Tunes 2011 To 2019 frames the artistic development of someone whose older music sounds more inspired but is still capable of greatness. ... 12 years since his last album, we at least get a large chunk of his often incredible catalogue in one place.

A Carrollian multiverse of shapes, sounds and ideas that only becomes richer the longer you spend there. It might take some time, but it's endlessly rewarding.

Gas is the sound of a man freeing his mind and allowing it to wander. To listen to Box is to seize that same opportunity.

Biokinetics has aged so well that it could easily pass for a new album. The production level is exceptional by today's standards, and it has more teeth than much of the music it inspired, especially contemporary dub techno, most of which sounds vanilla by comparison.

The history of misogyny that followed Journey In Satchidananda complicates the serenity and innovation within it.

Beyoncé is clearly itching to experiment with her sound. This latest album may not be her most cohesive release, but it does come with a handful of well-executed surprises. ... The album falls flat when it tries too hard to immerse itself in a culture that does not belong to Beyoncé.

These very much sound like live performances, and they're all the better for it. Short of seeing him in concert, Spaces is as close as you'll get to hearing Frahm at his best.

Throughout Honey, the pure, raw emotion that has always defined Robyn's music is still there. Now, she's just dancing to a different beat.

Black Origami can be intimidating: it's dark, relentless, and makes substantial demands on the listener. But it's also powerful and distinctive. In the world of rhythmic electronic music, nobody else is doing it quite like this.

On Natural Brown Prom Queen, she proves she belongs to no mood, genre or period of time. Over a placeless mix of sounds and endlessly dynamic beats she comes of age, shaping Black histories into exciting futures, all while making it clear that her idea of home is wherever she decides it is at any given moment.

Listening back now, it still pumps. But it's a palatable pump, with enough hooks and vocals to work as well over pasta as in a field at 4 AM. Funnily enough, the tracks that have aged best are the ones that pump least. ... Though other remixes in the middle section update the production techniques, they don't really advance on the festival-pleasing 4/4 or big beat predictability of the originals.

On his Warp Records debut, Safe In The Hands Of Love, Yves Tumor joins the ranks of Arca and SOPHIE at the millennial generation's pop vanguard, a group whose fluid approach to music and imagery is eradicating the gap between underground and mainstream.

Whatever you want and could ever require from the progressive soul textbook is up in here. Darts, slaps, bops and most definitely thumpers. ... Renders a greater reward than we could ever envision. Voice Notes gives us just that.

Magnificently re-mastered... an exemplary introduction to the duo.

Loud City Song is her most broadly scoped and epic album to date.

Following shaky albums from both Yorke and Radiohead, A Moon Shaped Pool suggests that they were right to keep the faith.

While GREY Area was a collection of great songs, Sometimes I Might Be Introvert feels like a therapeutic breakthrough. ... A body of work so rich with innovation, so broad in its influences and so powerful in its storytelling that we'll still be finding new things to love until the next one comes along.

Heaven To A Tortured Mind isn't necessarily the most dynamic release by the artist, but in its best moments, it's a heaping dose of musical ingenuity.

It is the kind of music you could imagine spending the rest of your life listening to.

The set stumbles, though, when it's at its most raucous.... When Green trusts his own downbeat instincts, though, LateNightTales feels comforting in a way few mixes do.

This more mature approach to storytelling is what makes MAGDALENE a raw and outstanding album about love. The lyrics have more depth than LP1, bearing a universality that perhaps one can only write after an especially honest heartbreak.

Art Angels wipes the fog from her lens and lays out her vision, clear and uncompromising.

It's invigorating, vulnerable and, at times, uncomfortably raw.

It's almost certainly the producer's most ambitious and most vital work since Untrue.

Whatever's at the heart of these sonic fictions, it drove Crampton to reach for new audio possibilities, not for the sake of novelty but to keep pace with the futurity of her visions. It sets the album apart from other pieces of audio collage because it's not sound design for sound design's sake: it's what's required to bring the drama to life.

The whole album bleeds into one magnificent mess, thanks in part to some incredibly short track times, but also to the nature of the music itself.

It never feels like Dreijer is playing catch-up. Plunge is the natural next step, a realization of impulses that have long lain dormant, or at least unrecognized.

Even if Have You In My Wilderness is Holter's most accessible record to date, it's riddled with enough puzzles, lyrical twists and delicate refinement to remain intriguing listen after listen.