PopMatters' Scores

  • TV
  • Music
For 7,136 reviews, this publication has graded:
  • 43% higher than the average critic
  • 4% same as the average critic
  • 53% lower than the average critic
On average, this publication grades 4.9 points lower than other critics. (0-100 point scale)
Average Music review score: 67
Highest review score: 100 Live in Europe 1967: Best of the Bootleg, Vol. 1
Lowest review score: 0 Travistan
Score distribution:
7,136 music reviews
    • 100 Metascore
    • 100 Critic Score
    At the end of the day, few people will doubt Pinkerton's power, and whether you're hearing it for the first time or just for the first time in a few months, it remains as visceral a listen as ever.
    • 100 Metascore
    • 100 Critic Score
    Easily one of the best classic re-releases yet.
    • 99 Metascore
    • 100 Critic Score
    No matter how many releases we get from the Davis archives, no matter how familiar you are with his mid-'60s work, LIVE in Europe 1967 will surprise you and remind you that, even in lean times, even when the trends of the genre he championed were moving away from him, even when his country stopped caring, Miles Davis found a way to press forward, to reinvent, and to give us yet another classic sound, and perhaps the final thrilling word on Jazz as he knew it.
    • 99 Metascore
    • 100 Critic Score
    In four and a half hours, Wadada Leo Smith writes one of America's defining events in sound, and the story is all of ours.
    • 99 Metascore
    • 70 Critic Score
    Every song is an open-and-shut case, a tightly-sealed, end-of-story work of pop-rock perfection. Which means items like discs of live material and outtakes are superfluous at best.
    • 99 Metascore
    • 90 Critic Score
    These outtakes give a sort of new context for the album itself, which sounds brilliant in this remaster, but they don’t exactly give us a complete story. Even the huge booklet and documentary about the band here don’t exactly give us the clear picture of Spiderland.
    • 98 Metascore
    • 70 Critic Score
    This 2012 Remix/Remaster version of the album, with its rich mastering, is the one to own.... But it is not Massive Attack's masterpiece. Though some would disagree, that honor goes to 1994 follow-up Protection.
    • 98 Metascore
    • 100 Critic Score
    This entire collection proves one thing: Paul Simon and Graceland will remain as one of the most relevant pop records of all time.
    • 97 Metascore
    • 70 Critic Score
    Sound System errs firmly on the side of inclusion in virtually every way. This means, of course, inclusion of the albums Sony Legacy assumes we already own, so true fans might want to quickly Ebay their last purchase of the first five albums to afford the hefty price tag of Sound System.
    • 97 Metascore
    • 80 Critic Score
    The most obvious aspect that takes away from Smile's luster however, is an uncomfortable sense that the album has morphed into a quaint piece of nostalgia rather than the masterwork it was expected to be.
    • 97 Metascore
    • 90 Critic Score
    The fact that a woman of Lynn's tenure can slide so easily into what is essentially an alt-country environment without losing any of her down-home authenticity simply underscores her versatility and timelessness.
    • 97 Metascore
    • 90 Critic Score
    Each song is a story. And that’s greatness in this kind of music.
    • 97 Metascore
    • 100 Critic Score
    The three discs represent lightning captured in a bottle.
    • 96 Metascore
    • 100 Critic Score
    It wouldn’t be hyperbolic to declare Keep an Eye on the Sky an indispensable cornerstone of any serious music fan’s collection, and one of the greatest box sets ever assembled. Finally, Big Star get their due chance to shine.
    • 96 Metascore
    • 100 Critic Score
    The bonus CD makes it alarmingly clear that the Pumpkins could have assembled another cracking album from the Siamese Dream castoffs before embarking on the road to Mellon Collie and the Infinite Sadness (1995)...The new editions of Gish and Siamese Dream (especially Siamese Dream, which handily outclasses its companion release in all areas) are sumptuous reminders of the heights the group once attained back when it had everything to prove and nothing to lose.
    • 96 Metascore
    • 90 Critic Score
    It's heartfelt. It's dark. It's intricate but immediate, rocking but lush. It does all those things at once, and it does them better than most artists could hope to do any one of them.
    • 96 Metascore
    • 100 Critic Score
    This is genre-defying music, but anyone with an interest in hearing a blueprint for trip hop or a master class in the depiction of desire in pop music, should be sure to listen to this mysterious, timeless, contradictory album.
    • 96 Metascore
    • 100 Critic Score
    This release reorients us around familiar material, but outdoes all previously existing versions in the scope of its execution and comparative completeness.
    • 96 Metascore
    • 80 Critic Score
    The album [El Corazon], and by relation the whole Warner Bros Years boxset, is a confident announcement not of return but of complete rejuvenation.
    • 95 Metascore
    • 90 Critic Score
    This box set illuminates the complicated, tangled bits of history and ideology and personality that connect that man to that myth. Those threads are frayed, tough to follow at times, but strong.
    • 95 Metascore
    • 80 Critic Score
    Don’t be surprised if this box set doesn’t drastically change your preconceived notions of what this already-iconic album is about, but for those who think the Gallagher’s never got better than this, consider this the only Oasis box set you will ever need.
    • 95 Metascore
    • 90 Critic Score
    Exciting and stellar... What a way to show the kids both in 1992 and in 2012 how it's done, Bob.
    • 94 Metascore
    • 100 Critic Score
    Cryptic and daunting, "Dopesmoker" is the quintessential stoner metal track. Sixteen years since its birth, it remains unsurpassed.
    • 94 Metascore
    • 90 Critic Score
    In their catalog, though, no album stands out more than Satan Is Real, their 1959 masterpiece that outlines and encapsulates the fragile fine lines of good versus evil, and spirituality versus the mundane.
    • 94 Metascore
    • 70 Critic Score
    The Promise hits a ceiling just below what you'd call essential listening, but it's still more than just a fan-only release. These 22 songs show a band at the height of their powers stretching out and trying new things, indulging in their musical loves to bright and catchy results.
    • 94 Metascore
    • 70 Critic Score
    Whether or not this is the best Kanye West album, this may be the one he's remembered most for, the one that may finally trump the version of him we cringe at on the red carpet.
    • 94 Metascore
    • 80 Critic Score
    This final record shows Touré still brimming with vitality. Savane is his wonderful farewell gift.
    • 94 Metascore
    • 90 Critic Score
    Icky Mettle might have a reputation for containing a one-trick pony and the band's singular best known moment in the form of "Web in Front," but there's a wealth of material to really dig into and enjoy.
    • 93 Metascore
    • 90 Critic Score
    The problem with Madvillainy, if it can even be termed a problem, is that Doom and Madlib just have too many ideas.
    • 93 Metascore
    • 80 Critic Score
    Commemorative repackage or not, Lifes Rich Pageant is a must-listen rock record that is too often overshadowed by more chatted-about releases.