Slate's Scores

  • Movies
  • TV
For 1,481 reviews, this publication has graded:
  • 43% higher than the average critic
  • 3% same as the average critic
  • 54% lower than the average critic
On average, this publication grades 0.3 points lower than other critics. (0-100 point scale)
Average Movie review score: 61
Highest review score: 100 Before the Devil Knows You're Dead
Lowest review score: 0 Just Go with It
Score distribution:
1,481 movie reviews
    • 76 Metascore
    • 90 Critic Score
    The movie has become a kind of highway-safety film for the rock community.
  1. A warm, ingratiating, and fitfully hilarious epicurean road movie with a steady ache-an ache like a red-wine hangover.
  2. A stupendously moving film. Neeson nails Kinsey's rock-hard decency and fragile ego, and Linney abets him beautifully: There isn't an actress in movies right now who's more simply alive.
  3. For all its wizardry, The Incredibles isn't among my favorite animated movies. Weirdly enough, I think of it, instead, as one of my favorite live-action superhero pictures.
  4. Might be the most perversely agreeable stalker picture ever made.
  5. A marvelous feat of re-imagination.
  6. Soderbergh contrives the perfect voice for Leonard's prose--laid-back and grooving when it needs to be, but also taut, with the eerie foreboding of violence about to erupt.
  7. The smartest, funniest, and best-looking sci-fi comedy since the movies learned to morph.
  8. A marvelously nasty revenge comedy.
  9. Pure and universal.
  10. The Best of Youth doesn't have a boring millisecond. It isn't an art film, with longueurs; it's a mini-series with the sweep of a classic novel, with tons of plot.
  11. As the ghouls evolve toward humanity and the humans toward ghouldom, we can appreciate Romero for using horror to show us How We Live Now, and How We're Living Dead now, too.
  12. Remarkable.
  13. It's the human struggle that makes this a sci-fi masterpiece.
  14. Audiard's take is fevered, immediate, and hopeful--a story of a man recovering his soul. The most intense and compelling sections of The Beat are almost word for word from "Fingers" (albeit translated into French), but this beat changes everything.
  15. This is a dazzling movie, yet some people (not kids, but maybe their parents) will be put off by its Grand Guignol ghoulishness.
  16. It's hugely entertaining, it's spectacularly acted, and it pricks you in all kinds of places. Maybe the best thing is to see it and let it bug you, too.
  17. The ending is madly unsatisfying--yet dead perfect. This is a remarkable film.
  18. Is Fiennes miscast? Perhaps. He's a high-strung, somewhat clammy actor--not the first to spring to mind for this warmly self-effacing plodder. But he's remarkably fine.
  19. Face/Off is such a blast that at times I forgot I was watching a John Woo movie.
  20. The movie is so Burtonesque that it verges on self-parody--but it's fun and stunningly beautiful anyway.
  21. Hoffman goes beyond the surface mannerisms and diction. He disappears into Capote.
  22. This Pride & Prejudice (ampersand and all) a joy to behold.
  23. An entertaining, emotional, and surprisingly intimate movie--an epic saga of fauns and talking (Cockney) beavers and evil sorceresses and triumphal resurrections and massive, sweeping battles that nonetheless feels … small.
  24. A spectacular three-hankie tragic love story--sometimes dumb and often clunky and always pretty cornball, but just about irresistible.
    • 73 Metascore
    • 90 Critic Score
    Who's this movie for, again? No matter: It's impossible to find more joy in the dark at the moment.
  25. Wrenching new documentary about returning veterans, may not single-handedly reverse the trend of ignoring Iraq docs in theatrical release, but it should.
  26. Helen Mirren is a goddess of an actress, and her Queen Elizabeth is maddening, hilarious, and deeply human, galumphing around the Balmoral estate in a tartan raincoat and waders as the Britain she thought she knew crumbles around her.
    • 60 Metascore
    • 90 Critic Score
    It may be the most visually imaginative Shakespeare film since Akira Kurosawa's "Ran", and certainly one of the more operatic Hollywood creations of recent years.
  27. Not one of your pass-the-popcorn date movies. It's a howl of rage.

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