Salon's Scores

  • TV
For 369 reviews, this publication has graded:
  • 44% higher than the average critic
  • 2% same as the average critic
  • 54% lower than the average critic
On average, this publication grades 2.1 points lower than other critics. (0-100 point scale)
Average TV Show review score: 63
Highest review score: 100 Top Of The Lake
Lowest review score: 0 Zero Hour: Season 1
Score distribution:
  1. Mixed: 0 out of 208
  2. Negative: 0 out of 208
208 tv reviews
  1. I’m not entirely on board with all of Fuller’s operatic, bloody vision, but if it’s hard to watch, well, that’s the point.
  2. Far from epic, John Adams is a biopic as intense and moody as the man himself.
  3. The 15 episodes of Arrested Development themselves, which start badly, but accumulate to something pretty good.
  4. So once again, just as we're starting to warm up to our deathly pale but diplomatic vampire friends, we're treated to Ball's rather prosaic enjoyment of stock Southern Christian characters who would only seem fresh and original to a Frenchman.
  5. It is finally unshackled, plot wise, from the far better Danish version of the show and should be able to pace itself in a more effective and gripping way than it did it the past.
  6. Broad City is still very funny. That being said, though, the second season is where the flaws in the show’s premise start to become more apparent, as more and more pressure is put on the structure.
  7. I also really enjoyed NBC's Bionic Woman. There's lots of super-powered action, I like regular-girl Michelle Ryan as Jaime Sommers, and best of all, Katee Sackhoff (Starbuck from "Battlestar Galactica") plays the eeeeevil former bionic woman, Sarah Corvus.
  8. It remains to be seen if the strength of the performances from the rest of the cast (which includes another Academy Award nominee, Gabourey Sidibe--it might be hard to find work as a black actor, hm?) will balance out the show’s pulpy premise.... Empire is notable for doing something different, in a landscape populated by dramas of an entirely different stripe. For that, and that alone, it’s worth checking out.
  9. If you adored "Saving Private Ryan" and "Band of Brothers" (I enjoyed but didn't love both), then "The Pacific" is well worth your time. But if you're sometimes left cold by the epic films that others gush over, if you're often lukewarm on Spielberg and expect more from a war movie than just realistic battle scenes, then I would skip the 10 hours of viewing time and rent "The Thin Red Line" instead.
  10. It's with much appreciation that I report that Season 5 of True Blood is not about the introduction of any new magical creatures (though the fairies are up to some B-story shenanigans), but the long-discussed Authority, the seven-member governing body of all vampires everywhere.
  11. Living in the Material World foregrounds [George Harrison's] qualities so pointedly that it seems to be channeling the personality of its subject. It's a problematic, at times off-putting, but ultimately fascinating work, moving through George's life with its own mysterious internal logic.
  12. Vince Gilligan and his team, as usual, have surprised me. I haven’t totally fallen for the prequel series Better Call Saul--it doesn’t quite feel like its own show yet--but it did make me care about the man who becomes Saul Goodman in a way I never did in “Breaking Bad.”
  13. While the unguarded moments and eclectic musical performances --typically Costello collaborating with a guest on one of his or her lesser-known hits--make Spectacle well worth a closer look, the show occasionally feels like a songwriter's version of "Inside the Actor's Studio," with all of the qualities and the faults that implies.
  14. Martha Plimpton and Garret Dillahunt as the dumb dad's parents really make this one impossible to ignore completely. And even though we've already got "Oh no the ugly chick likes me" jokes and "You're right, the baby's limbs could get amputated this way" jokes and other material that might make you smile but never laugh, there's also a slightly disturbed tone here that's hard to match on sitcoms about yuppies having bad hair days.
  15. Though I understand how effective the hit-man aspect of the story must have seemed on paper, both as a thematic device and a driver of plot, Mia's story was interesting enough with out the being saddled with such an ultra-violent profession.
  16. Sorkin may be self-important, but he's certainly not mediocre.
  17. If your family game nights tended to end with someone upturning the Monopoly board, then running to their room in tears, and your family trips hit their low point at a national monument in the middle of nowhere when someone abruptly got out of the car and refused to get back in, you're likely to find "Lucky Louie" fairly entertaining.
  18. These are production issues that will fix themselves in time. Olbermann was back. He jumped right back into the thick of things. And he was very, very good.
  19. Unlike the teenagers on the show it replaces on the CW schedule, "Gossip Girl," the characters on The Carrie Diaries are neither disturbingly precocious nor voracious, instead working a welcome John Hughes vibe.
  20. Patrick is fidgety, disturbingly intense and possibly a bit snobbish to boot--not unwatchable, but, as yet, far from endearing. Fortunately, Looking has plenty else going for it.
    • Salon
  21. This excursion into the far reaches of space, brought to you by "Battlestar Galactica" producers Ronald D. Moore and Michael Taylor, proves far more compelling than most made-for-TV movies--and most TV pilots, for that matter--up until its abrupt, hair-pullingly inconclusive ending.
  22. Eventually one starts to think about what one is doing with one’s life and how one actually wishes to spend it rather than tripping from one youthful, unconsidered mishap into another.... I can say that Dunham and her co-creators understand that progression.
  23. Ben & Kate seems poised to be to the "20 to 30-somethings get their lives together" sub-genre what "Parks & Rec" is to workplace comedies: something willfully, wonderfully kind.
  24. Lipstick Jungle is just as fluffy and soapy as you'd imagine a show based on a book by Candace Bushnell should be, it's still far smarter and more appealing than ABC's rich-and-powerful-lady fluff-fest "Cashmere Mafia."
  25. The first episode isn’t riotous (truly hilarious pilots are rarer than... even truly hilarious sitcoms), but it’s confident and charming and the characters seem fully formed.
  26. It’s like all the ingredients for a sugar rush of a dessert have been assembled and instead mixed together to make something surprisingly sensible, but not exactly delicious.
  27. There are times when you have to question the writers' urge to pack in everything but the kitchen sink...Fortunately, Kelly and McClintock pull off their roles in this precarious high-flying adventure, teetering between heaviness and humor in each scene.
  28. Not great, but good, and promising.
  29. All I see is a bunch of reasonable, ambitious types and one kooky hippie. Do you honestly think we're going to hang around just to hear Tim Gunn say "Make it work!" for the fifty-millionth time in a row?
  30. The best thing about "Prison Break" is that we've never seen anything like it before.

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