Slant Magazine's Scores

For 2,671 reviews, this publication has graded:
  • 33% higher than the average critic
  • 2% same as the average critic
  • 65% lower than the average critic
On average, this publication grades 9 points lower than other critics. (0-100 point scale)
Average Movie review score: 53
Highest review score: 100 Hard to Be a God
Lowest review score: 0 Star Wars: Episode I - The Phantom Menace
Score distribution:
2,671 movie reviews
  1. Its discursiveness does have the intriguing effect of leaving behind a myriad of impressions about its subjects rather than settling on pat interpretations.
  2. It's to Carine Roitfeld's own credit and director Fabien Constant's funky and frenetic pacing that the doc feels neither like a corporate hagiography nor like mere fashionista masturbation material.
  3. '71
    It distinguishes itself from Pual Greengrass's films by virtue of its close attention to political and moral ambiguities.
  4. Ursula Meier's film is sustained by a sturdy emotional engine and some intrepidly thoughtful characterization.
    • 92 Metascore
    • 75 Critic Score
    The earthiest of Japanese New Wave directors, Shohei Imamura goes fascinatingly meta in this 1967 hybrid of investigative tract and ruminative experiment.
  5. Instead of finding one consistent tone and sticking to it, Serge Bozon allows the wildly hilarious and the grimly serious to uneasily coexist, exulting in the resultant clash.
  6. It compellingly captures a family wrestling mightily with the riddles and contradictions of a culture that promotes achievement at all costs with little thought as to what that actually means.
  7. Filmmakers Stephanie Spray and Pacho Velez insist that altered spectatorship, particularly patience and duration, is the foundation of cinematic edification.
  8. It's a final film in the specific sense of Raúl Ruiz designing the larger part of it around a metaphorical contemplation of his own, imminent demise.
  9. Director John McNaughton, once an agile orchestrator of seemingly incompatible tones, has retained his talent for teasing insinuation.
  10. Alejandro Landes's Porfirio is an ugly movie to watch, but it's not without purpose.
  11. Simultaneously both archetypal Tyler Perry and another step in the direction of nuance and thoughtfulness for the filmmaker.
  12. The film is in part an exceedingly black comedy that parodies proper society's eager, self-righteous naïveté on the subject of its children.
  13. Volker Sattel takes us on a blank-eyed tour of the country's biggest plants (plus a few from Austria), exposing both the tenuous balance of precision and innovation that has provided 20th-century Western society with its most controversial power source.
  14. Like a number of cult directors to emerge in the 1970s, Henry Jaglom values a party atmosphere at the expense of narrative cohesion.
    • 70 Metascore
    • 75 Critic Score
    Nathan Silver's film is a quiet and affecting micro-budgeted drama, its condensed frame evoking the claustrophobic feeling of the household it examines.
  15. This is a fanboy movie, one more engaged with the excitement of possibility than that of reality, and whatever the noxious connotations of that form of film appreciation, this particular project does a pretty fantastic job of stirring up enthusiasm.
    • 82 Metascore
    • 75 Critic Score
    Noah Baumbach's film feels like too perfect a portrait of quarter-life malady, down to the rushed redemptive endnotes and Greta Gerwig's idealized heroine.
  16. In its visionary dream and flashback sequences, the film becomes a comment on the rapidly diminished state of traditional animation.
    • 77 Metascore
    • 75 Critic Score
    Slowly, the powerful message of heart and soul winning out over an impaired body and over-thinking mind develops into the core drama of this otherwise modest doc.
  17. In the film, Alexander Payne's overview of America is extraordinarily, multifariously profound.
    • 86 Metascore
    • 75 Critic Score
    It puts the viewer inside Maidan, allowing them to draw their own conclusions about the ideas and agendas espoused by the movement's leaders and participants.
  18. The film recalls its stylistic forbears at their best: flowing with whimsy, but never at the expense of the beating heart of its human (and animal) characters.
  19. Each of the six vignettes that make up this unusually energetic anthology pertains to the methods of calculated mass dehumanization that are (barely) hidden beneath the practices of social institutions.
  20. The story places a premium on delivering its disreputable sex-and-violence goods with a minimum of fuss or pretension.
  21. Like a rural Fellini, Rohrwacher mixes the mundane with the absurd to create a sometimes fabulous tale that always feels palpably real.
  22. Adam Rifkin's documentary convincingly portrays the sense of community fostered by Giuseppe Andrews's crazed passion.
  23. Books themselves become the story's key symbol, representing the past and future, loss and possibility, of a place that's ground zero for some of history's darkest days.
  24. Like Michael Cera's two recent films with Sebastian Silva, Night Moves reveals the dark core contained within an actor's nice-guy neuroticism.
  25. The film's impression of personas is less traditionally sinister than representative of its inquiry into identity and what happens when social barriers begin to fall away.

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