's Scores

For 2,927 reviews, this publication has graded:
  • 52% higher than the average critic
  • 2% same as the average critic
  • 46% lower than the average critic
On average, this publication grades 0.8 points higher than other critics. (0-100 point scale)
Average Movie review score: 62
Highest review score: 100 Master and Commander: The Far Side of the World
Lowest review score: 0 Speed 2: Cruise Control
Score distribution:
2,927 movie reviews
    • 56 Metascore
    • 30 Critic Score
    "Bambi" meets "Godzilla": Disney goes for the goo in a by-turns gory and sappy new epic of computer-generated images.
  1. I felt like dropping to my knees in the theater and praying for this smug, irritating fake-reality-TV show to go away, leaving these three terrific actors (and characters) in something resembling a real movie.
  2. Probably the worst-directed film Spielberg has ever made. A peculiarly rhythmless piece of work, it seems to go on forever, though nearly every one of the scenes is cut off before it has been dramatically developed.
  3. Disposable crap.
  4. Watching The Boy in the Striped Pajamas, it struck me that weaving a touching little tale about a death-camp friendship is actually a pretty bad way to teach kids about the Holocaust.
  5. At under two hours, the movie crawls by; at four, people would become fossilized to their seats.
  6. It takes a very clever schoolboy to make a movie as elaborately empty as Guy Ritchie's Snatch.
  7. The movie is an unpleasant slog, the gruesomeness working in concert with humorlessness to lend the whole picture a queasy deadliness.
  8. Cruise pedals hard through The Last Samurai, and the exertion shows. In fact, the whole picture is belabored and lumbering.
  9. There's no doubt we need more movies for grown-ups, with jokes that don't hit us over the head, but The Men Who Stare at Goats doesn't fit the bill. At best, it might hypnotize you into a stupor.
  10. The Hulk goes on for two hours and 20 minutes and there's not a stirring or exciting moment in it...At last, a comic-book movie that National Public Radio listeners can be proud to take their kids to see.
  11. A brain-dead version of a dark and complex work.
  12. It's possible Hill has a style, of sorts. But he doesn't work from the heart, or from the gut, as a good comedy director generally needs to. He operates from one guiding question: "How disturbing can we make this sh**?"
  13. Pulp needs a pulse -- without one, it's DOA. No matter how hard some of its actors work to resuscitate it, Assault on Precinct 13 is as lifeless as a corpse on a slab.
  14. The movie not only approaches a level of shamelessness you have to see to disbelieve, it does it in a manner that's both inept and crass.
  15. I can't remember ever feeling so glad that a movie was finally over. Lucas may have held my imagination hostage for two hours, but reclaiming it afterward wasn't hard at all.
  16. Stay away from this cautionary tale about the gay porn industry -- it blows.
  17. There may be filmmakers whose own vision is vast enough to take on Thackeray's, but Mira Nair isn't one of them. Her new film of Vanity Fair is a disaster. Scene by scene and moment to moment, it's a woeful misreading of the book.
  18. I've never seen anything crazier than Palindromes. You can read that as praise if you're that sort of person, but I don't mean it that way.
  19. O
    The film is a plodding, earnest adaptation that strips the source of its richness and ambiguity.
  20. It's too mild to be crass; it's clumsy. Lehmann has made what amounts to an anti-sex sex comedy, the first youth sex comedy made to be enjoyed by those creepy abstinence teens.
  21. A pallid, mediocre tale that treacles its way through well-worn channels.
  22. Such weak medicine. Sure enough, it goes down. Keeping it down is another matter.
  23. Doesn't seem geared to kids at all: It's so adult that it's massively boring.
  24. The embodiment of every conservative paranoid's slathering fantasies about Paula Jones, Vince Foster and Whitewater.
    • 52 Metascore
    • 10 Critic Score
    As you sit through the interminable two-hours-plus that constitute The Fifth Element -- a colossally stupid, overbearingly pompous new movie by Luc Besson -- you can expect to become acquainted with boredom on the most elemental level.
  25. Terminator Salvation has no brains and no soul; it's just a mass of stiff, creaking metal joints. Clearly, the machines have won.
  26. It's exactly the sort of movie that Hollywood specializes in, the kind which seems on paper as if it ought to be entertaining, but winds up a massive and chaotic drag.
    • 51 Metascore
    • 30 Critic Score
    In this bizarrely discordant mixture of ultraviolent action footage, bad acting, crisp special effects and futuristic camp, the remnants of Heinlein's rhetoric of military pride stick out like a grimy Marine uniform at a high-toned Hollywood party.
  27. Watching Streep and her two BFFs, played by Christine Baranski and Julie Walters, grinning and giggling their way through Mamma Mia! I felt I was being thoroughly, and unenjoyably, punished.

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