Salon's Scores

  • TV
For 479 reviews, this publication has graded:
  • 45% higher than the average critic
  • 2% same as the average critic
  • 53% lower than the average critic
On average, this publication grades 0.6 points lower than other critics. (0-100 point scale)
Average TV Show review score: 65
Highest review score: 100 Treme: Season 1
Lowest review score: 0 So You Think You Can Dance: Season 1
Score distribution:
  1. Mixed: 0 out of 282
  2. Negative: 0 out of 282
282 tv reviews
  1. The FX comedy’s fifth season reveals a show that is as confident and distinctive as ever, a sitcom that is not quite like anything else on television.
  2. Archer is the next generation version of "Get Smart," with a similarly thickheaded, overconfident, horny hero whose petulant deadpan lines are funnier than they have any right to be.
  3. Game of Thrones is as complete a universe as exists on television, whatever its rhythm. More drama and more bloodshed are certainly forthcoming, and I have every confidence they will be served up as delicious and sopping as a rare steak.
  4. Mildred Pierce is a masterpiece.
  5. Rarely if ever has watching psychological torture felt so goddamn enticing.
  6. From its breathtaking cinematography to its meticulous period costumes to its smart, snappy dialogue to its talented cast, Boardwalk Empire presents a TV program that's so polished and beautifully executed, each episode feels as rich and memorable as its own little Scorsese film.
  7. In showing us the sum of Forrest’s travails, Review has given birth to something extraordinary: a bleak, serialized tragedy that inspires spasms of unrestrained laughter.
  8. Treme is a true gift, a way to finally appreciate and embrace one of our most beloved but neglected cities.
  9. The series' thriller engine turns on, turns over and begins to purr.
  10. Game is a genuinely mind-boggling piece of adaptation, cast more or less perfectly (except for Kit Harington's Jon Snow, who relies too much on the soap opera actors handbook of serious faces), with expert control of the story lines, gorgeous and diverse settings, and such seriousness of purpose and consistent internal logic that I find the least realistic thing about it to be that the men of [N]ights Watch don't wear hats.
  11. [Homeland] sounds as though it could have been pitched as "The Manchurian Candidate: The Series." But set that aside, if you can, and look at what's on-screen, because it'll reward your attention.
  12. The conscientious visual style that Fuller honed on “Hannibal” achieves riotous new heights of sensuality in this series. Green, a DC Comics veteran whose television credits include serving as an executive producer on “Heroes,” aids in harmonizing the story’s surfeit of histories and personalities into an intelligible and spellbinding structure.
  13. No other series so poignantly probes the human condition and our concept of reality, identity, what we know and what is true with such alluring complexity. In a just world, more people would watch Rectify. That it existed at all, and leaves four tremendous seasons to savor and contemplate, is its own lovely blessing.
  14. Yes, it's tough to trace the relationships between various ranks within the police department and the city and state governments, but that doesn't mean this is an incredibly serious drama it takes a degree in literature to understand. "The Wire" is funny and odd and sad and, above all, engrossing.
  15. A film-quality drama series about zombies? Somebody pinch me!
  16. It wants to entertain you, to draw you in with exciting, exacting plotting, and precisely drawn characters.
  17. All the hype leading up to the final approach of The Leftovers has merit. The seven episodes HBO provided are consistently brilliant, sure and mindful about tying up loose ends.
  18. The first time you watch the show, you really don’t believe what you’re seeing. Each moment feels so real, it’s hard to tell if the actors are improvising brilliantly or just delivering their lines with incredible conviction. Like the best moments of 'This Is Spinal Tap' or 'Waiting for Guffman,' 'The Office' offers up breathtaking slices of deadpan humor and amazing comic timing.
  19. Even though Party Down features a steady flow of absurd jokes and funny situations, it still offers more of a consistent, realistic, lively story than dramedies like "Weeds," "The United States of Tara" or "Glee."
  20. Each episode provides everything you would want from a comedy: originality, elegantly crude humor, genuine warmth and heartbreak.
  21. Top of the Lake [is] gorgeous and ambiguous and gripping like a hallucination.
  22. If there is just one thing that The People v. O.J. Simpson is, it’s maddening. Fascinating and involved and nuanced and sympathetic, too.
  23. LeBlanc is brilliant; the writing and direction are brilliant; the show is brilliant.
  24. Girls is smart, bracing, funny, accurately absurd, confessional yet self-aware, but it is also undeniably about four white chicks with, relatively speaking, no worries in the world.
  25. The confident, acerbic new sitcom The Mindy Project is easily the best freshman comedy of the season.
  26. The kid is funny, the mom is funny, the dad is funny, the stories are funny, and Rock's voice-over is fantastic.
  27. In the fifth season, the story has been distilled to just the moments of pathos and characterization and gorgeous direction that make the story work.
  28. This is damn fertile soil for a comedy, and creator Jenji Kohan and the writers of "Weeds" farm it for all it's worth in the show's second season, cultivating vivid, surprising stories that naturally transcend the typical limitations of the half-hour format.
  29. This season has done a much better job at focusing on the characters and stories that really pop, and sidelining or writing out the relationships that were boring.
  30. Outstanding on all fronts--acting, cinematography and script are all top-notch--but it happens to be unrelentingly depressing as well.

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