Portland Oregonian's Scores

  • Movies
For 2,809 reviews, this publication has graded:
  • 64% higher than the average critic
  • 3% same as the average critic
  • 33% lower than the average critic
On average, this publication grades 5.4 points higher than other critics. (0-100 point scale)
Average Movie review score: 67
Highest review score:
Critic Score 100
Lowest review score:
Critic Score 0
Score distribution:
2,809 movie reviews
  1. With a level-gazed approach to its milieu, empathetic but clear-eyed, Winter's Bone practically makes up for 40 years of "Deliverance"-style hillbilly cartoons.
  2. This is a deeply felt work of art in the form of a big, brassy movie-movie.
  3. Shot to shot, scene to scene, The Social Network nearly never puts a foot wrong or, really, does anything to make you feel less than compelled.
  4. It's a fine, absorbing work, built with brilliance and without excessive showiness or flash. It feels, in fact, like a classic virtually upon its arrival.
  5. Every profile is fascinating, but certain ones stand out.
    • Metascore: 77
    • Critic Score 100
    For a movie with such a brisk pace -- it clocks in at just 76 minutes -- Caesar Must Die has surprising depth, particularly when it comes to the strong performances by the actors, many of them Mafiosi serving time for drug trafficking and murder.
  6. For a film that consists largely of a series of talking-head interviews, The Gatekeepers is a riveting a documentary.
  7. The film is uncommonly evocative. [19 Dec 1990, p.D6]
  8. One of the most aggressively ambiguous pictures of the year. There is a certain power to that.
  9. Between the tart dialogue, the compelling lead performances, the vivid violence and the stunning cinematography, it's complete and satisfying all on its own.
  10. Along the way it provides the grand, intelligent entertainment of a superior cast playing smart people amid a compelling plot. It may not be perfect, but it's decidedly a cut above.
  11. It's a film in which complex issues are boiled down to human essences, not so much simplified as dramatized in the very best way.
  12. A pure, sweet romance that moves along with bouncy comedy and a touch of grown-up realism and rue.
  13. It's as full a movie as you can imagine -- exhausting and exhilarating and continually fascinating.
  14. Among the film's highlights are an interview with Grand Wizard Theodore, who is generally uncontested in his claim to have invented the idea of scratching vinyl.
  15. Rich in detail, gorgeously shot and beautifully acted, Les Destinees is, in its quiet, epic way, daring, inventive and refreshingly unusual.
  16. A hilarious, sad and sometimes-inspiring documentary directed by Fenton Bailey and Randy Barbato, the film is an all-out Tammy valentine -- campy, dramatic and, of course, makeup-smeared. And better than any melodrama you'll see this year.
  17. This is some of the finest acting you will see on-screen, maybe ever. Single-handedly, Washington turns The Hurricane from so-so to must-see.
  18. Wide-eyed, deadpan and, more often than not, note-perfect.
  19. An exquisite, ecstatic film, crude in its characterizations and plotting, yes, but extraordinary in its capacity for elation and its hard-earned sentimentality.
  20. Beautifully acted, the film is touchingly human and, thankfully, devoid of any vapid, ironic kitsch.
  21. Once you lose yourself in Ruiz's stunning achievement -- a wonderfully acted, beautifully realized vision of Proust -- you'll be enchanted.
  22. So filled with riches that it seems a bit unfair to single out Szabo and Fiennes, no matter how outstanding their work.
  23. When it all comes to a head, what seems ordinary blossoms into something deeply complex and emotional.
  24. A profoundly anxious picture that from its first frame holds you, clenched, never able to let go, even after its unresolved coda.
  25. It's a film of sneaky power, peculiar delights and, finally, the ability to dazzle.
  26. A rousing and agreeable movie that resurrects a small but important episode in baseball history that parallels the larger history of the nation.
  27. Anderson, possessed of an eerily Edwardian aspect, is superb, luminous and knowing and convincingly proud and desperate as the situation requires.
  28. A gripping account of grown-up sensuality, obsession, loss and hope.
  29. If it touches up against the syrupy at a very few moments, it's nevertheless consistently clear-eyed and convincing.