Seattle Post-Intelligencer's Scores

  • Movies
  • TV
For 2,749 reviews, this publication has graded:
  • 65% higher than the average critic
  • 3% same as the average critic
  • 32% lower than the average critic
On average, this publication grades 3.7 points higher than other critics. (0-100 point scale)
Average Movie review score: 65
Highest review score: 100 Friday Night
Lowest review score: 0 Deuce Bigalow: European Gigolo
Score distribution:
2,749 movie reviews
  1. An unpredictable, unusual, consistently engrossing drama of a kind that has almost disappeared from Hollywood.
  2. Lee's control and storytelling flair have never seemed more assured and there are moments so powerful and thrilling we feel we're in the hands of a master filmmaker at the peak of his powers.
  3. One terrific comedy that doesn't let up for an instant... a total hoot.
  4. Ten
    There's no doubt that Kiarostami is giving us a lesson in social politics, but the education lies in the mosaic pieced together from conversations and situations.
  5. The movie works like a clock. A few minor quibbles aside (the casting of Hitler, for instance), Valkyrie is a highly intelligent and deeply engrossing historical drama and, frame for frame, the year's most suspenseful nail-biter.
  6. A film that takes you by surprise, refusing to relinquish its grim, fascinating hold. Better yet, it has crept up on us without much advance promotional fanfare. The less known about its twists, the better.
  7. It's a gorgeously atmospheric, perfectly cast, beautifully crafted oater of the old school, made with heaps of integrity, no gimmicks and few concessions to the box office. Its only real flaw is that it strains a bit too hard to be a "classic" western.
  8. An extraordinarily exciting, absorbing and satisfying movie. Not quite "Seabiscuit," but comfortably close.
  9. A highly original and progressively riveting personal adventure.
  10. One more good thing is that the movie doesn't overstay its welcome. At 76-minutes, it's wisely calculated to give us as much of its ghoulish whimsy as we can take in one sitting, and not a second more.
  11. The journey comes together to be one of the very best of the "in search of" documentaries: open-minded, informative, immaculately crafted, full of moving and highly privileged moments of discovery.
  12. Shines with the kind of honesty that's very scarce in today's ultra-manipulative cinema.
  13. A drama that embraces the ambiguities and contradictions of family ties and human nature in all its irrational glory.
  14. The cast is good, the score is sublime, the visuals are sumptuous and it speeds along with a delirious romantic power that, if you let it, can sweep you away.
  15. Works best of all as an epic. It wonderfully creates a world of fractured deco elegance and endless human duplicity in which everyone is on the run -- exactly the kind of incisive, seemingly effortless historical spectacle that the French have learned to do so much better than Hollywood.
  16. Susan Sarandon has never been more outrageously appealing. Natalie Portman is simply exquisite.
  17. A landmark film, the unnecessary tinkering has not perceptibly harmed its overall effectiveness and it's a special Halloween treat to see it digitally spruced up and on the big screen for the first time in 25 years.
  18. This is Boyle's fullest, most satisfying work and an audience-pleaser that deserves to be a big hit.
  19. The film is an extraordinarily complex, well-rounded and multileveled portrait of how Crumb got to be the way he is, as well as a tribute to how he was miraculously able to rise above his dysfunctional roots by putting his demons into his art. [16 Jun 1995]
    • Seattle Post-Intelligencer
  20. It's as absorbing as a train wreck, and its brand of heavy drama is so rare in movies these days that everything about it seems amazingly fresh.
  21. It's crammed full of the dash, filmmaking flair, swashbuckling magic, impossible stunts and tongue-in-cheek humor that made the series such a phenomenon of its time, and -- for those versed in its traditions -- almost every frame is enjoyable on some level.
  22. The film's single downside is a certain nagging sense of deja vu: the fact that so many of the elements of the story -- the dark force, the all-empowering object, etc. -- have been usurped over the years (by "Star Wars" and others) that you feel as if you've been down this road many, many times before.
  23. Pitt won the Best Actor award at Venice for his Jesse...Yet it's Affleck who impresses most as the wary, skittish Bob.
  24. Harris genuinely seems to be at one with the character, and his movie is eerily alive.
  25. An exhilarating piece of epic filmmaking that it pulls you in, sweeps you up and works very much as its own thing.
  26. It's a real pleasure to find a movie as calm, measured and dead-on in its impact as Finding Neverland.
  27. The Divine Intervention of the title lies somewhere between hope and fantasy. In a world in which Santa Claus is assaulted in Nazareth, what do you have left?
  28. A deliciously vivid adventure fantasy.
  29. It's a low-key, subtly inspirational drama that builds its charm slowly but surely.
  30. The movie is basically a piece of fluff, not always coherently directed and almost too consistently somber for a movie that wants to be a romantic comedy. Still, it comes together with considerable emotional impact, mainly on the strength of the stars. [24 May 1991, p.14]
    • Seattle Post-Intelligencer

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