ReelViews' Scores

  • Movies
For 3,002 reviews, this publication has graded:
  • 65% higher than the average critic
  • 2% same as the average critic
  • 33% lower than the average critic
On average, this publication grades 3.2 points higher than other critics. (0-100 point scale)
Average Movie review score: 65
Highest review score: 100 Forrest Gump
Lowest review score: 0 Knock Off
Score distribution:
3002 movie reviews
  1. Wong infuses his films with style and energy. His hand-held camera is restless, always moving and shifting. The action sequences are punctuated with unusual shots and stop-motion jumps. By filming Chungking Express in such rich, vibrant manner, the director uses visual images to underscore his themes.
  2. One of the best things about True Lies is that it's genuinely funny.
  3. This installment inches events closer to a merge point with 1968's "Planet of the Apes" while maintaining its own unique identity. It is in every way superior to "Rise of the Planet of the Apes."
  4. Hazanavicius isn't just making a "silent movie," he is attempting to enter a time warp and craft something that would fool all but the most studious and scholarly into believing it could have been a lost film from a bygone era. If his tongue is sometimes a little in his cheek, that's all part of the fun.
  5. Each conversation has at least one memorable line, and it's always delivered in such a casual manner that it blends right in.
  6. Sayles cannily blends drama, romance, mystery, and social observation into a satisfying, if slightly overlong, whole. In the hands of a lesser film maker, this material could easily have degenerated into routine melodrama, but Sayles keeps it on a consistently high level.
  7. One of the most obvious problems with The Godfather Part III is that it covers little new territory. The plot is highly derivative of the original.
  8. Spotlight is a Valentine to investigative journalism and a stark reminder of where we’re headed now that this brand of writing has become an endangered species. The film is unique in that it focuses almost entirely on the process.
  9. Skyfall can take its place alongside "From Russia with Love," "Goldfinger," and "On Her Majesty's Secret Service" as the best Bond can offer.
  10. The film’s contribution is the unique perspective it provides about what it meant to work in a death camp.
  11. A film as rich in its visual presentation as it is in its emotional resonance.
  12. Actually three movies in one: a wildlife film about how grizzly bears behave in their natural habitat, a character study of an eccentric environmentalist, and a chilling, voyeuristic narrative of how death stalks that man.
  13. The truth can indeed be stranger than fiction and, in this case, were the story to have originated in the imagination of the screenwriter, it could rightfully be criticized as artificial and contrived. But, disturbing and unlikely as it may be, this stuff actually happened, and pretty much as Craig Zobel relates it.
  14. Using perfectly composed shots to amplify an emotionally resonant story, the film successfully argues that "artistic" films do not have to be boring.
  15. The Dark Knight Rises ultimately justifies its length (in fact, a good argument could be made for a longer cut) and the last 45 minutes is nothing short of spectacular. From the point where the narrative takes a leap of faith, it never lets up.
  16. Chilling and creepy, and there's no denying that the most celebrated aspect of the film -- the Clarice/Hannibal connection -- could not have been accomplished with greater skill.
  17. Adams shines brightly, reinforcing the image she projected in Junebug and enhanced in Enchanted and Charlie Wilson's War. At this time of the year, it's tough to find a more diverting way to spend 90 minutes in a multiplex.
  18. In the midst of summer's cinematic thunder and lightning, this is a rare moment of tranquility.
  19. Those who go to a Villeneuve production, Sicario included, must be prepared for intense suspense, moral ambiguity, and an ending that doesn't conform to Hollywood norms.
  20. This is a tense, well-crafted motion picture that keeps viewers on edge. It's an exhausting 130 minutes; many viewers will leave the theater feeling drained.
  21. As written by the brash, funny, and often vulgar comedienne Amy Schumer, Trainwreck is brash, funny, and often vulgar. Its raunchiness is a perfect match for the man who made "The 40-Year-Old Virgin" and "Knocked Up."
  22. The in-your-face style of We Were Soldiers results in a suspenseful, intense, and exhausting cinematic experience.
  23. Several flaws, mostly minor, keep Casino on a plateau slightly below that of the director's best (Mean Streets, Raging Bull, Taxi Driver, Goodfellas).
  24. Everything in Out of Sight is smart -- the dialogue, the characters, and the storyline.
  25. The result, bolstered by strong acting and an intriguing back story, is an unqualified success. Love and Other Drugs may be the most honest romance to grace the screens during all of 2010.
  26. Isn't just heartwarming and inspiring, it's a remarkable look at a group of children whose most noteworthy trait is that they are ordinary.
  27. Imperfect as it may be, Bowling for Columbine is riveting stuff.
  28. A Bug's Life, like “Toy Story,” develops protagonists we can root for, and places them in the midst of a fast-moving, energetic adventure.
  29. Whatever else it may be, Irreversible is disturbingly unforgettable. It is impossible to have a blasé reaction to a film this visceral. Indifference is not an option.
  30. Manages the task of being both heartbreaking and heart-warming.

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