PopMatters' Scores

For 485 reviews, this publication has graded:
  • 33% higher than the average critic
  • 5% same as the average critic
  • 62% lower than the average critic
On average, this publication grades 7.4 points lower than other critics. (0-100 point scale)
Average TV Show review score: 58
Highest review score: 100 The Office (UK): Season 1
Lowest review score: 0 Get This Party Started: Season 1
Score distribution:
  1. Mixed: 0 out of 179
  2. Negative: 0 out of 179
179 tv reviews
  1. The dynamic here is already tired.
  2. Rhys Meyers is mostly effective during such inserting, exuding exotic appeal and sensitive yearning—at least when he’s gazing on his object of desire from afar. When he speaks, his appeal is dulled by his flattened, put-on American accent, which makes him sound like Chris Pine.
    • 55 Metascore
    • 50 Critic Score
    How interested will viewers be in its fictional scandals when real life offers much more sensational examples of bad behavior?
    • 55 Metascore
    • 20 Critic Score
    Bones is a very poor cross between the X-Files and CSI with characters stolen from NCIS, plot devices from Veronica Mars, and topicality from Law & Order.
  3. These couple of episodes give hope that Kaling the writer means to continue to skewer her character’s fantasies with the same combination of intelligence and acid wit as before.
  4. Filmed and set in a soggy, green-washed Portland, Oregon, its procedural plotting and visual flair carry it along when it occasionally lapses into something like camp.
  5. As much as they have at stake, neither Vince nor Dana is as much fun to watch as Max. Master of the arched eyebrow and the sly grin, Max is better than a circus act.
  6. Everything in the first episode suggests that Forever has a better shot at successfully combining procedural conventions and a high-concept than, say, Intelligence or Almost Human.
  7. The mix of appealing nerds and lack of truly grating nerds is calculated for viewers' comfort, but the first episode is decidedly bland, too. Viewers looking for a new take on the reality competition genre won't find it here.
  8. It's like the producers have set up Breaking In to be an action-comedy but nobody involved really cares about the action portion. But if the show is starting as a mild disappointment, it's far from terrible.
  9. Hood’s methods are unconventional, Eleventh Hour insists, but still, he’s strangely bland.
  10. The show piles on plot and cliché. You know too much already. And yet, watching her, you realize you can never know enough.
  11. Intra-team melodrama doesn't distract from the film's focus so much as it illustrates it: again and again, the boys declare their need for payback.
  12. Like King of the Hill, Bob's Burgers makes comedy of daily frustrations, without resorting to cheap gags or surreal asides. With the Belchers, Fox may have found another great family to move in next door to the Simpsons, Hills, and Griffins.
  13. The "medical drama" is far too paltry to sustain the series without ramping up the relevance of the war context.
  14. To ensure you understand the magnitude of all this emotional mayhem, Maddux helpfully narrates in generically navel-gazing voiceover.
  15. This sort of banter takes up a good portion of the Castle premiere episode, each instance of it reinforcing the always-already familiar premise.
  16. [The show has] married the procedural to melodrama, with occasionally intriguing results.
  17. Sure, this has all been done before, but familiarity doesn't make Just Legal any less fun.
  18. Kid Nation does not mean to find out whether kids can do what adults could not. It means instead to demonstrate that these kids really would die without the intervention of adults.
  19. It’s as if quarterlife comes with a prefab drinking game: take one shot when the waterworks start, another if the word “scared” follows.
  20. The reason we might stick around is Audrey Parker. She also provides an alternative to the usual dark mystery associated with Stephen King's work.
  21. If you strip away the designer shoes and drinks, the show is left with all the hallmarks of a typical teen melodrama.
  22. Why is Charlie here? He doesn’t get involved in the action, only generates equations that are truly unexciting.
  23. This unchallenging adaptation of Chris Bohjalian's bestseller wishes it could be American Beauty. Or maybe Desperate Housewives.
  24. Had Keenan and Lloyd devoted more time to providing their characters with depth and less to flinging insults, viewers might have developed empathy for them and better understood why they feel such aggression toward one another.
  25. His being stuck there no matter who shows up, in addition to his out-of-joint flashbacks, makes Crusoe seem something like a proto-Survivor contestant or, weirder, a proto-cast member on Lost. None of this bodes especially well for the series, in terms of repetition and limitation.
    • 53 Metascore
    • 40 Critic Score
    The two-hour Season Four premiere sends FBI Special Agent Seely Booth (David Boreanaz) and forensic anthropologist Bones Brennan to England, and the result is disappointing, lacking the series’ usual wit and cool science-y stuff.
  26. The Taste is a confusing show with humorless banter that does not inspire the audience to become invested in the contestants. It's doubtful that viewers will be coming back for seconds.
  27. For now, the Bowers and Joanna provide enough mystery to maintain our interest, but we're left wondering whether the show's compelling start is actually taking us somewhere, or if instead this, too, is only a deception.

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