Premiere's Scores

  • Movies
For 1,070 reviews, this publication has graded:
  • 58% higher than the average critic
  • 2% same as the average critic
  • 40% lower than the average critic
On average, this publication grades 2.6 points higher than other critics. (0-100 point scale)
Average Movie review score: 64
Highest review score: 100 The Darjeeling Limited
Lowest review score: 0 I Know Who Killed Me
Score distribution:
1,070 movie reviews
    • 48 Metascore
    • 38 Critic Score
    The movie does feature a nice, teasing chemistry between veteran actors Voight and Mirren (who clearly relishes the chance to break out of stuffy melodrama), but this shallow, empty puzzle requires more than playful banter to satisfy audiences willing to pay to play.
    • 60 Metascore
    • 38 Critic Score
    For a while, it works, until it suddenly decides to abandon the "what you don't see is scarier than what you do see" for a ridiculous and ultimately insulting explanatory ending.
    • 43 Metascore
    • 38 Critic Score
    It's an empty-headed look at a national problem with modern surveillance society, but if everyone acted as stupidly as the incredulous screenplay would have you believe, then it's safe to say the movie inadvertently reflects, rather than critiques, the insanity of our times.
    • 30 Metascore
    • 38 Critic Score
    A disappointingly schlocky effort that gives up on trying to make a realistic Punisher movie, settling instead on a hokey, multi-colored-neon gun rave best enjoyed in Rob Zombie's family room.
    • 36 Metascore
    • 38 Critic Score
    This completely rips off "Heroes," which itself ripped off a great deal from the "X-Men," so no real imagination here...except for the "Sniffs," who creepily track people by smell.
    • 26 Metascore
    • 38 Critic Score
    Laughably clichéd, abominably written, astonishingly dreadful attempt at a psycho-sexual thriller.
    • 31 Metascore
    • 38 Critic Score
    It was received at Sundance 2007 with a resounding thud. Not because of this controversial rape scene, but because, well, it just wasn't good. Unfortunately, even with over a year of rejiggering, it's still not good.
  1. Despite the attempts of the Academy Award-winning makeup artist behind Mrs. Doubtfire, these doubtful misfires can't pass as white or as chicks.
    • 44 Metascore
    • 38 Critic Score
    Director Sylvain White, whose last film was the equally unnecessary "I'll Always Know What You Did Last Summer," manages to take the joy out of a dance movie by jerking the camera around and speeding up the dance moves so much.
  2. Like the equally dull romantic drama "Catch and Release," which was in theaters for a nanosecond back in January, In the Land of Women strains to convince the audience to that it's telling a real story about real people. But with its glossy visuals and photo-shoot ready cast, the movie ends up presenting us with the very opposite of reality.
  3. Each segment introduces new characters and a radically different scenario, which suggests that Hancock's structure may actually be an insecure attempt to deliver a horror movie.
  4. The movie suffers from convoluted plots, turgid pacing, and strange disrespect for its source material.
  5. As coincidence would have it, Steve Carell's "The 40-Year-Old Virgin" spun comedy gold from a similar idea just last week. Virgin shares not only The Baxter's basic premise, but also two of its key cast members (Paul Rudd and the beautiful Ms. Banks), allowing audiences to see just how much better The Baxter might have been if Showalter had given us some reason to identify with his socially awkward protagonist.
  6. Isn't quite self-aware enough to be really funny, and certainly isn't serious or genuinely exciting enough to be thrilling because of it's action.
    • 55 Metascore
    • 38 Critic Score
    An exhausting 90 minutes of SNL-centric mediocrity that gives one the nagging feeling that Tina Fey's inability to cut the cord is going to quickly start to cool interest in her upcoming projects.
  7. Flashy, forgettable fluff.
  8. Threadbare sequel.
  9. The whole film, in fact, feels slapped together and unfocused. Though the movie’s too dopey for anyone older than ten, there are scenes where characters drink and go skinny-dipping.
  10. An ambitious disaster, Alexander is the rare historical portrait that leaves you feeling as though you know less about its subject than you did upon entering the theater.
  11. The studio wimped out, and the result is a lesser production on every level: talent, script, content, and purpose.
  12. The problem is the material itself, with its trite observations and shockingly flat writing.
    • 53 Metascore
    • 38 Critic Score
    A self-impressed epic with grandiose vistas, flat characters, and a subplot about Native Australians.
    • 38 Metascore
    • 38 Critic Score
    Both Harris and Gooding, Jr. are fine actors trapped in a mawkish, pandering production that wastes the latter and is a waste of time for the former.
  13. Amid every action cliche in the book, outmoded stereotypes, and a plot derivative of every futuristic drama made in the last fifteen years, Ultraviolet comes off as nothing more than a pale copy of better, more inventive films.
  14. Kevin Spacey is a darn good actor, and he's a pretty good singer to boot. But those traits alone do not excuse the painful experience to be had sitting through Beyond the Sea.
  15. Some of the effects are squirm-worthy, if not actually frightening. Amid all the fake profundity, those moments -- you know, when the film is actually entertaining -- are rare.
    • 45 Metascore
    • 38 Critic Score
    The movie tires itself out setting up the complex plot.
  16. The pretentious title might be trying to make a statement about the new, fast-moving economy. It's also a weak reference to the first Wall Street. But mainly, no, it's just pretentious.
  17. It's just a spectacularly lazy movie that's content to trod the same well-worn ground as its predecessors.
    • 43 Metascore
    • 38 Critic Score
    The climax is the only thing for which the rest of this flick exists.

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