San Jose Mercury News/Contra Costa Times' Scores

  • TV
For 401 reviews, this publication has graded:
  • 69% higher than the average critic
  • 2% same as the average critic
  • 29% lower than the average critic
On average, this publication grades 5.3 points higher than other critics. (0-100 point scale)
Average TV Show review score: 70
Highest review score: 100 Alias: Season 1
Lowest review score: 0 In Case of Emergency: Season 1
Score distribution:
  1. Mixed: 0 out of 299
  2. Negative: 0 out of 299
299 tv reviews
  1. As messy as it sounds, the cast is good, the show looks great and the executive producer is Greg Berlanti, a writer whose recent track record ("Everwood," "Jack & Bobby," "Brother & Sisters") is unmatched.
  2. It's this sense of wonder that sets "Enterprise" apart from the more stodgy Star Trek offerings and injects some much-needed fresh energy into the 35-year-old franchise. [26 Sep 2001]
    • San Jose Mercury News/Contra Costa Times
  3. Although the pilot is hampered by a few cliches and acting that feels forced at times, the main leads are likable, the relationships involving and the storylines provocative. Consider it a promising start. [14 Apr 2003]
    • San Jose Mercury News/Contra Costa Times
  4. The writing... is sharp and rich. The production -- from the design of the carnival to the evocative cinematography -- is dazzling. The direction from the likes of "Sopranos" veteran Rodrigo Garcia is first-rate. And the acting is sensational. [14 Sep 2003]
    • San Jose Mercury News/Contra Costa Times
  5. It is a gripping and explosively acted piece that involves the New York Yankees, the Son of Sam killer and the infamous 25-hour blackout that darkened all of New York City.
  6. While the show does contain a few obvious penis punch lines, it is so much more than its gimmicky name suggests, offering plenty of heart, along with worthwhile riffs on the national economy, American resourcefulness and, yes, gender dynamics.
  7. Certainly, Dominic Purcell creates quite a presence as this man of mystery. [20 Sept 2002, p.1]
    • San Jose Mercury News/Contra Costa Times
  8. Within the first 15 minutes, you realize you have jumped onto what could be one hell of a thrill ride.
  9. Johnson is such a multi-layered character, and Sedgwick plays her so beautifully that you can forgive the weaknesses of the opening episode and hope they get smoothed out in what could be a very long run for this show. [13 Jun 2005]
    • San Jose Mercury News/Contra Costa Times
  10. The pilot managed to hold my interest for the most part, and I'll credit Hall for bringing a moody allure to the role...Who knows? The show could still flatline over its 13-episode run, but for now it seems to be alive and kicking. [16 June 2002, p.C4]
    • San Jose Mercury News/Contra Costa Times
  11. While it is more intriguing than gripping, the drama has considerable power in its best moments, many of which will come in the last episodes.
  12. What we're left with in The Leftovers is a show that, at least early on, is nothing but chaos and dread and bleakness and chill, as it relentlessly delves into the most troubling aspects of human nature.
  13. While lacking the satirical humor of "Housewives" and the edge of "Unit," the show is serviceable in its storytelling, quite well-done in its production and better than well-done in its acting.
  14. Fortunately, as the saga unfolds, it delves into fresher territory, and Political Animals becomes an intriguing, even occasionally humorous, family soap opera.
  15. Though "Christy" has predictable turns ... it's always involving and the characters are so appealing that you'll surely want to see them again. [3 Apr 1994]
    • San Jose Mercury News/Contra Costa Times
  16. The best new network sitcom this season.
  17. An underlying warmth and a certain charm to the characters mitigate some of the childish jokes and give the series real appeal. [5 Aug 2005]
    • San Jose Mercury News/Contra Costa Times
  18. The writing is sharp and sophisticated, avoiding the predictable sitcom cliches.
  19. What Up All Night has over other baby-rearing shows is a refreshing irreverence.
  20. The Michael J. Fox Show tries really hard to be as warm as a cup of cocoa yet hilariously irreverent. Maybe too hard.... On the plus side, Fox still oozes self-deprecating charm, and I love the sweet and playful chemistry he has with Brandt. Also, Pierce is a hoot as the smooth con man of a boss. More of that, please.
  21. The series has a familiar format, but the opening episode suggests it may have some real spark to it.
  22. Grace has a world of promise with thoughtful writing by Nancy Miller ("The Closer," "Any Day Now"), an intriguing take on the nature of faith and a sheer force-of-nature performance by Hunter.
  23. Sunday's explosive two-hour opener boldly delivers on the promise by TNT producers to rev up both the pace and the firepower in Season 2.
  24. "Threshold" seems to have a lot going for it. A good bunch of writers. Classy production. One of the season's quirkiest and most appealing casts,... Whether all these high-quality ingredients result in an intoxicating sci-fi stew remains to be seen.
  25. Generally funny, sharply observant and smart in its use of the star and a good supporting cast.
  26. You get sort of an odd, been-there-done-that feeling when watching the pilot, which contains, to varying degrees, traces of "The Hunger Games," "The Walking Dead," "FlashForward," "Jericho," "Lost" (Elizabeth Mitchell is in the cast) and other dystopian fare.
  27. The cast around Washington is also quite solid, and the show looks and is refreshingly different from a typical procedural. But it also feels a little too slick and superficial, and those gaps in logic may be a problem for some viewers.
  28. The humor in the pilot is anything but razor-sharp: The writers too often confuse coarse language for jokes, and a subplot in which Calvin coaches a Nigerian co-worker on the finer points of the booty call sputters badly. Still, there is promise here, thanks mainly to a collection of intriguing characters. [14 Aug 2005, p.F4]
    • San Jose Mercury News/Contra Costa Times
  29. Not everything worked, of course, and anyone expecting Conan to reinvent the wheel or drastically shake up the genre is probably disappointed. But if you were simply glad to see his brand of quirky comedy back in late night--and free of the network guardrails--it was cause for celebration.
  30. There's not a lot of depth to the proceedings, and the series is at its weakest when it tries to make some Important Point. But it's a good deal of fun watching Meyers and the rest of the ensemble smartly bringing to life the deceit and internal politics of this royal chess match. "The Tudors" is a spicy soap opera, decked out in really fancy trappings.

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