St. Louis Post-Dispatch's Scores

For 294 reviews, this publication has graded:
  • 64% higher than the average critic
  • 3% same as the average critic
  • 33% lower than the average critic
On average, this publication grades 3.1 points higher than other critics. (0-100 point scale)
Average TV Show review score: 68
Highest review score: 100 The Returned: Season 1
Lowest review score: 0 Black Box: Season 1
Score distribution:
  1. Mixed: 0 out of 207
  2. Negative: 0 out of 207
207 tv reviews
  1. The moments in which Monaghan interacts with people who don't quite understand him are among the most charming.
  2. Summer will be a lot more entertaining than it might have been otherwise.
  3. The second season of HBO's Deadwood gets off to such a sluggish start that fans can be forgiven if -- like saloon boss Al Swearengen -- they worry that change is coming all too fast to the raw, lawless Western town. [6 Mar 2005, p.F03]
    • St. Louis Post-Dispatch
  4. The Honorable Woman is intriguing from the start, but almost in spite of itself, as everyone seems to have a dark secret and nothing is what it seems.
  5. Red Band Society, although sometimes sappy, isn't sad or dreary.
  6. Kaling is happy to make fun of herself to get a laugh, and her most painful scenes are some of the most amusing in The Mindy Project, which is far from perfect but still one of the top prospects among new fall comedies.
  7. We see the orchestra and its egos through [new oboe player Hailey's (Lola Kirke)] sometimes incredulous eyes.... Mozart in the Jungle” made me laugh, although I have no idea whether it will make musicians or insiders with the St. Louis Symphony Orchestra crack a smile.
  8. Hannibal is good. Terrifyingly good.
  9. We've seen that countless times. But Sunjata and Tveit are both appealing, and the rest of the cast is colorfully eclectic, including Vanessa Ferlito as Charlie, a DEA agent undercover as a druggie.
  10. Parade's End is often sad and even grim, full of complicated personalities who are more fascinating than likable. But the miniseries is engrossing in its portrait of two people stuck in roles they need to cast aside, but somehow unable to make the break.
  11. Girlfriends' Guide to Divorce is a smart, solid examination of just how messy relationships are and how hard it is to make them work.
  12. Intelligent enough for adults, accessible enough for younger viewers and entertaining enough for both, it's a great show for parents and kids to watch together, and will give them plenty to talk about.
  13. Catfish: The TV Show is riveting entertainment, but it's also potentially the most important series MTV has aired.
  14. With only tiny snatches of dark humor in the early episodes, it’s sure to be too grim for some viewers. But for those who can take it, The Leftovers is fascinating and involving, like nothing we’ve seen on TV unless you think of it as the flip side of resurrection dramas such as “The Returned.
  15. Of the week’s new dramas, the only one with abundant blue skies is the lively Astronaut Wives Club.
  16. The complex story, which includes a flashback to 10 months earlier, plus scenes with O’Mara’s therapist and memories of his child’s illness, finds the hero getting in deeper and deeper after impulsively trying to save a life.
  17. Twists that are genuinely surprising, plus quirky humor, separate Top of the Lake from, say, AMC’s “The Killing,” which was also deliberately paced but unrelentingly dour as well.
  18. The Strain does not dial back the gore for television, and fans of the most graphic sort of horror should eat it up.
  19. It’s best simply to sit back and go with it.
  20. Even if this isn’t precisely the sequel to “Pride and Prejudice” we might have wanted, it’s better than no sequel at all.
  21. The Missing, written by brothers Harry and Jack Williams and directed by Tom Shankland, is sometimes grueling to watch. But it earns a place in haunting crime drama next to the recent “Broadchurch” and “Top of the Lake.”
  22. Penny Dreadful is great at what it does, and hard-core fans of the genre, those who dismissed “American Horror Story” as too lighthearted, will probably love it.
  23. With the end in sight, this is a faster paced, more focused, less annoying Newsroom than in the first two seasons.
  24. The CW's attempt to capture the magic of "Sex and the City" in a prequel, set in 1984, could have gone very wrong. But The Carrie Diaries is surprisingly right.
  25. Like a good scare? How about a bad scare? Or a thousand scares, good and bad and crazy? Season 2 of "American Horror Story," subtitled Asylum, is for you.
  26. A Canadian-South African co-production, it's gracefully directed by Clement Virgo ("The Wire") and gorgeously filmed, mostly in South Africa. Soapy? A little, but so was "Roots."
  27. Even if we find ourselves a bit lost, though, as we might early on in Season 2, there are many rewards in Orphan Black that have nothing to do with its mythology.
  28. Exhilarating, terrifying, often moving and only occasionally silly.
  29. In the early going, the series works best as sort of a modern-day “Mission: Impossible,” and could actually use more of that show’s caper elements.
  30. [A] sense of humor keeps Hannibal from being unbearably dark even when the crimes are, and they always are.

Top Trailers