Slant Magazine's Scores

For 3,107 reviews, this publication has graded:
  • 33% higher than the average critic
  • 2% same as the average critic
  • 65% lower than the average critic
On average, this publication grades 8.9 points lower than other critics. (0-100 point scale)
Average Movie review score: 53
Highest review score: 100 Tomboy
Lowest review score: 0 Sexual Chronicles of a French Family
Score distribution:
3107 movie reviews
  1. Ida
    Pawel Pawlikowski shows great empathy toward the idea of illusions as a way of attaining emotional stability in even the most brutal terrain.
  2. The courtroom's cramped, near-featureless air of bureaucratic stagnation becomes oppressive even for the audience, making it easy to identify with Viviane's growing hunger for freedom.
  3. Her
    A screwball surrealist comedy that asks us to laugh at an unconventional romance while also disarming us with the realization that its fantasy scenario isn't too far from our present reality.
  4. Despite all this macabre torment, It's Such a Beautiful Day involves a lot of sweet, plucky humor that represents a discreet softening of the angry sarcasm for which Hertzfeldt has become known.
    • 90 Metascore
    • 88 Critic Score
    In its way, this effort is both a forceful assertion of the most stifling brand of auteurism and a radical reconfiguration of its political potential.
  5. Aleksei German's final film is choreographed with a Felliniesque social grandeur, but tethered to a neorealist's eye for detail and quotidian matters of social justice.
  6. No one corporation or person plans to trample over the wellbeing of the Ghanaian people, but as the story of the development progress, the breadth of Rachel Boynton's research shows how it will occur regardless.
  7. Formally ostentatious and unrepentantly messy, the film manages to implicitly convey the overdriven, coked-up confusion that many '70s period pieces make painfully overt.
  8. In Joshua Oppenheimer's extraordinary The Act of Killing, film becomes the medium for a bold historical reckoning--and in more ways than one.
  9. If it ultimately can't reconcile all that's presented in its too-brief runtime, that's largely because its situation, much like the dissonance between those involved, is comprehensibly irresolvable.
  10. A work of astounding sensitivity and precision, it argues for emotional honesty as a moral and psychic imperative.
  11. The soft colors, graceful movements, and clean lines together embody the ineffable beauty of life on Earth that is one of the film's main themes.
  12. The Dardennes believe in human value and social order being rooted in a sense of solidarity, a staggering consciousness of community that brims with a sensitivity to place, movement, and emotion.
  13. This insane masterpiece shows the self-destructive properties of myth making and how they overlap with the downfall of a community damned from the beginning of time.
    • 89 Metascore
    • 88 Critic Score
    In the style of an ambling, yet entirely focused visitor, the film continually circles back to pictures, protagonists, and situations to furnish them with new meanings, alter their perception, or even directly challenge their previous presentation.
  14. George Miller orchestrates the rubber-burning pandemonium with the illicit smirk of someone who knows he's giving us exactly what we want.
    • 89 Metascore
    • 100 Critic Score
    Christian Petzold never luxuriates in all this film history, but rather channels the artifice and affect it embodies into new insights.
  15. After the film's early optimism and speculative midsection, Western struggles to manage all the rich dramatic irony of its final half hour, perched uneasily between plot and stasis.
  16. What will make the film essential for future generations isn't mere flashpoint topicality, but the way it aligns an old struggle with a current one.
  17. According to the film, individual misdeeds aren't the final enemy, but the byproduct of an unregulated regime.
  18. The thrill of watching Fletcher and Neyman's fray unfold is intensified by Damien Chazelle's attention to the craft and challenge of musicianship.
  19. As always, Wes Anderson places his trademark precision in direct confrontation with the chaos and confusion menacing his beloved characters.
  20. Staring deep into the darkness of an apparently static character, Nuri Bilge Ceylan again exhibits his gift for making interesting stories out of predetermined plots, locating small eddies of change in the midst of eternally fixed dynamics.
  21. Abdellatif Kechiche reveals through his sense of composition, and collaboration with his remarkable actresses, a sensitivity to emotional nuance that's striking.
  22. Laura Poitras teaches by example, providing a privileged insight into Edward Snowden's personality and motivation while keeping the focus on government spying.
    • 88 Metascore
    • 100 Critic Score
    The film's vision of masculine self-sufficiency is built around--and on, via Australia's own bloody colonial history--an elemental violence.
  23. Out 1 is largely a film of conversation, as its prolonged rehearsal vignettes regularly give way to even lengthier scenes of verbal self-analysis.
  24. The film's highpoint is one of the most remarkably moving sex scenes in all of American cinema, and the irony of it involving bland puppets is hardly lost on Kaufman and Johnson.
    • 87 Metascore
    • 88 Critic Score
    It can't be overstated just how Nothing But a Man is militantly tone-deaf to the Hollywood muzak of race relations.
  25. Paramount to molding a narrative of war and totalitarianism, however, is the inventive aesthetic in which Panh frames his memoir: a hypnotic hybrid of bleak archival footage, thoughtful voiceover, tone-dictating music, and—most significantly—homemade clay-figurine dioramas.

Top Trailers