first few episodes, the show seems destined for the same fate as Ellie.
  7. Hopper [is] so misfitted for this role that he seems perversely perfect.
  8. Better With You might try to be a straight-up joke/punchline/laughtrack sitcom. But that dooms it to comparisons with the other ABC shows such as Modern Family and The Middle that bookend it on Wednesday night. Those shows both have more distinct attitudes toward institutions like families and, particularly, marriage, than Better With You seems likely to find.
  9. It is to say that this mimicking is just that, as if the creators here have watched those shows ["24" and "Homeland"], but have no original inspiration, and instead think that plot twists in and of themselves make a drama bracing.
  10. Unfortunately, the rest of the episode follows Dexter's descent into a routine guilt spiral, blaming himself for Rita's death (he should have "been there" to "protect her"), rather than ruminating on how it feels to be on this receiving end of a serial killing. How a series this smart could overlook the far more interesting angle is as much of a wasted opportunity as it is a disappointment.
  11. With so much going on, one would expect Swingtown to be exciting, but it’s not. Behavior that was scandalous in the ‘70s isn’t today.
  12. Some celebrities will surely offer better material to edit than Hasselhoff, famous and not. Future episodes promise encounters with Reggie Bush, Kathy Griffin, and Mike Tyson. Tyson in particular may bring just enough crazy to the table to tip the genre scales back to train wreck.
  13. It isn't just the concept that's unoriginal, but also the scripting. The show has an abundance of jokes, but few elicit more than a grin.
  14. Even the flashy action is of a piece with all this conventional structuring, as Chance regularly takes a few minutes to run and jump or punch and shoot. Such predictability does Human Target no favors.
  15. [Perception is an] inept, and sometimes offensive, drivel, turning serious mental illness into a chic tic and woefully underestimating the intelligence of its audience.
  16. By the end of The Breakfast Club, the kids have learned that each of them is not solely a Brain, a Princess, a Criminal, a Basket Case, or an Athlete, but individuals who defy categorization. If only the characters in My Generation--and its dwindling viewers--were afforded the same opportunity.
  17. Even with all its CGI trappings and somber Washington, D.C. setting, Threshold feels minor, an amalgam of The Abyss and maybe Dark Skies.
    • 42 Metascore
    • 30 Critic Score
    Unfortunately, Criminal Minds confuses critical thinking with supernatural abilities.
  18. Ironside is an exercise in cynicism, a safety-first raid on the vaults with not a shred of respect for either the its prospective audience.
  19. While options during the era were surely limited, the show's broad strokes don't do justice to the choices women were making, or their self-awareness while making them.
  20. What makes Justin's dad funny is the brevity. Without it, $#*! My Dad Says is not.
  21. The host never seems genuinely interested in the places he visits. Because Larry the Cable Guy is a character and not a real person, his interactions feel calculated.
  22. The comedy that does occur in How I Met Your Mother isn't enough to compensate for its inconsistencies.
    • PopMatters
    • 47 Metascore
    • 30 Critic Score
    Not at all intelligent, the show is pretty much immune to any form of legitimate criticism, and further, it will likely be gone within the first few weeks of this television season.
  23. The Taste is a confusing show with humorless banter that does not inspire the audience to become invested in the contestants. It's doubtful that viewers will be coming back for seconds.
  24. The dynamic here is already tired.
  25. It’s a co-production with an outside company, poorly scripted and directed.
    • 56 Metascore
    • 30 Critic Score
    Set against Reaper‘s slackers and the largely limited actors who portray them, Wise will having you rooting for the Devil.

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