Salon's Scores

  • TV
For 392 reviews, this publication has graded:
  • 44% higher than the average critic
  • 2% same as the average critic
  • 54% lower than the average critic
On average, this publication grades 1.6 points lower than other critics. (0-100 point scale)
Average TV Show review score: 63
Highest review score: 100 Game of Thrones: Season 2
Lowest review score: 0 So You Think You Can Dance: Season 1
Score distribution:
  1. Mixed: 0 out of 221
  2. Negative: 0 out of 221
221 tv reviews
  1. The Walking Dead is extremely realistic about the decayed, vast, destroyed world, and dopily idealistic about its main character.
  2. The show could certainly stand to find some more rhythm to its comedy, as it hammers out the right tone for the tricky comedy of minimum-wage Middle America. It’s neither the wildly confident (and brilliant) “Carmichael Show” nor the wildly predictable (and bad) “Undateable,” both on the same network. But even its raw edges and sticking points are appealing.
  3. Although at times Hung unravels and feels as lost as Ray Drecker himself, its individual scenes present as darkly funny and disturbing a parable of the disheartening state of American culture as you'll find on the small screen.
    • 83 Metascore
    • 70 Critic Score
    One thing is certain, it’s going to be another long day on '24.' At least early indications suggest it won’t be boring.
  4. "Brotherhood" is definitely worth the effort: The acting is solid; the situations are, for the most part, new and unknown; and there are enough twists and plot devices to keep us interested in the short term. Over the long haul, though, I'd like to understand more about these characters.
  5. Really, though, you don't have to know anything about the British Skins to get into the remake.
  6. Despite showing some very gruesome imagery--a real decapitated head, for example--and having a swaggy, “we’re so hip we send our reporters into dangerous places looking like they just rolled out of bed” self-aggrandizement, Vice is fundamentally earnest.
  7. A good ABC Family show is like a good beach read: great plot, great character, compelling without being too heavy. Its newest show certainly fits the bill.
  8. Moving, striving, trying, changing, it’s good for the characters on Mad Men and it’s good for the drama that is Mad Men. The back of Don Draper’s head is still gorgeous, but it’s starting to feel awfully still.
  9. Yes, Tom Papa's affectations can be a little much sometimes. Yes, they should turn down the microphone when everyone is laughing. Yes, they should lose the dorky bit where Natalie Morales from NBC News sits in front of a computer and looks up information online. But the rest? Married people, angry at each other? Celebrities, making fun of each other? Chicken cutlets? I'm in.
  10. The rest of the show is built around her, and it’s her performance that is able to make the show’s softer parts work, even as the show’s best moments showcase her skills.
  11. The Magicians tries to create three different worlds simultaneously--Quentin’s New York City, Fillory, and Brakebills, complete with different casts of characters and different sets of rules. It’s not as sloppy as it could be, but it’s hard to not feel rushed through the pilot.
  12. The truth is, for someone who thinks Lost is wildly overrated, I'm still rallying around it, in part because I think it should gain momentum in its home stretch, in part because I'm curious about how thoroughly the writers will clean up the enormous, unfathomably complicated mess they've made.
  13. Now and then Shameless sloughs off its mostly self-imposed constraints and fires on all cylinders, observing economic hardship, drunken tomfoolery and sexual shenanigans with a keen eye for class specifics.
  14. Grease: Live was so crammed with anachronisms--and so weirdly faithful to other things that should have been turned into anachronisms--that it landed somewhere between ‘50s time capsule and ‘50s themed-party, with some ‘50s-themed karaoke tossed in.... But overall, Grease: Live was a lot of fun. There were some poor decisions made by the producers, and some brilliant ones, too.
  15. For all of its charms, Nurse Jackie needs to offer a little more than an enigmatic nurse and a parade of clever grouches.
  16. Galavant is extremely silly--but at least it knows it’s silly.
  17. The results are satisfying, and suspenseful, yes, but also a little bit stupid and predictable, too.
  18. Has there ever been a TV show that's at once more delightful and cringe-inducing at the exact same time than Glee? Ever since it returned for its second season, this off-kilter dramedy has been nailing its high notes while still flaunting its many flaws with even more bravado than before.
  19. Political Animals may be super-fun, but it is also superficial.
  20. For now, the bias towards boring is definitely at work. Cherry should look at “Scandal,” a show in which everyone of every color gets to be troubled and naughty and still expect our sympathy, to see how to improve.
  21. The bar fight--which made the rounds of the Internet this past September--elevates the series's voyeuristic satisfactions to the next level.
  22. Helen now has a perspective, which adds a lot of necessary depth (and gives us the added benefit of seeing Tierney do more things on-screen, which is never a bad thing). But the show is paralyzed by its own vision, at times; the problem with making a show about singular perspectives is that those people are necessarily self-absorbed.
  23. Aside from being a vehicle for a fascinating performance, Nightingale doesn’t quite satisfy as more than a very well-executed student film--a one-trick pony whose trick we’ve seen before.
  24. Dates is a tad precious--a little too smart for its own good.
  25. The show isn’t great yet, though it has potential.
  26. As a character study of one man, "Thief" works, but it's going to take a lot more than that to pull us into this very dark, very unforgiving story.
  27. The second episode is much cheesier and less suspenseful than the pilot -- nothing quite beats those mushroom clouds in the distance, let's face it.
  28. Revenge might sound enjoyably soapy in the abstract, but its execution is problematic.
  29. It’s a lot of unwieldy plot points--borrowing indiscriminately from “Alias,” “National Treasure,” and “John Doe.” What keeps it together is Alexander’s performance.

Top Trailers