San Jose Mercury News/Contra Costa Times' Scores

  • TV
For 365 reviews, this publication has graded:
  • 69% higher than the average critic
  • 2% same as the average critic
  • 29% lower than the average critic
On average, this publication grades 5 points higher than other critics. (0-100 point scale)
Average TV Show review score: 69
Highest review score: 100 The Normal Heart: Season 1
Lowest review score: 0 In Case of Emergency: Season 1
Score distribution:
  1. Mixed: 0 out of 266
  2. Negative: 0 out of 266
266 tv reviews
  1. The good news is that it's still got game. [7 Nov 2004, p.C09]
  2. One of the most fully realized, innovative and flat-out exciting television debuts ever. [4 Nov 2001]
  3. Season 6 jumps ahead in time and launches with a beautifully written, contemplative two-hour opener called "The Doorway."
  4. Treme, probably more than any piece of cinematic fiction set in New Orleans, feels like an authentic experience. As you watch it--and slowly savor it--you can practically taste the red beans and rice.
  5. The [first two] installments--titled "The Beginning of the End" and "Confirmed Dead"--are gripping, vivid, beautifully executed and loaded with answers to the little mysteries of Lost life.
  6. The show probably wouldn't fly for a minute, though, if it weren't for the ineffably engaging Cavanagh, who looks a lot like sardonic comedian Jon Stewart, yet has the laid-back affability of a young Jimmy Stewart. All bright eyes and dimples, he absolutely sparkles in the role. [7 Oct 2000, p.D01]
  7. This is a TV drama of quality, masterfully written and lovingly produced, which probably reflects what may be the most important new trend in network television: The increasing willingness of feature film talents to work in the medium. [28 Sept 1998]
  8. As its lofty production price tag suggests, The Pacific is bursting with epic sprawl and extravagance. But like any effective film of its kind, it also contains a brand of intimacy that will have you bonding with its characters and caring deeply about their fates.
  9. It's an extraordinary achievement, particularly since the miniseries ended up involving seven directors, including Hanks, and six writers. There is an inevitable difference in tone between the episodes, but "Band" never wavers from its vision of re-creating the experience of war through the eyes of average soldiers. [9 Sept 2001, p.3E]
  10. It all adds up to a trip that's well worth taking.
  11. The lively script by Geoffrey Ward covers a lot of ground and offers keen insights via interviews, not only with experts but regular folk who lived through the era.
  12. Daisies is something you shouldn't miss, particularly if you're looking for something different on TV.
  13. It's captivating, and also poignant.
  14. There is no question Rescue Me walks a very thin artistic line. The miracle, in television terms, is how brilliantly it works. While heart-wrenching at times, it is also a very funny series. [21 July 2004, p.6E]
  15. The series returns with its creative six-shooters blazing, its florid language and baroque manner of storytelling still gloriously riveting.
  16. What [director Ryan Murphy] delivers is a film with piercing emotional honesty that feels rough, and real, and intimate, and truly full of heart.
  17. Mad Men can still keep us spellbound.
  18. An irresistible blend of soapy shenanigans, domestic tension, political intrigue and catchy tunes.
  19. Some of the characters are so simplistically drawn that it's laughable. On the other hand, we love these characters so much and we're having such a jolly good time that we just can't resist Downton Abbey.
  20. Season 3 gets off to a fine and frothy start.
  21. The format of '24' still works beautifully. [27 Oct 2002]
  22. While Botwin's crime world is the engine that drives "Weeds," there is much more to the show than that. At its core, it's a subtle satire of suburban life, politics, social mores and race. [13 Aug 2007]
  23. Whereas most entries in the musty genre are simply inclined to go for cheap shrieks and lofty body counts, this saga defies expectations with a more humanistic approach.
  24. The show is at its best when the confrontational tension among the humans is palpable.
  25. "Extras'' doesn't quite rise to the same level [as "The Office"], but it is very funny and Gervais plays another memorable character
  26. The way these characters interact and relate in the first hour is dazzling and involving without being self-consciously clever.
  27. It is a great performance [by Mirren], strong enough that it overcomes the flaws of "Elizabeth I."
  28. Gilmore Girls is brimming with fine performances all around, but the keys, of course, are its two leads. The appealing Graham has endured her share of TV flops ("Townies," "MYOB" and "Conrad Bloom"), but now she appears to have the kind of material that will allow her comic talents to shine. Meanwhile, Bledel is a promising newcomer with an intriguing round face, expressive eyes and a gift for deadpan retorts. [5 Oct 2000, p.D01]
  29. To be sure, the show is like any other crime drama in that it contains darkness and violence--some of it erupting in unexpected ways. But there are enough new wrinkles here to make anyone who takes a chance on it feel thoroughly justified.
  30. There will be those who will find true comic insight in the sharp comments and ugly little moments of truth. And there will be those who will flee "Curb Your Enthusiasm," seeking something just a bit less off-putting. [14 Oct 2000]

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