's Scores

For 2,974 reviews, this publication has graded:
  • 53% higher than the average critic
  • 2% same as the average critic
  • 45% lower than the average critic
On average, this publication grades 1 point higher than other critics. (0-100 point scale)
Average Movie review score: 63
Highest review score: 100 Kurt Cobain: Montage of Heck
Lowest review score: 0 House on Haunted Hill
Score distribution:
2,974 movie reviews
  1. It's a tremendous experience, whatever it is; the kind of thing supposed art-movie audiences used to tolerate and pretty much don't anymore.
  2. Gibney's immensely funny and sad new motion picture Gonzo: The Life and Work of Dr. Hunter S. Thompson -- the "Dr." was a mail-order divinity degree -- is principally intended to rehabilitate Thompson and introduce his work to a new audience.
  3. Surely one of the canniest and most accurate films about American working-class life ever.
  4. One of the most inventive and joyous movies of the year.
  5. Horses of God is one of the most forceful entries in a growing body of cinema that interrogates the causes and effects of terrorism, nationalism and fundamentalism in the Arab world.
  6. The resulting film is both beautiful and fascinating, and offers a thrilling travelogue through a spectacular landscape few of us will ever see first-hand.
  7. The Overnighters is a documentary about real people in a real place. This is both amazing and frustrating.
  8. A compact near-masterpiece that combines a slow-motion romantic comedy with a docudrama-style portrait of a remote, nomadic culture as it is gradually eroded by the tides of the 21st century.
  9. Junger and Hetherington take our conflicted ideas about war and its let's-make-a-man-out-of-you purpose and throw them in our faces, in a way "Hurt Locker" never does.
  10. While the tension never lets up for a second, how you respond to the boundary-fudging and wildly improbable ending of Gravity – meaning both how it makes you feel and how you interpret it – will determine whether you think the movie is a genuine pop masterpiece or a canny artifice. Maybe there’s no difference.
  11. A work of astonishing delicacy and force, a tone poem about the Frankenstein jolts that all of us, at one time or another, have to live through.
  12. The thing is, it works. Or at least it works for me. I left the theater convinced that House of Fools is Konchalovsky's best work in almost 20 years (which it is) and that it might be something close to a masterpiece.
  13. A gorgeous transcription of medieval decorative art and its themes into a contemporary animated narrative, one that should enthrall children older than 8 or so, along with the adults lucky enough to watch with them.
  14. This is a graceful and enveloping feat of filmmaking.
  15. This is a movie of tremendous visual daring, magnificent special-effects work and surprising moral gravity.
  16. I'm not ready to proclaim Looper a sci-fi masterpiece just yet; let's let it sit awhile. But it's a lean, mean, smart, violent picture with a bit of Stanley Kubrick edge, fueled by the terrific Gordon-Levitt.
  17. As a piece of craft, and with the exception of "Harry Potter and the Prisoner of Azkaban," it's miles beyond any studio film this summer.
  18. You can't imagine a soapier setup, but Gilles' Wife taken on its own terms is a spectacular achievement, a heartbreaking cinematic work that finely balances melodrama, family love story and devastating tragedy.
  19. Anguished, beautiful and desperately alive, Oldboy is a dazzling work of pop-culture artistry.
  20. It Follows pretty much earns its buzz as the scariest and best-engineered American horror movie of recent years, and that’s all down to Mitchell’s sophisticated understanding of technique and the trust and freedom he accords his youthful cast.
  21. An affectionate, exuberant picture that seeks to bring even those who don't know Klingon from Portuguese into the embrace of a pop-culture phenomenon.
  22. It's a lean, mean movie, and not a pretty one, but it leaves no question as to Breillat's angular originality as a filmmaker.
  23. This may test your patience, it's not for everyone, it's a stretch to call this "entertainment" and so on. As far as Heathcliff being black – well, deal with it. Arnold's simply right about that one, and it's Laurence Olivier and Ralph Fiennes and all those costume-drama versions of the story that are wrong.
  24. No
    A troubling, exhilarating and ingeniously realized film that’s part stirring political drama and part devilish media satire.
  25. To Ben Affleck's credit, he's made a terrific, pulse-elevating thriller that will leave the audience cheering.
  26. A vital documentary in the truest sense.
  27. Serenity is a trim little picture of epic proportions.
  28. It's a marvelously constructed personal journey, both wrenching and bittersweet, whose emotional ripple effects stay with you for days and weeks afterward.
  29. Arias' blend of traditional cell animation and 3-D CGI effects is thoroughly mind-blowing, and the film's visual sensibility is utterly distinctive.
  30. A triumphant movie about failure.

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