Q Magazine's Scores

  • Music
For 8,545 reviews, this publication has graded:
  • 42% higher than the average critic
  • 3% same as the average critic
  • 55% lower than the average critic
On average, this publication grades 5.7 points lower than other critics. (0-100 point scale)
Average Music review score: 67
Highest review score: 100 A Hero's Death
Lowest review score: 0 Gemstones
Score distribution:
8545 music reviews
    • 81 Metascore
    • 80 Critic Score
    This album sees the acquisition of a new twin-sticksman rhythm section, which powers Dwyer's ever-progressive tracks to new heights of psychedelic delirium. [Oct 2016, p.110]
    • Q Magazine
    • 77 Metascore
    • 80 Critic Score
    Their electro-acoustic psych-soundworld can't disguise crisp earwormers. [Oct 2016, p.109]
    • Q Magazine
    • 70 Metascore
    • 80 Critic Score
    This is a record of towering acoustic-based songwriting. [Sep 2005, p.114]
    • Q Magazine
    • 86 Metascore
    • 80 Critic Score
    It's fortunate that the warmly accessible Way Out Weather, which showcases his melodious, improvising guitar, exists in less esoteric numbers [than his limited released vinyl albums]. [Nov 2014, p.112]
    • Q Magazine
    • 78 Metascore
    • 80 Critic Score
    Effectively a double album proving that time hasn't blunted Heaton's lyrical sharpness. [May 2020, p.108]
    • Q Magazine
    • 56 Metascore
    • 80 Critic Score
    Their anthem-filled fourth album's brazen swagger may prove irresistible. [Nov 2007, p.137]
    • Q Magazine
    • 85 Metascore
    • 80 Critic Score
    A record of a very fine sort. [May 2019, p.110]
    • Q Magazine
    • 78 Metascore
    • 80 Critic Score
    This is a very welcome return of a singular talent. [Jun 2017, p.112]
    • Q Magazine
    • 80 Metascore
    • 80 Critic Score
    Like Boys Outside, Monkey Minds casts Steve Mason as a gifted songwriter, a world-worn bringer of anger, melancholy, hope and melody. [Apr 2013, p.96]
    • Q Magazine
    • 74 Metascore
    • 80 Critic Score
    While the musical backing is occasionally sweeter than it is memeorable, Moss's narrative lyricism saves the day resulting in a rich debut that provokes fresh thoughts with each listen.
    • Q Magazine
    • 74 Metascore
    • 80 Critic Score
    Part Of The Light finds him in dream-like mode, and though he'll never rival Guy Garvey for loquacity, he's so comfortable in his own skin that To The Sea details a cheery trip to the seaside and his voice soars where it once growled. [Jul 2018, p.112]
    • Q Magazine
    • 81 Metascore
    • 80 Critic Score
    Platform is always engaged and engaging, the questions it raises never merely academic. [Jun 2015, p.107]
    • Q Magazine
    • 75 Metascore
    • 80 Critic Score
    The Casadys' knack for sifting vivid, dreamy songs out of harrowing subject matter is no less potent here. [Jun 2013, p.96]
    • Q Magazine
    • 87 Metascore
    • 80 Critic Score
    Disturbingly sensual stuff. [Jun 2013, p.99]
    • Q Magazine
    • 78 Metascore
    • 80 Critic Score
    The flawless record that Yorkston has long promised. [Oct 2014, p.121]
    • Q Magazine
    • 78 Metascore
    • 80 Critic Score
    Tucker's inimitable vocals are savage and exhilarating throughout. [Nov 2012, p.108]
    • Q Magazine
    • 84 Metascore
    • 80 Critic Score
    With their harmonies having never sounded more like perpetual benchmark The Everly brothers, the cantina guitars and dusty, hazy lyrics conjure a world of adobe bars and lazy roof-top jams as the sun dips behind the cactus. [Mar 2017, p.111]
    • Q Magazine
    • 76 Metascore
    • 80 Critic Score
    It's focused, punchy and beautifully poetic. [Dec. 2011 p. 129]
    • Q Magazine
    • 76 Metascore
    • 80 Critic Score
    This second installment is immaculate, an artful, emotional tour de force that underlines their "American rock's Radiohead" status. [May 2008, p.130]
    • Q Magazine
    • 80 Metascore
    • 80 Critic Score
    Finn's sonic tricks and references to love gone sour undercut the prettiness and hook the listener in, again and again. [Aug 2008, p.142]
    • Q Magazine
    • 80 Metascore
    • 80 Critic Score
    It makes for an affecting, beautifully measured, very grown-up affair. [Mar 2012, p.111]
    • Q Magazine
    • 82 Metascore
    • 80 Critic Score
    As piano and strings crescendo, concluding Pale Green Ghosts' uncommon vistas of seriousness, levity and disco dancing, you can imagine the singer departing in triumph, and anything but an underdog. [Apr 2013, p.112]
    • Q Magazine
    • 73 Metascore
    • 80 Critic Score
    Dalmais's new album arrives wrapped in conceptual packaging and plays beguiling tricks with her remarkable voice, at times airy, at others earthy. [Aug 2017, p.100]
    • Q Magazine
    • 81 Metascore
    • 80 Critic Score
    While it might not feature too many songs the faithful will be hollering for at gigs, it's crammed full of ear candy. [Jun 2015, p.98]
    • Q Magazine
    • 83 Metascore
    • 80 Critic Score
    Wounded Rhymes is the moment Lykke Liu has edged ahead of the pack. And she still understands the value of a mighty percussive wallop. [Apr 2011, p.100]
    • Q Magazine
    • 73 Metascore
    • 80 Critic Score
    It makes for one of the most delicious albums of the year. [Sep 2016, p.113]
    • Q Magazine
    • 78 Metascore
    • 80 Critic Score
    Despite its running time and the magpie-like pilfering, on this amusing and bemusing album Mount never seems remotely in danger of repeating himself--or, for that matter, anybody else. [Oct 2019, p.112]
    • Q Magazine
    • 81 Metascore
    • 80 Critic Score
    The result is a success as both an artistic statement and a mea culpa. [Nov 2019, p.108]
    • Q Magazine
    • 86 Metascore
    • 80 Critic Score
    Shields is part spiralling indie rock, part wistful '60s pop. [Oct 2012, p.102]
    • Q Magazine
    • 67 Metascore
    • 80 Critic Score
    This second effort even has the edge on 2012's The Light The Dead See, with an extra-dazzling cinematic sweep to its orchestration, a poleaxing depth to its existential sorrows and a fabulously redemptive uplift in the climatic My Sun. [Dec 2015, p.107]
    • Q Magazine