Salon.com's Scores
- Movies
- Music
For 2,749 reviews, this publication has graded:
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51% higher than the average critic
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2% same as the average critic
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47% lower than the average critic
On average, this publication grades 0.1 points higher than other critics.
(0-100 point scale)
Average Movie review score: 62
| Highest review score: |
Critic Score
100
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| Lowest review score: |
Critic Score
0
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Score distribution:
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Positive: 1,461 out of 2749
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Mixed: 928 out of 2749
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Negative: 360 out of 2749
2,749
movie reviews
- By critic score
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Reviewed by
Mary Elizabeth Williams 30
You would never have predicted it from the breakout success of "Pretty Woman" nearly a decade ago, but it turns out that the pairing of Richard Gere and Julia Roberts has ripened over the years into something resembling month-old brie. -
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Reviewed by
Charles Taylor 30
Put Bruce Willis and this bewildering World War II movie in front of the firing line. -
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Reviewed by
Charles Taylor 30
One of those movies that you continue to pull for even after it becomes clear that it isn't very good. -
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Critic Score 30
"Bambi" meets "Godzilla": Disney goes for the goo in a by-turns gory and sappy new epic of computer-generated images. -
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Reviewed by
Stephanie Zacharek 30
Perfectly inoffensive and harmless, but it's also drab and inert. -
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Critic Score 30
If you're dragged to the theater to be someone's not-dumb date, pack a crossword and a light pen. It'll be the only puzzle worth solving. -
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Reviewed by
Charles Taylor 30
Stallone returns in a gangster remake that wears itself (and the audience) out trying to be cutting-edge stylish. -
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Reviewed by
Stephanie Zacharek 30
It's an English movie doing its best to masquerade as the shallowest kind of Hollywood romantic comedy, as if somewhere along the way someone had made a calculated supposition that would be the only kind of comedy American audiences would buy. -
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Reviewed by
Stephanie Zacharek 30
Fragmented and contrived, like a badly mapped-out scrapbook. -
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Reviewed by
Stephanie Zacharek 30
It hovers somewhere in that never-never land of movies that try to do too much and don't quite live up to any of their ambitions. -
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Reviewed by
Charles Taylor 30
There's some sort of gross egotism involved in linking great music to visuals that are so unabashedly kitschy. -
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Reviewed by
Andrew O'Hehir 30
Edward Norton's dopey directorial debut gives interfaith romance a bad name. -
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Reviewed by
Andrew O'Hehir 30
Doesn't work at any level, but the total lack of chemistry between its central couple is fatal. -
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Reviewed by
Andrew O'Hehir 30
A pallid, mediocre tale that treacles its way through well-worn channels. -
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Reviewed by
Stephanie Zacharek 30
Just a string of cute gags and pouting on Isabella's part that's supposed to signify soul-searching. -
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Reviewed by
Andrew O'Hehir 30
You get the feeling that everyone was in a good mood and the margaritas were pouring, but neither Gallo nor anybody else ever found a bottom line for this movie or its characters. -
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Reviewed by
Andrew O'Hehir 30
A dreary, humorless affair, with no real feeling for the rhythms of either baseball or love. -
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Reviewed by
Andrew O'Hehir 30
Stupid, empty and -- worst of all -- fantastically boring. -
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Reviewed by
Andrew O'Hehir 30
An academic exercise driven by adolescent ideas that never shape themselves into a narrative: in short, a movie that can never dislodge the art fatally wedged up its butt. -
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Reviewed by
Andrew O'Hehir 30
Between the 12th floor and the 14th floor, boredom awaits! -
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Reviewed by
Stephanie Zacharek 30
A dismally unfunny comedy, but that's not what's depressing about it. Worse by far is the palpable desperation in Goldie Hawn's performance. -
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Reviewed by
Charles Taylor 30
The film is a plodding, earnest adaptation that strips the source of its richness and ambiguity. -
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Reviewed by
Andrew O'Hehir 30
What we've really got here is a tame screwball adventure dressed up with some desert scenery and some awful computer graphics. -
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Reviewed by
Charles Taylor 30
Isn't a serious attempt to deal with our vulnerability to terrorism, or to address how established channels of power can bring us to the brink. It's the same damn Tom Clancy picture that's been churned out since "The Hunt for Red October," as humorless and gray and dour as its predecessors. -
