San Jose Mercury News/Contra Costa Times' Scores

  • TV
For 365 reviews, this publication has graded:
  • 69% higher than the average critic
  • 2% same as the average critic
  • 29% lower than the average critic
On average, this publication grades 4.9 points higher than other critics. (0-100 point scale)
Average TV Show review score: 69
Highest review score: 100 Orange is the New Black: Season 2
Lowest review score: 0 In Case of Emergency: Season 1
Score distribution:
  1. Mixed: 0 out of 266
  2. Negative: 0 out of 266
266 tv reviews
  1. Community can be too consciously zany at times and occasionally misses more than it hits. But from the early looks of things, it seems to be holding up just fine.
  2. Based on tonight's premiere, this mix of "Star Wars" and "Stagecoach" could prove to be visually ambitious, thematically provocative and full of crackling dialogue. [20 Sept 2002, p.1]
  3. A pretty lively and entertaining show, maybe the fledgling WB network's first real shot at a breakaway hit. [10 Mar 1997, p.10E]
  4. Has a solid premise and a lavish look. The show's signature visual gimmick features characters morphing into their younger selves. Then there's the appealing Rush, who makes a very strong first impression. [27 Sept 2003, p.D01]
  5. Rogue does a nice job of methodically building an unsettling mood.
  6. Brody's portrayal of the wise but nerdy Seth energizes The O.C. He's comical without being cartoonish, and the humorous touches he brings to the story help to lighten up a show that at times feels overly heavy. Here's hoping the script writers don't leave his character in the dust in favor of chasing more glamorous story lines. [5 Aug 2003, p.D01]
  7. The trick for Midler's writers will be to make sure the show is at least somewhat grounded in real-life situations while keeping the inside-Hollywood stuff from being too inside. It's funny, for example, when she expresses vengeful bitterness over losing the 1979 Oscar to Sally Field ("Norma Rae"), but it might not be so funny to hear references to her 1982 celluloid stink bomb "Jinxed." (Remember that one?) [11 Oct 2000, p.D01]
  8. It has enough kooky class warfare, sexual shenanigans and whodunit intrigue to make for some escapist summer fun.
  9. We've seen plenty of these high-concept TV conceits start well and then sadly unravel. For now, though, there's no place like Dome.
  10. The story, penned by executive producer Andy Breckman ("Rat Race") gets predictable at times, but it deftly manages to mix drama and humor while bringing new twists to a shop-worn genre. [11 July 2002, p.D1]
  11. A veritable treasure trove of frat-house humor. [1 May 2005]
  12. There is more tension to the interaction between the characters and more emotions in play. [23 Sep 2002]
  13. The writing is clever with sly references to the Man of Steel myths. In Welling and Kristin Kreuk, who plays Lana Lang, they have actors who are not only good but will be on the cover of every teen magazine within weeks. And Michael Rosenbaum manages to make Lex sympathetic even when you know he will end up being Superman's greatest enemy. [16 Oct 2001, p.1E]
  14. They [Robin Williams and James Wolk] seem to be having a blast playing off one another, and their comedic energy is infectious.
  15. The Michael J. Fox Show tries really hard to be as warm as a cup of cocoa yet hilariously irreverent. Maybe too hard.... On the plus side, Fox still oozes self-deprecating charm, and I love the sweet and playful chemistry he has with Brandt. Also, Pierce is a hoot as the smooth con man of a boss. More of that, please.
  16. What Deadwood becomes within its first four episodes is a complex, neo-Shakespearean take on social and institutional corruption, racism, environmental barbarism, and the nature of good and evil. It not only provides a different view of how the West was won but also muses on how the taming of the frontier mirrors modern times. [21 Mar 2004, p.3E]
  17. This series is about the bonds of family and heated power struggles--with a big dose of vampiric hedonism mixed in. Sounds like the makings of something pretty fang-tastic.
  18. While Mob City does have its weaknesses, including patches of starchy dialogue, it offsets them with some magnetic performances.
  19. Viewers who look to Downton Abbey for loads of escapist splendor may want to temper their expectations when the wildly popular British drama returns for its fourth season on Sunday.
  20. Whether Rome attains that stature is entirely up to the Nielsen gods, but one thing is certain: The series is a lusty, violent, rollicking saga that is sure to seize plenty of initial attention, if not for its ravishing production values, then for its rampant depiction of ancient-style decadence and debauchery. [27 Aug 2005, p.F4]
  21. Based on Sunday's pilot episode, Crisis has the potential to be one of the spring season's most addictive network offerings. It's intense and suspenseful.
  22. The revived 24 is still instantly involving and packed with a dizzying rush of suspenseful crescendos. The new Jack, meanwhile, is the same as the old Jack, which is to say he flips the bird in the face of terror and squirms his way out of major messes like a gun-toting Houdini--all while managing to make a man purse look good.
  23. "Threshold" seems to have a lot going for it. A good bunch of writers. Classy production. One of the season's quirkiest and most appealing casts,... Whether all these high-quality ingredients result in an intoxicating sci-fi stew remains to be seen.
  24. It's all shamelessly manipulative, but the show has real heart.
  25. While it is more intriguing than gripping, the drama has considerable power in its best moments, many of which will come in the last episodes.
  26. I suspect that if I were a 10-year-old girl -- which I'm not -- I would love this film... That being said, I can still recommend the movie because, despite some sugary-sweet moments,... [it] isn't condescending to its young target audience and actually has some bite to it.
  27. "The Book of Daniel" turns out to be something rare to network television these days. It is a rich family drama that isn't afraid of dealing with real issues in a real way and with humor, falling somewhere between "Six Feet Under" and the late, lamented "Once and Again."
  28. The series has a familiar format, but the opening episode suggests it may have some real spark to it.
  29. Generally funny, sharply observant and smart in its use of the star and a good supporting cast.
  30. It is a great performance [by Mirren], strong enough that it overcomes the flaws of "Elizabeth I."

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