Slant Magazine's Scores

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For 1,406 reviews, this publication has graded:
  • 32% higher than the average critic
  • 3% same as the average critic
  • 65% lower than the average critic
On average, this publication grades 10.2 points lower than other critics. (0-100 point scale)
Average Movie review score: 51
Highest review score:
The Color Wheel
Critic Score 100
Lowest review score:
Losing Control
Critic Score 0
Score distribution:
  1. Positive: 631 out of 1406
  2. Mixed: 284 out of 1406
  3. Negative: 491 out of 1406
1,406 movie reviews
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  1. Our School
    The filmmakers spend vastly more time chronicling bigoted remarks from Romanians about gypsy life than they do actual gypsy life, so a minor crisis of perspective hangs over Our School.
  2. Oki's Movie
    Hong Sang-soo once again corroborates auteurist theory at the same time that he reveals the potential shortcomings of its practice.
    • Metascore: 78
    • Critic Score 75
    Beware of Mr. Baker
    Jay Bulger's seemingly erratic documentary formally channels Ginger Baker's almost defiant refusal to lead a life that adheres to a linear narrative.
  4. My Joy
    Sergei Loznitsa's documentaries are mainly compilations of archival footage, so it makes sense that his first fiction film is also essentially a compilation, an array of dynamic, aggressive bits rather than one coherent text.
    • Metascore: 78
    • Critic Score 100
    Tabu
    The pangs of romance, eroticism, anguish, and longing (both for the stolen moments of private passion and for the sense-making schematics of Empire) transcend any period of cinema Tabu may evoke.
    • Metascore: 78
    • Critic Score 75
    5 Broken Cameras
    The documentary provides a birdsong of perseverance in the face of irrational violence, immense historic anger, and grim, seemingly insurmountable realities.
  7. The Dark Knight Rises
    Christopher Nolan's capper of his Batman trilogy is a summer blockbuster of grand inclinations in both form and content.
  8. Memories Look at Me
    Worry and sadness are palpable, but so is wry humor and irony as Song ponders age and mortality with a sensitive eye for emotions and a strong sense of composition.
  9. The Guard
    The Guard is John Michael McDonagh's caustically funny riff on cop and crime films.
  10. Booker's Place: A Mississippi Story
    Documentarian and subject, past and present blur together like bleeding watercolors in Raymond De Felitta's gripping memoir.
  11. Augustine
    Alice Winocour's take on this true story carries the superficial trappings of a period drama, but its perspective is entirely contemporary.
  12. Grandma, a Thousand Times
    Director Mahmoud Kaabour is Fatima's grandson, and she instantly seizes on--lightly, in her way--the guilt and panic that's inspired him to make this film.
    Posted Feb 11, 2012
    • Metascore: 77
    • Critic Score 63
    China Heavyweight
    Although we never really get to know He or Miao, despite following them around vérité-style, director Yung Chang expertly captures the rays of Western culture bouncing off them.
    • Metascore: 77
    • Critic Score 75
    Jiro Dreams of Sushi
    Director David Gelb details, among other things, the painstaking process that goes into creating mouthwatering pieces of sushi.
    • Metascore: 77
    • Critic Score 75
    A Hijacking
    Tobias Lindholm's hostage-negotiation drama that wields its verité style for maximum tension.
  16. Sholem Aleichem: Laughing in the Darkness
    Not only sets up the writer's life as representative of the transitions of early modern Jewish life, but posits his oeuvre as an ongoing chronicle of the shift from a vibrant, unified Yiddish culture to a fractured world-in-exile.
  17. Las Acacias
    This lovely film is ultimately an articulation of something at once simple and universal: the discontent of traveling through life with sad resignation.
    • Metascore: 77
    • Critic Score 63
    Neighboring Sounds
    The images, while beautiful, are sentimental, as if Kleber Mendonça Filho is trying to negotiate too much.
  19. The Imposter
    The film shrewdly opts not to proffer its own hypothesis about the true reasons behind the Gibson family buying Frédéric Bourdin's story.
    • Metascore: 77
    • Critic Score 88
    An Oversimplification of Her Beauty
    A playfully self-reflective rumination on what writer-director Terence Nance has described as "self-awareness through experience with love."
    • Metascore: 77
    • Critic Score 75
    Caesar Must Die
    Deceptively modest on nearly all accounts, Paolo and Vittorio Taviani's Caesar Must Die employs seemingly minor directorial contrivances to ruminate on a unique quarrel.
  22. Benda Bilili!
    The film's inquiry into the artistic method remains somewhat at the superficial level, but the directors do a fine job of emphasizing both the circumstances that lead to the music's creation and the satisfying result of the irrepressible sounds.
    • Metascore: 77
    • Critic Score 63
    Gerhard Richter - Painting
    The end results are mixed but nevertheless scintillating and provocative enough to be worth taking seriously.
  24. The House I Live In
    The mixture of different techniques and varied views results in a rich, multi-faceted look at one of America's most misguided policy initiatives.
    • Metascore: 77
    • Critic Score 63
    Brooklyn Castle
    It pays to consider even the small details of society's greatest investment in the future: our future generations.
  26. Beats Rhymes & Life: The Travels of a Tribe Called Quest
    Even as an "18 months later" epilogue ensures us that everything's hunky dory, this is one surprisingly grim celebration of a group Rapaport obviously loves.
  27. El Sicario: Room 164
    A lot of evil is laid on the table in El Sicario, and the film makes a big, if exquisitely subtle show, of theorizing that there's no way to explain how it got there.
  28. Chico & Rita
    A shallow romanticization of Batista-era Cuba -- when the nation was a tropical paradise for the delectation of American jetsetters -- and what the revolution left in its wake.
  29. Rebirth
    If Rebirth's subjects are active guides documenting a fluid psychological landscape, Jim Whitaker constructs a specific cinematic geography around them with stunning time-lapse photography of Ground Zero.
  30. Nana
    Its meta-cinematic "think piece"-ness is redeemed by the slinky symmetries drawn between Massadian's own auteur-ship and the protagonist's narrative role.
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