Seattle Post-Intelligencer's Scores

  • Movies
  • TV
For 2,749 reviews, this publication has graded:
  • 65% higher than the average critic
  • 3% same as the average critic
  • 32% lower than the average critic
On average, this publication grades 3.8 points higher than other critics. (0-100 point scale)
Average Movie review score: 65
Highest review score: 100 Trilogy: The Weeping Meadow
Lowest review score: 0 The Musketeer
Score distribution:
2,749 movie reviews
  1. Secretary is one of the best of a growing strain of daring films -- "Bliss," "The Lifestyle," "Satin Rouge" -- that argue that any sexual relationship that doesn't hurt anyone and works for its participants is a relationship that is worthy of our respect.
  2. Like Lyne's other heavy-breathers, this one has glossy production values, a relentlessly somber mood and its share of sexual gymnastics. But it's atypical and unique in the way it builds a volcano waiting to erupt with nail-biting anticipation and sympathy for all three characters.
  3. Best of all, the second Potter movie reunites its adult cast: Harris, Maggie Smith, Robbie Coltrane, John Cleese, Alan Rickman, Julie Walters and others -- a veritable Who's Who of British actors that single-handedly elevates the proceedings out of the kid's movie genre into something special.
  4. Captures the pain and desperation of adolescent powerlessness and humiliation with powerful intimacy, strung out to almost 2 1/2 lazy hours of stories that wander through an ever-widening group of characters.
  5. As entertaining as it is a viable, political message destined to make viewers rethink their stance on war.
  6. There are two reasons Ramsay succeeds with a story that might at best be called morbid: She visually transforms the dreary expanse of dead-end distaste the characters inhabit into a poem of art, music and metaphor -- and she has the perfect actress to embody Morvern.
  7. Fascinating.
  8. Hayek throws herself into this dream Hispanic role with a teeth-clenching gusto. She strikes a potent chemistry with Molina and she gradually makes us believe she is Kahlo.
  9. Underworld opera of the bravura kind, this is driven, like most Hong Kong action, more by emotion than logic.
  10. Anderson is a hopeless romantic in a cynical world, and for a brief moment he makes the case that true love is the only power that can crack time and space.
  11. The artist's life and times were turbulent and tragic, but the effect of the movie is the opposite: it's somehow a very calming, almost Zenlike experience, and it left me with a peaceful glow that I managed to carry around for the rest of the day.
  12. A hard film to shake and makes us think and think again.
  13. I loved it...Without trying very hard, Farnsworth commands a unique and immensely appealing screen presence that could be called "a compilation of all the great western heroes of the movie past."
  14. Like Kubrick, Field doesn't make any moral judgments about his characters, and his film remains stubbornly enigmatic. It can be read as a high-class revenge thriller, an ode to the futility of vengeance or almost anything in between.
  15. Not only feels real, but it avoids preciousness and cute eccentricity and, in its lean, almost grave, cut-and-dried delivery makes more of an emotional impact because we're able to imprint our own memories of adolescence upon it.
    • Seattle Post-Intelligencer
  16. Douglas brings a hilarious kind of Gordon Gekko assurance to his character, and Brooks' long-suffering, naggy persona -- which hasn't had a showcase this strong since "Lost in America" -- sparks off it like Hope with Crosby.
  17. As dark as a Greek tragedy yet it has a vibrance and joie de vivre that can't be contained by grief.
  18. A mix of H.P. Lovecraft madness, David Cronenberg biological mutation and David Lynch small-town weirdness, it teasingly dangles explanations never delivered and escapes never sought, while diving into one of the most gonzo horrors to twist onto celluloid in years.
  19. Washington brings it off with an unforced and well-earned emotional wallop, and whose strong hand, keen eye, sweet spirit and good taste are reflected in almost every scene.
  20. All told, this first Bond of the new millennium may be far from the best of the series, but it's assured, wonderfully respectful of its past and thrilling enough to make it abundantly clear that this movie phenomenon has once again reinvented itself for a new generation, and is very likely to outlive us all.
  21. Singer deftly crafts a sleek, unusually tight film that balances comic-book adventure, pulp opera and the fear of being different.
  22. Think of this corrective to Kipling as "The Longest Yard" meets "The Seven Samurai" with cricket bats, choreographed dance numbers, romantic triangles and a rousing call to solidarity.
  23. If the new Ocean's Eleven is mostly Clooney's show, he's more than up to the task of carrying it. Indeed, this could be his career-defining role: The twinkle in his eye has never seemed more disreputable, his devil-may-care charm has never seemed so appealing, and he dominates the movie with the graceful ease of a Golden Age Hollywood star.
  24. Pfeiffer devours every one of her scenes with a ferocious performance.
  25. Nettelbeck has created a movie recipe that ladles great dollops of dessertlike joy and equally dark tragedy around her strong-willed heroine. It wouldn't work without actors capable of finding vulnerability, humanity and kindness in sometimes inaccessible characters.
  26. There's no denying the skill and flair with which director Paul Greengrass has restaged this unhappy event, creating an uncanny sense of immediacy and allowing us to be a fly on the wall at a seminal '70s tragedy.
  27. Another harrowingly cynical dirty-cop movie in the recent tradition of "Training Day" and "Narc." Yet it's so much more complex, engrossing and satisfying than those films that the comparison is not entirely fair.
  28. It captures the excitement of a breaking star, it generates a raw and unsettling emotional power and it honors the aesthetic of hip-hop in way that's never quite been done on film before.
    • 70 Metascore
    • 83 Critic Score
    Uses sports as metaphor for life with rare twist.
  29. Mesmerizing and curiously satisfying idyll that gradually, slyly maneuvers us into a whole new way of looking at the delicate relationship between man, art and Mother Nature.

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