Portland Oregonian's Scores

  • Movies
For 3,182 reviews, this publication has graded:
  • 64% higher than the average critic
  • 3% same as the average critic
  • 33% lower than the average critic
On average, this publication grades 5.4 points higher than other critics. (0-100 point scale)
Average Movie review score: 67
Highest review score: 100 Kiss Kiss Bang Bang
Lowest review score: 0 Welcome to Mooseport
Score distribution:
3,182 movie reviews
  1. Has a surprising number of problems: dire scripting, sloppy plotting and coffee-jittery editing, for starters. But its biggest problem is that Blade himself takes a back seat to a host of new and mostly uninteresting characters.
  2. If you believe that, as one interviewee says, "Science is just another story," then these ideas may ring true. If you're looking for actual solutions to global problems, rather than ways to feel better about them, I Am will be a frustrating experience.
  3. Though it's debatable whether Sandler is squandered or just supremely annoying here, the film's flaws aren't entirely his fault.
  4. Dissects the dicey question of fidelity with all the finesse of a Veg-O-Matic and leaves us with something closer to chopped liver than broken hearts.
  5. Kassovitz can't control the ridiculous script and messy tone. And though it's not exactly hard to watch Berry run around in a hospital robe (Cruz and Berry: That's one good-looking mental ward), it's not particularly profound.
  6. A story that would be charming if recited at the dinner table tries to carry a feature film, and it's not even close to the task. The result is screamingly bad.
  7. A nitwit story about a nitwit author who has written a nitwit novel about a nitwit author who has published a nitwit novel which, in fact, he has stolen wholecloth from another writer whose personal behavior, as fictionalized in the novel-within-the-novel-within-the-film, can charitably be described as...nitwit.
  8. While you may like comedies and you make like thrillers, this film does neither of the above with any pizazz.
  9. Better luck trying to find out what truly happened to the real Earhart than trying to diagnose all that's wrong with this hapless film.
  10. In Be Cool, a wonderful cast essays a lively script and manages to make a decent film out of it.
  11. It's the sort of movie that would have starred Valerie Bertinelli or Kristy McNichol back in the 1980s, tricked out with PG-13 grittiness and religious wholesomeness. It's the sort of story that ignores unpleasant social implications in favor of programmed sentiment.
  12. A film with almost zero redeeming value.
  13. Hilariously, gut-bustingly, mind-blowingly, jaw-droppingly stupid.
  14. The ferociously misguided new rendition of The Lone Ranger has no legitimate reason to exist.
  15. Purists may still quail at the little bit of anthropomorphism going on, but it seems a small price to pay to broaden the audience for a family film that seeks to do more than just entertain.
  16. Lee is not an action director, and the movie often feels like it was made in the 1940s rather than set then.
  17. Watching Rocks shows, we know he's sharper than the average actor. But watching him flail and play funny in movies that aren't as smart as him is simply depressing. Someone give this man a good role. And please, let him do a few more takes -- these scenes can't be his best efforts.
  18. Drowns in flat, clumsy and obvious direction.
    • Portland Oregonian
    • 37 Metascore
    • 50 Critic Score
    The troubling thing about "Chuck & Larry" is the hypocrisy. It's a comedy that ridicules the people it's supposed to be championing.
  19. The result is a frustrating and disturbing mishmash of vague philosophical noodling, which even the best-chosen cast can't imbue with zip.
  20. The problem is that so little in this version of All the King's Men speaks to the here and now or even speaks clearly. It feels like a repertory exercise -- and not a very successful one at that.
  21. Comes up with some decent jokes, including a talking car-based GPS system which doubles as a therapist, and a suggestive Yonica number titled "I Want to Blow You Up," but fails to surround them with a compelling story or characters who rise above the level of cliche.
  22. A sequel that never rises to the giddy pitches of skewed humor that the original managed to toss off with such unexpected glee.
  23. The effect is to turn a brain-optional shoot-'em-up into a military recruiting commercial, which may not be an accident.
  24. Cobbled together from other sources without much thought to originality.
  25. Among the lamest serial-killer movies ever made.
    • 37 Metascore
    • 42 Critic Score
    Refn's trying to make too little stretch too far.
  26. Conveys an almost pulseless Nora Ephron style of homespun wisdom.
  27. Filled with energy and visual pizzazz and at least strives for something more than dumb entertainment.
  28. The nearest thing to W. E. is Sofia Coppola's "Marie Antoinette," which tried to make a sympathetic victim of another of history's most notorious royal wives.

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