San Francisco Chronicle's Scores

  • Movies
  • TV
For 6,526 reviews, this publication has graded:
  • 52% higher than the average critic
  • 2% same as the average critic
  • 46% lower than the average critic
On average, this publication grades 0.5 points lower than other critics. (0-100 point scale)
Average Movie review score: 62
Highest review score: 100 Food, Inc.
Lowest review score: 0 From Dusk Till Dawn
Score distribution:
6526 movie reviews
    • 92 Metascore
    • 100 Critic Score
    Star Wars, set “a long time ago in a galaxy far, far away,” is the most exciting picture to be released this year — exciting as theater and exciting as cinema. It is the most visually awesome such work to appear since “2001: A Space Odyssey,” yet is intriguingly human in its scope and boundaries.
  1. The film has aged gracefully.
  2. Gets it right. It's a wonderful movie. Watching it, one can't help but get the impression that everyone involved was steeped in Tolkien's work, loved the book, treasured it and took care not to break a cherished thing in it.
  3. An indelible statement on loneliness and spiritual thirst.
  4. Toy Story 3 is a better film than "Wall-E" and "Up" in that it succeeds completely in conventional terms. For 103 minutes, it never takes audience interest for granted. It has action, horror and vivid characters, and it always keeps moving forward.
  5. It’s a testimony to how much this is a live issue in Indonesia that some of the credits are listed simply as “anonymous.”
    • 92 Metascore
    • 100 Critic Score
    Keith Maitland’s powerful and emotional documentary Tower — easily one of the best films of the year — takes a novel approach for a nonfiction film: Animation.
  6. Not always pleasant to watch.
  7. Impossible to describe, impossible to forget, The Triplets of Belleville sends audiences tottering out of the theater, dazed and delighted, and wondering what it is they have just experienced.
  8. Clearly a minor classic, mainly for reasons besides its crime story plot -- namely, the urbane fatalism of its cast and the overall mood of inevitability that hangs over every scene.
  9. An absolute delight, combining the cheap thrills of a biopic with the gentler, but more lasting, pleasures of a brilliant character study.
  10. The cruelty of his methods aside -- and Polanski wasn't the first director to terrorize an actor for the sake of a performance -- Repulsion is a frightening, fiercely entertaining experience that holds up to time. (Review of May 1998 revival)
  11. Spielberg's sledgehammer way with emotional moments, never more obvious than here, kills some of the pleasure for adults and robs the movie of the ultimate laurel -- classic status. [2002 re-release]
  12. This is a movie that you will admire both for its courage and its creativity.
    • 91 Metascore
    • 100 Critic Score
    Has more originality, nitty-gritty humor, spirit and spunk than all the summer blockbuster retreads combined. Underneath the jousting and jiving, there's a sharp, uncompromising look at the anatomy of a race riot in the movie. [30 June 1989, Daily Notebook, p.E3]
    • San Francisco Chronicle
  13. Riveting.
  14. The best movie of 2008? The most revealing war film ever made? The greatest animated feature to come out of Israel? All these descriptions could apply to Waltz With Bashir.
  15. Leigh goes right to the core of his character's lives and mines the place where we're weakest, most alone and sometimes the cruelest.
  16. Feels positively Greek in its magnitude, a lament about fate, age, time and life.
  17. Nostalgia for the Light is a strange and stunning work of art: a poem disguised as a movie about astronomers in the Atacama desert of Chile.
  18. Until this film, these Shin Bet directors had never consented to an interview. Now that they've spoken - and have said the unexpected - we can only wonder if their words will have an influence.
  19. Ida
    Ida is a rarity, a film both intensely grounded in painful historical reality and genuinely otherworldly.
  20. It's a movie filled with surprises, including one outright kick in the head that qualifies as one of the biggest movie moments of 1992. [18 Dec 1992]
    • San Francisco Chronicle
  21. An overwhelming experience.
  22. This is one helluva drama, with one helluva star turn by Jennifer Lawrence as Ree.
  23. As the title suggests, she might as well be on trial for her life. That’s the absurdist but eerily true premise behind this provocative Israeli feature film, which takes us to the world of the Jewish religious courts, a place where only rabbis can decree a divorce — and where husbands wield stupefying power.
    • 90 Metascore
    • 100 Critic Score
    Ultimately, Collin’s film is one of forgiveness. That’s not the usual way great tragedies end.
  24. One of the best crime dramas to come along in years.
  25. The new material makes the film seem lumpy and overstuffed.
  26. A great achievement: tense and passionate, a film that one feels not just emotionally but also physically.

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