Premiere's Scores

  • Movies
For 1,070 reviews, this publication has graded:
  • 58% higher than the average critic
  • 2% same as the average critic
  • 40% lower than the average critic
On average, this publication grades 2.6 points higher than other critics. (0-100 point scale)
Average Movie review score: 64
Highest review score: 100 The Dreamers
Lowest review score: 0 Boogeyman
Score distribution:
1070 movie reviews
  1. In the battle of the leading men, Crowe's character has a slight edge, and the actor really makes the most of it, showing us how boyishly mischievous charm and utter venality can exist without seeming contradiction in the same being. But Bale builds to a pretty impressive boil himself after laying back for about three quarters of the film.
  2. Syriana depicts a system so thoroughly and intractably rotten that the standard liberal how-you-can-make-a-difference solutions--being more conscientious about using electricity, getting a hybrid car, and so on--only look like so much spit in the face of an atomic fireball.
    • 76 Metascore
    • 88 Critic Score
    The reason to see Dreamgirls is what hasn't been advertised - a film that in spite of its shiny veneer actually hits all the high notes through its underlying rawness.
  3. Moncrieff’s overriding theme here isn’t empowerment but survival. The movie crams a hell of a lot of dysfunction into its 88 minutes.
  4. An epic treatment of epic themes that doesn't soft-soap its audience, but at the same time provides a terrifically satisfying entertainment.
  5. It's kind of amusing to see slinky Christina Aguilera sing the "Live With Me" line about a score of harebrained children, as she clearly hasn't got the faintest idea of what that means.
  6. It's rare that a picture that deals with as much tragedy as this one also manages to convey as much warmth to its characters.
  7. Brothers takes a scenario as old as Genesis – two jealous siblings spar over the affections of the same woman – and renders it fresh and immediate, by virtue of the warm, almost maternal, generosity director Susanne Bier shows her characters.
  8. Through a haze of opium smoke and Molotov cocktails igniting, Regular Lovers plays out like the heavier politicized and unsentimentalized counterpoint to Bernardo Bertolucci's "The Dreamers."
    • 76 Metascore
    • 100 Critic Score
    Much like the actual summer (the season, not the character), we never wanted it to end.
  9. Every so often, a movie blindsides you, leaving you feeling different, enlightened, possibly even improved. Me and You and Everyone We Know is such a movie.
  10. Intelligently written and beautifully acted throughout, it’s a good, and rare, example of what we used to refer to as a movie for adults. Adults, be advised.
  11. Whatever you want to label this quick-paced crowd-pleaser, it is definitely one of the year's must-sees.
  12. The new perspective Scott and Zaillian want to bring to this material never gels convincingly, and despite some effective set pieces, a cast of memorable faces and attitudes, and evocative cinematography by Harris Savides, this would-be epic feels tired and rote.
    • 76 Metascore
    • 75 Critic Score
    Superbad is just a great time, plain and simple.
  13. Demme here shows off both the mastery of suspense that made "The Silence of the Lambs" a classic, and the humane understanding and appreciation of character that not just deepens but energizes this film.
  14. The movie is a leaden, slow-moving beast.
    • 75 Metascore
    • 63 Critic Score
    At opening night, with every seat in the cafeteria filled, you realize that the students have not only carved out a fledgling drama department in this sports-mad place, they’ve updated Grover’s Corners to Compton.
  15. The true sensory delight is when the two men share screen time, and the palette is bombarded with their contrasting hues, the score (by Pascal Esteve) even meticulously interlacing their two musical personalities.
  16. Bergman wants the viewer to empathize more with the characters’ perseverance than their pain, and he pulls it off, thanks to his sharp eye, compassion, and humor, and of course to the performances. [March 2004, p. 26]
    • Premiere
  17. It's a fascinating portrait, but it's also choppy and rushed and lopsided.
  18. A superb effort by a first-rank director, and manna from heaven for Cheung fans.
  19. This is a real grabber.
  20. As long as Guggenheim keeps his cameras trained on Gore's presentation, An Inconvenient Truth is an engaging film. Less successful are the scenes where Gore is seen off-stage, traveling around the world and visiting his childhood home.
  21. The humor is so satisfying in its moment-to-moment pleasures that it's almost unsportsmanlike to criticize the bigger picture.
  22. Those last thirty minutes are worth the price of admission.
    • 75 Metascore
    • 75 Critic Score
    The movie isn't a send-up or a takedown of fairy tales -- it's a fairy tale.
  23. It may most aptly sum up the who the hell Ralph Nader is and why he insists on creating such a ruckus.
  24. Some might not even notice what's going on when director Walter Salles finally shows his hand, and ends the film with documentary footage of the real-life Granado, now aged 81, romping in the earthly paradise that is present-day Cuba.
  25. In the end, it's not the answer to the kitchen mystery that matters but the revelation that there's ultimately no difference between this bachelor scientist and his bachelor subject.

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