ReelViews' Scores
- Movies
For 2,590 reviews, this publication has graded:
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65% higher than the average critic
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2% same as the average critic
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33% lower than the average critic
On average, this publication grades 3.7 points higher than other critics.
(0-100 point scale)
Average Movie review score: 65
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| Lowest review score: |
Score distribution:
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Positive: 1,849 out of 2590
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Mixed: 453 out of 2590
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Negative: 288 out of 2590
2,590
movie reviews
- By critic score
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Reviewed by
James Berardinelli
Grabs you by the throat and digs its claws in deep. From the moment that the unwitting viewer tumbles into the realm of Lawrence Tierney's gang of eight, they are hopelessly trapped there until the final credits roll. -
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Reviewed by
James Berardinelli
Riveting from beginning to end, featuring stellar performances, amazing cinematography, and a story without a trace of fat, the film does everything an epic is supposed to do - and more. -
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Reviewed by
James Berardinelli
This film is sometimes funny, sometimes joyful, and sometimes poignant, but it's always warm, wonderful, and satisfying. Cinema Paradiso affects us on many levels, but its strongest connection is with our memories. -
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Reviewed by
James Berardinelli
One of the best-constructed, funniest, and most clever comedies to grace motion picture screens in recent years. It's outrageous, offensive, and even a little sick -- and all the more enjoyable because of it. -
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Reviewed by
James Berardinelli
Dead Again does not come across as a Hitchcock knock-off, but as a motion picture that incorporates familiar themes and approaches while maintaining its own integrity and identity. Not once during the entire production is there an obviously stolen scene or camera angle replication. -
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Reviewed by
James Berardinelli
This is truly a great film -- easily one of 1997's best. -
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Reviewed by
James Berardinelli
Not only is it a thrill-a-minute ride, but it has one of the best film villains in recent memory, a hero everyone can relate to, dialogue that crackles with wit, and a lot of very impressive pyrotechnics. -
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Reviewed by
James Berardinelli
A charming piece of cinema that takes several comfortable formulas and expands upon them in ingenious and emotionally-satisfying ways. -
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Reviewed by
James Berardinelli
Like its predecessor, The Two Towers is a great motion picture, and not to be missed by anyone who appreciates fantasy adventure. -
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Reviewed by
James Berardinelli
A sumptuous motion picture, a feast for the senses. -
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Reviewed by
James Berardinelli
Represents the director at his best -- unsentimental yet powerful, funny and poignant, and, in the end, undeniably satisfying. -
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Reviewed by
James Berardinelli
It is a triumph, and one of 1998's few "don't miss" motion pictures. -
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Reviewed by
James Berardinelli
It's ironic that a film with this title should be among the most vital, alive, and challenging cinema experiences of the year. -
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Reviewed by
James Berardinelli
In the Company of Men is anything but entertaining. It's virtually impossible to sit through this film without suffering bouts of intense discomfort, and therein lies its power. -
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Reviewed by
James Berardinelli
While no one is going to place Costner alongside Laurence Olivier in the acting department, he brings a likability to Dunbar that many better performers might not have been able to match. -
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Reviewed by
James Berardinelli
With patience, care, and strict attention to detail, Scorsese has staked out an impregnable position in the history of motion pictures. -
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Reviewed by
James Berardinelli
The picture is a series of mini-climaxes, all building to the devastating, definitive conclusion... It was carefully and painstakingly crafted. Every major character - and more than a few minor ones - is molded into a distinct, complex individual. -
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Reviewed by
James Berardinelli
This is unbelievably rich material, and I can say without reservation that Scott Hicks' work deserves the highest recognition. Shine truly does what its name says. -
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Reviewed by
James Berardinelli
Blue Velvet is David Lynch in peak form, and represents (to date) his most accomplished motion picture. It is a work of fascinating scope and power that rivals any of the most subversive films to reach the screens during the '80s. -
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Reviewed by
James Berardinelli
It affirms that, even in the 2000s, movies do not have to be brain-dead to be exciting. When the season is over, Minority Report will more than likely stand out as the best picture to grace multiplex screens during the Summer of 2002. -
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Reviewed by
James Berardinelli
Offeris an exhilarating, and occasionally touching, experience that has viewers leaving the theater caught up in an afterglow of wonder. These days, heros like William Wallace are as rare as motion picture displays of this high, uncompromising quality. -
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Reviewed by
James Berardinelli
With this film, every layer that you peel away leads to something deeper and richer. Tarantino makes pictures for movie-lovers, and Pulp Fiction is a near-masterpiece. -
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Reviewed by
James Berardinelli
It's difficult to overstate how much of a rare find this movie is. Colombani and her cast remind us that the best thrillers are built upon superb writing and strong acting. -
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Reviewed by
James Berardinelli
It demands thought, compels the attention, and refuses to be dismissed. And, for that reason, A Clockwork Orange must be considered a landmark of modern cinema. -
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Reviewed by
James Berardinelli
Light entertainment, this is not. Unforgettable and challenging cinema, it is. -
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Reviewed by
James Berardinelli
For those who are willing to brave the movie's shocking and unforgettable images, Saving Private Ryan offers a singular motion picture experience. -
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Reviewed by
James Berardinelli
Because this film touches us so deeply, the catharsis has a power that few -- if any -- other moments in film history can match. And that's what establishes this as a transcendent motion picture experience. -
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Reviewed by
James Berardinelli
A masterpiece... The genius of Dr. Strangelove is that it's possible to laugh -- and laugh hard -- while still recognizing the intelligence and insight behind the humor. -
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Reviewed by
James Berardinelli
A nearly flawless example of movie composition, with close examination revealing how carefully it was put together. For those who take a less studious and more visceral approach to movie viewing, it's also worth noting that Chinatown is a superior thriller - one that will keep viewers involved and "in the moment" until the final, mournful scene has come to a conclusion. -
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