Slate's Scores

  • Movies
  • TV
For 1,725 reviews, this publication has graded:
  • 44% higher than the average critic
  • 3% same as the average critic
  • 53% lower than the average critic
On average, this publication grades 0.5 points lower than other critics. (0-100 point scale)
Average Movie review score: 63
Highest review score: 100 Gosford Park
Lowest review score: 0 Shoot 'Em Up
Score distribution:
1725 movie reviews
  1. Fallen Kingdom understands that, as much as Jurassic Park has the shape of an action movie, its roots are in horror, and Bayona takes evident glee in drawing out his scares.
  2. It’s almost impossible to conceive of a movie better suited to the present moment of reckoning with sexual abuse, and one better equipped to extend and complicate that extraordinarily necessary conversation. The time for The Tale is now.
  3. The action sequences in Incredibles 2, which was edited by Stephen Schaffer, are elegantly conceived and fluidly executed, as good as anything we’re likely to see on screen this year, in animation or live action, which only makes the rest of the movie seem that much clunkier by comparison.
  4. Whannell commits to making a science fiction film plugged into the moment in which we’re living, and making grim projections of what might be around the corner.
  5. This might seem a quaint revelation, but it proves to be a powerful one. Learning that even Mr. Rogers questioned whether one man could make a difference is both heartening and saddening, enough to bring out in the viewer an overwhelming mix of emotions.
  6. Hereditary only begins as a Greek tragedy. After a few too many twists and turns, it gets warped into a horror soap — an unnerving but ultimately numbing pile of calamities.
  7. Ocean’s 8 is in many ways a mirror image of its predecessor, but it’s most delightful when it follows its own path toward girly transcendence.
    • 60 Metascore
    • 70 Critic Score
    There’s a lot of the stumbling and backtracking that comes with such uncharted territory — an authentic, conversational messiness we rarely see on screen.
    • 53 Metascore
    • 70 Critic Score
    Book Club may in the end be little more than an excuse for a senior sex comedy, and a somewhat sleepy one at that, but at least it understands the weird energy of enjoying something you know you shouldn’t.
  8. Not too far beneath the movie’s superficial abrasiveness is a desperate desire to be loved, a puppyish determination that is both hard to resist and, eventually, difficult to endure.
  9. It’s galling for a movie that costs so much and takes up so much cultural space to try to do so little, but it’s a familiar disappointment, like the dull ache of a tooth that only bothers you when you bite down on it wrong.
  10. The new paint job is nice, but the insides may be too creaky to salvage.
  11. I saw Tully twice. After my first screening, I wasn’t sure what to think of the ending. The second time, I was convinced of the film’s brilliance.
    • 72 Metascore
    • 90 Critic Score
    This is more than just the predictable story of who Ginsburg was and who she has become. It’s also a monument to the formal written legal legacy that transcends her own life story and changed a nation.
  12. Lelio, whose A Fantastic Woman won the Oscar this year for Best Foreign Language Film, has a knack for observing small moments as well as huge dilemmas.
  13. Sitting through its 2 hours and 30 minutes is like gorging on tapas: You wind up both overstuffed and unsatisfied.
  14. I Feel Pretty has more nuance than the trailer suggests. Unfortunately, those shades of meaning get mangled up in nonsensical plot contrivances and tired running jokes. If it’s offensive, it’s because of its blandness, not its political incorrectness.
  15. There are moments when the movie takes us firmly by the hand and escorts us down a darkened path, and they lead to one of the most profound of communal pleasures: the sound of a movie audience screaming as one.
    • 80 Metascore
    • 80 Critic Score
    Not everyone likes a movie that sneaks up on them, so be advised that Lean on Pete is the ugly-cry event of the spring.
  16. The film makes its primary case eloquently and elegiacally: The only thing more lonesome than a cowboy, surveying a land where no one understands him, is that same cowboy without a horse.
  17. Ramsay’s fourth feature operates on the viewer in much the same way. With a minimum of resources, she creates a primal atmosphere of dread, then assaults the viewer’s consciousness in a single, sharp blow.
  18. Blockers is about as funny and heartfelt as studio comedies get (which isn’t meant as a backhanded compliment), while smart and insightful enough to double as a guide to raising teenage girls.
  19. Ready Player One has no obligation to be a rigorous intellectual exercise, even if it amounts to a wasted opportunity to explore who else might steer tech, and society, toward greater equity. But it doesn’t have to be so facile, either. Maybe next time the screenwriters shouldn’t set the difficulty mode to “easy.”
  20. In a film of more prepossessing style, the glaring leaps of logic might be easier to overlook, or at least there’d be more incentive to do so, but the cellphone is Soderbergh’s enemy as well.
  21. It’s hard to resist Isle of Dogs’ energy and wit, the filmmakers’ evident joy in exploring the miniature world they’ve imagined.
  22. An obligatory setup for a sequel slows down the final moments, but until then, Tomb Raider feels like a perfectly paced trio of espresso shots, with a shot of adrenaline to the heart as a chaser.
  23. The best thing you can say about The Strangers: Prey at Night, the sequel to writer-director Bryan Bertino’s 2008 home-invasion creeper, is that it reminds you the original exists.
  24. For all of Wrinkle’s unevenness, DuVernay still manages to draw out some glimpses of more intimate beauty, the kind that one expects from the filmmaker.
  25. The back and forth between McAdams and Bateman is what makes Game Night sing.
  26. Feminist cinephilia has always been a complicated proposition, but it should surely demand better than this blunder.

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