Seattle Post-Intelligencer's Scores

  • Movies
  • TV
For 2,749 reviews, this publication has graded:
  • 65% higher than the average critic
  • 3% same as the average critic
  • 32% lower than the average critic
On average, this publication grades 3.8 points higher than other critics. (0-100 point scale)
Average Movie review score: 65
Highest review score: 100 All Access: Front Row. Backstage. Live!
Lowest review score: 0 Me, Myself & Irene
Score distribution:
2,749 movie reviews
  1. Kidman's Virginia Woolf is already controversial -- Yet there's something fierce, noble and deeply affecting in her work that mirrors Woolf's prose style, and her turbulent presence is the soul of the movie.
  2. Cronenberg's most disciplined exploration yet of that shadowy realm: the world refracted through the prism of a schizophrenic mind.
  3. It's an appealing mix of an old Hollywood movie world of Upper East Side sophisticates with the character-driven spontaneity of a modern American indie, all very slight and light but deftly done.
  4. A mostly fascinating, often frustrating, boldly uncommercial Hollywood version of a boldly uncommercial art film. It's very atypical of the previous work of both director and star, and it's as personal a film, I suspect, as Cruise will ever make.
  5. Dazzles us with computer-generated animation that has never looked quite so boldly exotic or shimmeringly beautiful.
  6. The real find in this lovely family film is Castle-Hughes, who makes Pai's confusion, emotional fragility and devotion palpable.
  7. A love letter to the state of Montana and a landscape that is biblical in its desolation and splendor.
  8. It's more strangely and elementally touching than its predecessors.
  9. Completely -- and quite cleverly -- contrived, a cascade of stupid mistakes and miscommunication stirred into a visceral stew of gooey blisters and flaying layers of bloody flesh.
  10. Gradually and inexorably, the small crises of the children assume a poignant dramatic profluence, and the soothing patience of the teacher begins to have an almost hypnotically balming effect on the viewer.
  11. A punch in the stomach of a movie. It is as ugly as it is beautiful, as full of peaks as of lows. It's a character-driven movie about people on an emotional edge who are ridding themselves of the things that can no longer work without inflicting damage.
  12. The music, art direction and camerawork blend together with an integrity and scope that's wonderfully exhilarating. Every frame seems to communicate the grandeur, power and fatal pull of the sea.
  13. The film is an across-the-board charmer that should appeal to children as well as their parents, aficionados of animation and old-movie buffs who will be challenged to sort out the blur of seemingly hundreds of classic film references.
  14. Most of the magic of this unusual movie comes from the freshness, imagination and sweet spirit of its animation, which is blissfully its own thing and does not show the influence of any of the reigning forces in the art form.
  15. In his first role since turning 40, Cruise displays a likable new maturity, and an unexpected willingness to look weak and foolish.
  16. A gracefully subtle, sweet-spirited French parable of the brotherhood of man that was nominated for a Golden Globe, won Omar Sharif a César Award for best actor and has been a surprise hit in Europe.
  17. Its script is sharp, its dialogue is acerbic, its stars could hardly be better and, in its more sparkling moments, it exudes some of the flavor and charm of the later Hepburn-Tracy comedies.
  18. The French are very much the villains of the saga and, naturally, have always hated the movie (it was banned in Paris until 1971); and it remains controversial in other quarters as well because it seems to embrace, even celebrate, terrorism as a political tool.
  19. Looks simultaneously ahead of its time and delightfully quaint, a simple romantic comedy that revels in the dreamy artifice of a meticulously re-created fantasy Las Vegas.
  20. It's a gripping outdoor adventure and the movies' most inspiring epic survival story in years.
  21. Above all, I'm Not Scared pays off our emotional investment. In the end, its elements come together with the kind of genuinely thrilling, deeply satisfying climax that even the better Hollywood movies just can't seem to pull off anymore.
  22. It's the chemistry between Vardalos and Collette that gives the film its magical dazzle. Despite Vardalos' ingratiating, big and breathy presence, Collette, as the pulse and conscience of these two dreamers, very nearly steals the film.
  23. A rousing celebration of a genuine people's hero and a timely reminder that a free press is the greatest weapon in the arsenal of democracy and freedom.
  24. Control Room is even more effective in showing the dilemma of the people who make up Al-Jazeera. In a sense, these are "our" Arabs, in that they're Western-educated, conduct their business in English and seem to believe in the basic American principles.
  25. If you're sick of the gross-out gags and sex jokes of contemporary teen comedy, this defiant blast of idiosyncratic individuality just could be your tonic.
  26. This free-flowing film certainly hits the high points as it flips around its talking-head celebrity sound bites at warp speed.
  27. Flies so gallantly in the face of what's supposed to work at the movies these days that you just have to love it.
  28. Delivers the expected adrenaline-driven thrills with a fresh eye and a refreshing attitude.
  29. Cruise is a man whose youthful cockiness has aged into self-assurance and cool confidence. It's a masterstroke of casting. The dynamism of Collateral, however, comes from Jamie Foxx.
  30. It becomes a dreamy study in stillness broken by suicide fantasies, flashbacks, and the hired killers, but even the violence has a meditative even melancholy quality to it, as if it's all been processed through the eyes of its Zen hero.

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