For 3,106 reviews, this publication has graded:
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35% higher than the average critic
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3% same as the average critic
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62% lower than the average critic
On average, this publication grades 7.7 points lower than other critics.
(0-100 point scale)
Average Music review score: 65
Score distribution:
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Positive: 1,680 out of 3106
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Mixed: 1,315 out of 3106
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Negative: 111 out of 3106
3106
music
reviews
- By Date
- By Critic Score
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- Critic Score
Despite the clean production and largely decreased noise level, A Productive Cough is Titus Andronicus's freshest, wildest, most unexpected work to date.- Slant Magazine
- Posted Feb 26, 2018
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- Critic Score
In many ways, Wilson updates his style, while still paying tribute to the things he loves.- Slant Magazine
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The songs may be dense and literary, but they're also immediately potent on a purely visceral level, striking a perfect balance that makes for what's perhaps the best album in a year already thick with great material.- Slant Magazine
- Posted May 13, 2013
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Beach House makes it easy on Teen Dream, supplying an intense but transparent sheen of iridescent sound, marking an album whose quality is almost instantly evident. Better than anything in recent memory, the album typifies the difference between sonic interference as an instrumental tool and a blanket to hide beneath.- Slant Magazine
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Pallett has crafted an absorbing gem of a record, one that delivers substantial emotional payloads by means of incredibly intricate pop music.- Slant Magazine
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Their unwillingness to resort to cheap pop gestures stands out in an era where few acts even bother to cloak their crass commercialism. But above all stands the music, and All Fiction—the title of which is a reference to our culture’s increasingly fractured ideas of what constitutes truth—marks yet another extraordinary entry in the band’s discography.- Slant Magazine
- Posted Feb 15, 2023
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Ellis and Cave create an ambient field where all of the ambiguities of grief and hope can exist at once.- Slant Magazine
- Posted Oct 7, 2019
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Ultimately, it’s less the nuances of Dacus’s writing than her willingness to expose herself and her past so freely—even the most difficult parts—that make the strongest impression on Home Video.- Slant Magazine
- Posted Jun 21, 2021
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The group’s third album, Expert in Dying Field, is an exhilarating power-pop tour de force, replete with bristling guitar riffs and bright, infectious harmonies. It’s also a devastating exploration of anxiety, insecurity, and regret—a reflection of how, in life, there can be no true joy without sadness.- Slant Magazine
- Posted Sep 12, 2022
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The group's music is far more pointed and focused when she's standing at its center, proving that it's not just the parts (polished and hummable though they may be), but Wasner's transformative presence that ultimately sets Dungeonesse apart from the rest of the '90s-mining pack.- Slant Magazine
- Posted May 13, 2013
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Two Dancers is a striking, dynamic album, and will deservedly land on many year-end lists.- Slant Magazine
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The tightness of Thompson's compositions grounds the explosive, whimsical meandering of his improvs; Sweet Warrior, and "Guns Are The Tongues" in particular, captures that glory as well as anything else from this century.- Slant Magazine
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Her voice seems small and fragile, but it's her most effective instrument, and it affixes a tight lynchpin to the album's broadly creative themes, leaving it glistening with ghostly elegance.- Slant Magazine
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Chemistry is a natural and seamless masterpiece that might never have happened but for the band's own need to thumb its nose at expectations.- Slant Magazine
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- Slant Magazine
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As a fully realized, bombastically confident artistic statement, Arm's Way is Nick Thorburn's "69 Love Songs." Hereafter we will only seek to understand him according to his own pop- and violence-addled logic, mapped perfectly on this thrilling album.- Slant Magazine
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- Slant Magazine
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Every fade-in and chord change on Proof of Youth is perfectly calibrated to make for seamless song-to-song transitions and for an album that seems to end entirely too quickly.- Slant Magazine
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For an album that deals in low stakes, Sometimes I Sit and Think finds Barnett hitting some incredible highs. Without sounding labored, she creates an impeccably honest world rife with humor, self-deprecation, and heartbreak.- Slant Magazine
- Posted Mar 20, 2015
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Scene of the Crime is as comprehensive and as thorough an artistic declaration of self as any in recent memory.- Slant Magazine
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The album is a reckoning with his own prickly memory, and it's a bounty of weathered emotion and hard-won wisdom.- Slant Magazine
- Posted Mar 31, 2017
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It's this ability to capture both sides with equal commitment--the struggle and the resistance through self-love--that makes Negro Swan Hynes's most assured, accomplished, and significant album to date.- Slant Magazine
- Posted Aug 23, 2018
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The Magic Position is a euphoric listening experience not even being a critic can spoil.- Slant Magazine
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Even if the era of Sigur Ros is indeed over, Jonsi's solo career contains all the exhilarating promise that a new beginning should.- Slant Magazine
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Cunniff has never sounded more joyful as a singer or writer as she does here.- Slant Magazine
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Aside from sludge rock veterans like Cherubs or fellow experimentalists like Lightning Bolt, it’s hard to think of another act capable of creating such daringly deranged slabs of noise.- Slant Magazine
- Posted Oct 3, 2022
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High Violet is an expertly handled balancing of the airy and the dense, and nowhere is that better exemplified than on the triumphant "England."- Slant Magazine
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What’s left is Young’s preternatural gift for melody (most of this album’s songs started as hummable tunes that popped into his head on his daily walks), Crazy Horse’s enduring chemistry, Rubin’s less-is-more studio hand, and, of course, the most important subject there is: this old planet.- Slant Magazine
- Posted Dec 5, 2022
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Whether trading in power chords or atmospheric overlays, the band excels at transforming emotions into thrilling sounds, palpable awe, and tangible dread. This is metal played at its arresting best.- Slant Magazine
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It’s just as intense in terms of either volume or passion as their self-released EPs, but the album’s somewhat surprising emotional and stylistic eclecticism prevent the band’s library of overcharged ’70s-style riffs or its maximalist energy, epitomized by singer Tina Halladay’s wailing typhoon of a voice, from becoming too fatiguing.- Slant Magazine
- Posted Jul 6, 2017
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