Whereas most entries in the musty genre are simply inclined to go for cheap shrieks and lofty body counts, this saga defies expectations with a more humanistic approach.

If you've ever wondered how television screws up so many promising projects, check out Episodes, a new Showtime series with Matt LeBlanc that provides the answers in deliciously hilarious detail.

Some viewers will delight in the edgy humor, while others undoubtedly will want to slap an extra-tight muzzle on Wilfred.

Fortunately, the series has enough edge and action and compelling conflict to keep it from getting mired in sap. Berlanti, in fact, has humorously referred to Everwood as "'Our Town' on crack" and he may have something there. [16 Sept 2002, p.D1]

The rather trite concept is freshened up by some colorful writing that actually happens to be funny, and by engaging "Odd Couple"-like performances from Sheen and Cryer, who play well off each other. The series is also a prime-time rarity - a sweet domestic comedy that isn't overly sappy. [22 Sept 2003, p.D01]

A surreal, visually striking, insightful comedy-drama about the American way of death and a troubled middle-class family that deals with mortality every day. [3 June 2001, p.6E]

Within the first 15 minutes, you realize you have jumped onto what could be one hell of a thrill ride.

A creepy, atmospheric, sometimes downright scary hour of TV.

The writing is sharp and sophisticated, avoiding the predictable sitcom cliches.

Manages to be crude and sweet, smart and splendidly stupid, all at the same time.

"Invasion'' has the look of a winner.

"Extras'' doesn't quite rise to the same level [as "The Office"], but it is very funny and Gervais plays another memorable character

Warm, clever, appealing and a lot of fun.

A gripping show.

It just oozes potential with sharp dialogue and a strong cast.

Definitely worth your time.

If you're looking for allegorical, intriguing science fiction, this isn't it. If you're OK with rapid-fire, light-hearted dialogue with an occasional dig at politics and culture, this "Doctor Who" is your cup of tea.

[Entourage] has gotten funnier, more human and more insightful with age.

There's a depth, a richness to the series now that was only suggested [in the first season].

"Sleeper Cell" is a compelling, kinetic ride that matches "24" in its power and is far more realistic and topical.

Once you get used to the surroundings, it's still the same "As You Like It"--utterly charming and completely winning.

It is a gripping and explosively acted piece that involves the New York Yankees, the Son of Sam killer and the infamous 25-hour blackout that darkened all of New York City.

There is certainly enough right about the first hour of State of Mind that I'll be back for at least one more session with Ann Bellowes.

Californication is a near-perfect match with the established show, a caustic, sharp-edged mix of humor and drama that tiptoes along the edge of disaster but never drops into the looming abyss.

For those who loved the original - and for those who liked it for its good nature, charm and peppy production numbers (that includes me)--the good news is that, if anything, the creators have managed to improve on the basic formula.

Torchwood is grand fun and great adult entertainment.

By the end of the first hour of Tell Me, I found myself caring deeply about what was happening to the couples and whether, in the end, they would find some joy of sex and emotional satisfaction. And whether I care about the characters is always my bottom line as to whether a series succeeds.

The show could grow on you quickly because those involved are actually talented and engaging on- and offstage. One upside to Nashville is that it doesn't feel as staged as "Laguna Beach" or, in particular, "The Hills," a spinoff of "Beach."