Prefix Magazine's Scores

  • Music
For 2,132 reviews, this publication has graded:
  • 52% higher than the average critic
  • 3% same as the average critic
  • 45% lower than the average critic
On average, this publication grades 3 points lower than other critics. (0-100 point scale)
Average Music review score: 70
Highest review score: 100 Modern Times
Lowest review score: 10 Eat Me, Drink Me
Score distribution:
2132 music reviews
    • 66 Metascore
    • 65 Critic Score
    Spring is using her EP to carry on the torch until they can reunite, and producer Jorge Elbrecht (of Violens) provides adequate reinforcements for Spring's filmy sound.
    • 71 Metascore
    • 65 Critic Score
    The Fratellis won't change your life or any of your top-five lists. What the band will do, however, is give you a few good tunes to throw onto a Saturday night playlist while you wait for the real thing to come along.
    • 69 Metascore
    • 65 Critic Score
    The fact that this debut hews closer to the Noel we know certainly shouldn't be a disappointment.
    • 73 Metascore
    • 65 Critic Score
    More often than not, they miss, retreating back instead of charging forward.
    • 64 Metascore
    • 65 Critic Score
    Better Luck Next Life, their second full-length, does lapse out of recalcitrance, but its immersion makes for a worthy distraction.
    • 69 Metascore
    • 65 Critic Score
    Thistled Spring, more nuanced and poised than its much-lauded predecessor, signals the ongoing work of a band far from finished, far from plumbing the depths of which it is capable.
    • 64 Metascore
    • 65 Critic Score
    Naturally there some moments where having too producers and visions hurts them, but for the most part, the band sticks to the formula that's worked in the past.
    • 68 Metascore
    • 65 Critic Score
    The songs on Goodnight Unknown are well crafted and it’s clear that Barlow still has quite a bit of passion for making music, but the spark of genuine creativity is not there.
    • 69 Metascore
    • 65 Critic Score
    Some of the better songs on Dreams and Nightmares--"In God We Trust" and "Believe It" being prominent examples--are the ones that let Meek hit the track hard and tear it apart.... But ultimately songs like these are in the minority on Dreams and Nightmares. There are many notable stylistic missteps.
    • 69 Metascore
    • 65 Critic Score
    It's airy, synth-heavy and loud, and it moves like a glacier.