's Scores

For 3,086 reviews, this publication has graded:
  • 53% higher than the average critic
  • 2% same as the average critic
  • 45% lower than the average critic
On average, this publication grades 0.6 points higher than other critics. (0-100 point scale)
Average Movie review score: 64
Highest review score: 100 Middle of Nowhere
Lowest review score: 0 Hollow Man
Score distribution:
3086 movie reviews
    • 93 Metascore
    • 100 Critic Score
    The pictures — migrants leaping off a westbound train, a quick close-up of a face riven with conflicting emotions, locusts on a stalk of wheat — truly tell the story. [21 March 1997]
  1. The picture is so imaginatively made, so attuned to sensual pleasure, so keyed in to the indescribable something that makes life life, that it speaks of something far more elemental than mere filmmaking skill: This is what movies, at their best, can be.
  2. The Class is a lovely, exhilarating work about the ways in which failure and frustration can open the pathways through which we make sense out of life.
  3. An extraordinary accomplishment, a heartbreaking, visually spectacular and largely accessible work from a cinematic master who is more than ready for international attention.
  4. Speaks to the teenager in all of us.
    • 92 Metascore
    • 90 Critic Score
    I think Apocalypse Now Redux works better at the end now because it spells out the tension within Willard far more clearly than earlier versions did.
  5. I see it as nearly perfect: It's one of the best fantasy pictures ever made.
  6. Leviathan, the fourth feature from Russian director Andrei Zvyagintsev, may be the one true masterpiece of global cinema released in 2014.
  7. A bona fide summer delight loaded with action, humor, nostalgia, a veritable blizzard of pop-culture references and general good vibes.
  8. It's a difficult film to follow and at 172 minutes is maybe a half-hour too long. But simply as a sensory experience The Fast Runner is amazing.
  9. It’s no news to anyone that “E.T.” is one of the loveliest and happiest of American movie entertainments. It’s also a greater picture than we could have known. [2002 re-release]
  10. Chomet bows to the tradition of conventional animation even as he tests its limits.
  11. Mirren's performance is glorious: Rather than impersonate the queen -- which would have been all too easy to do -- she reaches deeper to locate the buried, calcified thoughts and feelings that might guide this deeply inscrutable woman.
  12. Sarah Polley’s Stories We Tell is two or maybe three dangerous kinds of movies all at the same time, and handled so brilliantly that the result is a transformative, unforgettable work of art.
  13. Claire Denis' baffling and exhilarating "Billy Budd" smolders with heat-blasted rhythms and supercharged acting.
  14. The results, in my judgment, are stunning...and at certain moments during the film I wondered whether I had myself fallen asleep and was dreaming its hellish, haunted images.
  15. It's the most ambitious and impressive Coen film in at least a decade, featuring the flat, sun-blasted landscapes of west Texas -- spectacularly shot by cinematographer Roger Deakins -- and an eerily memorable performance by Javier Bardem, in a Ringo Starr haircut.
  16. Ida
    What makes Ida remarkable is how much Pawlikowski is able to accomplish in just 80 minutes, with a pair of mismatched female characters, a handful of wintry and desolate locations, the square-format cinematography of Ryszard Lenczewski and Lukasz Zal, and a soundtrack that combines modernism, Soviet-bloc pop music and a haunting performance of John Coltrane’s “Naima” that seems to capture all the emotional possibilities the characters cannot express.
  17. This movie's an absolute knockout. I know it's only June, but I'm damned if this isn't the breakthrough American film of the year.
    • 90 Metascore
    • 70 Critic Score
    A movie that refuses to kick into gear until it's far too late.
  18. Her
    This is a handcrafted, passionate and sometimes impossibly beautiful film that argues for both the past and the future, with a poetic spirit that’s extremely rare in American cinema.
    • 90 Metascore
    • 80 Critic Score
    Using the overpowering techniques of modern film, Steven Spielberg has cut through the glory-tinged gauze that shrouds World War II to reveal its brutal reality, creating a phenomenology of violence unsurpassed in the history of cinema.
  19. The movie has a crispness about it, an unwillingness to succumb to sentimentality.
  20. It's all beautiful, all right. But before long I began to feel beaten against the rocks of that beauty -- Finding Nemo smacks of looky-what-I-can-do virtuosity, and after the first 10 minutes or so, it's exhausting.
  21. Any way you slice it, it's a brave and brilliant act of defiance.
  22. It's a gleeful, nitrous-oxide high.
  23. Although there isn't a single kiss in this love story, it's intensely erotic -- and more to the point, it's not afraid of eroticsm's juicier and more forthright twin, carnality.
  24. The Incredibles has that rare quality of feeling modern and classic at the same time.
  25. It's a highly original film made in a familiar context, and an exciting moviegoing experience you shouldn't miss.
  26. Like rock 'n' roll itself, the movie's really all about girls. Even when -- no, especially when -- it's pretending not to be.

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