San Francisco Chronicle's Scores

For 1,273 reviews, this publication has graded:
  • 53% higher than the average critic
  • 3% same as the average critic
  • 44% lower than the average critic
On average, this publication grades 1.1 points lower than other critics. (0-100 point scale)
Average TV Show review score: 64
Highest review score: 100 Enlightened: Season 2
Lowest review score: 0 The Winner: Season 1
Score distribution:
  1. Mixed: 0 out of 696
  2. Negative: 0 out of 696
696 tv reviews
  1. The show is fast-paced and sexy, but perhaps its secret weapon is the authenticity of Tony's character as a young Latino resident of the working class, largely Mexican American Boyle Heights area of Los Angeles.
  2. The characters on Go On are engaging and varied.
  3. Yes, there's a lot less walking and talking. There is a limited amount of witty banter -- precisely enough so people not paying too much attention will never notice it's gone. What has increased... is heavy emotion a la "ER."
  4. As long as the jokes stay barbed, fast and witty--as they are in the pilot--there's more than enough reason to keep following the band of misfits.
  5. "The Simple Life" is a one-note joke, but it's a good one.
  6. Created by Julius Sharpe, the sheer silliness of the show is infectious and the performances by Pally, Meester and especially Lester are terrific. John Gemberling and Neil Casey are great goofy fun as those good-time boys, John Hancock and Sam Adams.
  7. "Queer Eye for the Straight Guy" adds an element of fun and a twist to an overplayed genre, and should find a wide audience.
  8. Revenge has enough meaty characters and plot possibilities to keep it going for years. And it just may last long enough to explore them all.
  9. Logic isn’t a factor here, but the show is fun, rather evocative of ABC’s canceled “Forever” and the aforementioned “Timeless.”
  10. The writing is just clever enough to probably make the killing-a-week conceit work. And if you're into watching a phalanx of almost-recognizable actors you've seen in work you can almost remember, this is the series for you. Beyond that, it's just plain fun.
  11. It has a solid pedigree. It's also part of Cinemax's effort to expand its original programming. That effort pays off with Banshee.
  12. "The Surreal Life" is so bad it's good. Really bad. And really good.
  13. Writer Stephen Butchard has done a superb job distilling the nuance and complexity of Cornwell’s story, which avoids simplistic good guys vs. bad guys plotting.
  14. The production values are first-rate, the performances convincing, and with 60 units in the building, there's a wealth of potential stories to keep 666 in ABC's address book for several seasons.
  15. By making us wonder what Steinem doesn't declare, we can come to a greater understanding of the complexities of the woman herself, but only if we are willing to venture beneath the surface.
  16. Both Paquin and Moyer do well here. And True Blood is fleshed out with other interesting characters getting to spout well-written lines. But at times the whole thing seems silly.
  17. V doesn't have an original premise - the humans versus aliens thing is as old as moving pictures. But the special effects are better, and if ABC can get you to buy into the storytelling then it might have another genre hit on its hands.
  18. Although Blick's structural concept skirts close to mannered gimmickry, it also makes artistic sense. We are slowly but unavoidably drawn into the ever thickening mire of secrets, lies and shifting allegiances in both the lives of the characters and, of course, in the constant strife in the Middle East.
  19. The adaptation is superb as it explores the Austen-James characterization, but Towhidi is ably abetted by Daniel Percival’s exquisite character-focused direction and, of course, first-rate performances from the entire cast.
  20. Imagine a lesbian "Friends," only smarter and better-looking.
  21. Lone Star has enormous potential to be a complicated, tightrope-walking tale of two lives. Or it could just implode. Like "The Event," it's worth your investment, but you'll have to record one or the other.
  22. There's some spot-on and sharp humor throughout, but it never gets too light and breezy.
  23. The six-part series not only makes science accessible, but it’s also fun to watch.
  24. It's a wonderful series that gets better every hour you watch it. ... But there's the catch. "Deadwood" is a slow starter.
  25. While these character traits represent the real heart of the story, there are times you feel that Ridley is making an instructional film for a corporate HR department. On paper, it’s good for him to break away from stereotyping, but he does it with such obviousness, he almost undermines the power of his story and of the show’s extraordinary performances.
  26. Raising Hope works on two levels, the absurdist gags about dysfunctional families and lower-class values that populated "Earl," and the never-too-saccharine sweetness that Jimmy brings to the world. If Garcia can keep up this mix, Fox may have itself a non-animated comedy hit.
  27. Almost nothing about Empire ... feels original, but just a few minutes into the premiere episode, you’ll stop caring.
  28. There is more than enough room for every variety of comedy on TV today. The only requirement is that they be well made and engaging. That’s another item on the list One Mississippi can check off.
  29. Worst, created by Stephen Falk ("Weeds"), takes that well-worn conceit and forces it through the cold sieve of contemporary antiromanticism, and the result is often very funny.
  30. The TV version can’t quite go that far, at least not on a broadcast channel, but the special effects are convincing, and the script is a labyrinth of mystery and suspicion guaranteed to hold your interest.

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