San Francisco Chronicle's Scores

  • Movies
  • TV
For 6,090 reviews, this publication has graded:
  • 53% higher than the average critic
  • 2% same as the average critic
  • 45% lower than the average critic
On average, this publication grades 0.1 points lower than other critics. (0-100 point scale)
Average Movie review score: 62
Highest review score: 100 Hairspray
Lowest review score: 0 Harry + Max
Score distribution:
6,090 movie reviews
  1. An inspiring translation of biblical grandeur, turning the story of one of history's greatest heroes into an entertaining, visually dazzling cartoon.
  2. People who see it may feel like dancing out of the theater afterward. Go for it.
  3. It's a glamorous revenge romp, a "9 to 5" mixed with "Auntie Mame," and it gives each star the opportunity to do her best work in a long, long time.
  4. Ida
    Ida is a rarity, a film both intensely grounded in painful historical reality and genuinely otherworldly.
  5. Heart and tenderness are rare in cartoon movies. But in an age of frenetic children's fare, the new animated adventure The Iron Giant dares to show a lot of both, and it comes up a winner.
  6. Coraci has given us a film that is not only amusing, but well-acted, and not only well-acted, but gorgeous. Micha Klein's animated transitions alone, which are used to signal each change in location, are wondrous and lovely to behold.
  7. Michelle Williams doesn't just survive. Called upon to glow, she glows. Her performance doesn't solve all the riddles of that personality; none could, and it's for the best that Williams doesn't try.
  8. In many ways - in all ways - The Artist is a profound achievement.
  9. An extraordinary and effective film.
  10. Shame has a lolling pace and stunning visual clarity. Structurally, it's close to perfect - its precision echoed in the Glenn Gould piano recordings of Bach keyboard works that Brandon listens to obsessively.
  11. An overwhelming experience.
    • 69 Metascore
    • 100 Critic Score
    Cconsistently entertaining.
  12. A movie of intelligence and power, of beauty, universality and largeness of spirit.
  13. Intelligent and crackling with crisp, provocative visual energy, Copycat, the new thriller starring Sigourney Weaver and Holly Hunter, is so creepy and dangerous-feeling that it's like a knife edge pressed against the jugular.
  14. Rarely does a movie come along that captures an aspect of everyday consciousness that has not yet made it onto film.
  15. Follows the country pop singer on what has to be one of the most amazing farewell concert tours in music history.
  16. An enchanting, beautiful and brilliantly imagined film.
  17. Sweet, funny, sad and profound -- the sort of film that becomes more remarkable when you realize it's based on someone's real life.
  18. A further, captivating extension of Oshima's marriage of the oblique and the erotic.
  19. The films never lose sight of Mesrine the man, a fascinating character in that he's brutal yet extremely intelligent, has a skewed but discernible conscience, and, under the right circumstances, can be warm and generous.
  20. Not a routine cut-and-paste horror but a full-fledged revenge fantasy -- and a completely satisfying one.
  21. The difference is that Iain Softley, who directed Wings of the Dove, and his screenwriter Hossein Amini, who wrote the overlooked "Jude," are keen observers who bring a wealth of ambiguity and mystery to the surface -- and release their characters from the cliches that easily could have swallowed them.
  22. Part fairy tale and part bogeyman thriller -- a juicy allegory of evil, greed and innocence, told with an eerie visual poetry.
  23. Die Hard 2 is a huge movie done right. [3 July 1990, p.E1]
    • San Francisco Chronicle
  24. Daring in its affirmation that a dowdy woman in her late 60s still can let go of her inhibitions and exhibit a lascivious side.
    • 83 Metascore
    • 100 Critic Score
    [Branagh] shows an understanding of the medium worthy of a veteran, and an intuitive grasp of how to make Henry V not only comprehensible, but compelling for contemporary audiences. [13 Dec 1989]
    • San Francisco Chronicle
  25. Sir! No Sir! is far from a dry rehashing of what may seem for some like ancient history. Driving guitar rock and lively editing add to the film's urgency. The voices of the veterans alone, however, make this an important and poignant film that can speak to any generation.
  26. Appropriately structured like a ride on skateboard: It swoops back and forth in time, hovers in midair, twists back on itself over and over again, then rolls into silence.
  27. Soft, evanescent and bittersweet.
  28. The King's Speech is a warm, wise film - the best period movie of the year and one of the year's best movies.

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