San Francisco Chronicle's Scores

For 962 reviews, this publication has graded:
  • 52% higher than the average critic
  • 3% same as the average critic
  • 45% lower than the average critic
On average, this publication grades 1.5 points lower than other critics. (0-100 point scale)
Average TV Show review score: 63
Highest review score: 100 The League: Season 6
Lowest review score: 0 Fear Factor: Season 1
Score distribution:
  1. Mixed: 0 out of 508
  2. Negative: 0 out of 508
508 tv reviews
  1. It's Close who makes "Damages" a series to contend with.
  2. Logue and Raymond-James are, straight out of the gate, the two most believable and funny buddies you'll see on the screen.
  3. There's nothing inherently wrong with The Good Wife other than it's a legal series with too many close-up shots of knowing glances and "attagirl Alicia" moments of empowerment that you saw coming 20 minutes prior.
  4. A show that does what it's supposed to do -- keep you riveted and entertained. [25 Sep 2002]
    • San Francisco Chronicle
  5. "Deadwood" fans already know that Milch doesn't make it easy for viewers to get a purchase on his series, but for those willing to do the work, Luck, pays off.
  6. In the best tradition of light but engaging (and highly entertaining) dramas, Burn Notice is plain and simple fun--you want to come back every week.
  7. This may not be Martin Scorsese's most sophisticated film, but it actually takes a smart filmmaker to understand that, with a subject like Fran Lebowitz, the best thing you can do is let her talk.
  8. House had enough going against it, but if you strip it of its boldness in favor of rote (and predictable) drama, then you might as well bring in the priest.
  9. "Studio 60 on the Sunset Strip" lives up to the advance hype, easily qualifying as one of the best new broadcast series of the fall.
  10. At heart, this is a show about good and evil, but sometimes the catch--for both the characters and the audience--is knowing which is which. You won't be able to stop watching.
  11. The humor is subtle, almost deadpan, but brilliant at every turn. Some moments become excruciating to watch, only because we've formed an immediate affection for Josh and hate seeing him screw things up for himself.
  12. Adams and Macht are terrific, with the former loosening up quite considerably this year as Mike....Torres is cool, sexy and commanding as Jessica, and Markle, Hoffman and Rafferty contribute greatly to the energy of the show's core ensemble.
  13. There are moments when events become too pat or get too cute. Occasionally the show mysteriously falls into a rut of old cop-show cliches. But those times are few, fading from memory because there's enough potential and quality elsewhere to make you forgive and forget.
  14. The acting here is exceptional and the writing strong and honest. Though "Brotherhood" may not be in the rarefied air of "The Sopranos" or "The Wire," it's still a major achievement for Showtime's original-series development and yet another top-notch cable drama.
  15. Most of the performances are very good and some are thrilling, particularly Kline's Jacques, whom he imbues with great world-weary nobility.
  16. By having everyone around Jackie seem daft, quirky or incompetent--an attempt at humor, one would guess--the series never felt connected. Those elements improved by the ended of Season 1 and have, for the most part, been ironed out in the early episodes of Season 2 (though the tone will need to be monitored).
  17. Key and Peele are sufficiently talented and versatile to carry off a half-hour show on their own.
  18. Awake grabs you, unnerves you, breaks your heart and even makes you work a little.
  19. Just as "A Mighty Wind" and "Waiting for Guffman" aren't like traditional movies, "Family Tree" isn't like traditional sitcoms, in that there isn't a traditional setup-punch-line structure to it. It does evoke comedies such as "Curb Your Enthusiasm" and "Arrested Development," though, where the humor is more incremental, character-based and cumulative.
    • 74 Metascore
    • 75 Critic Score
    Composed of extraordinary source footage, most entirely unseen before, that combines newsreels, U.S. and British television shows, home movies and hundreds of rare photographs blended with the requisite talking-head interviews.
  20. Funny, fearless, down to earth and informative, Monaghan makes a great host and guide and gives us a new respect and appreciation for nature's wild things--from a very safe distance.
  21. If Amy really was enlightened, there'd be no show, but the fact that she's wearing her enlightenment like an ill-fitting coat gives the show both its comedic and plot trajectories.
  22. Just enough geeky insider stuff to keep the fan-boys from grousing too much, but an even bigger portion of well-written action, drama, humor and intricate plot details to hook viewers who gave up comic books before Steve Canyon was grounded.
  23. The life of an everyday American high school girl has rarely been rendered with such sly and funny precision as it is in MTV's aptly named Awkward.
  24. You think you know this situation and how it will turn out, but there are surprise, yet entirely credible, twists throughout Monday's episode.
  25. The show, co-created by Shawn Ryan of "The Shield," is weirdly watchable, the way a hamster spinning a treadmill is watchable.
  26. The performances are precise and beautifully detailed, as are the characterizations in Thomas' script. Fans of the original series will see certain echoes in some of the characters in the sequel, but the echoes are faint enough to allow us our memories of, among so many others, Rachel Gurney and David Langton as the Bellamys, Angela Baddeley as the cook and Gordon Jackson as Hudson, who was so much more than just the butler.
  27. A charming but underwhelming pilot.... The second episode is dismal, sucking all the air out of whatever hopes you might have had for that one.
  28. Klondike grabs you with terrific performances, an unusually rich script, magnificently sweeping visuals of jagged mountains overlooking valleys of ice and snow, and such a convincing attention to period detail, you'll believe you're back in Dawson City at the end of the 19th century.
  29. Fans can read into it whatever they want, but the series' greatest strength is the vampire quality of accepting fate and reveling in it.

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