St. Louis Post-Dispatch's Scores

For 273 reviews, this publication has graded:
  • 66% higher than the average critic
  • 3% same as the average critic
  • 31% lower than the average critic
On average, this publication grades 3.2 points higher than other critics. (0-100 point scale)
Average TV Show review score: 68
Highest review score: 100 Oz: Season 1
Lowest review score: 0 Dads: Season 1
Score distribution:
  1. Mixed: 0 out of 194
  2. Negative: 0 out of 194
194 tv reviews
  1. A pleasant surprise. [30 Sep 1993]
    • St. Louis Post-Dispatch
  2. This is a comedy. And it’s a good one, warm and charming, genuinely funny, and also odd enough to come from Tina Fey and writing partner Robert Carlock.
    • 69 Metascore
    • 80 Critic Score
    Cleverly written by executive producer Richard Rosenstock, 'Flying Blind' displays an extraordinary amount of on-screen energy - verbal, physical and sexual - and isn't afraid to throw in an occasional obscure intellectual reference as well. [6 Sep 1992]
    • St. Louis Post-Dispatch
  3. "Without a Trace" offers sharp writing, stylish directing and a cast with real chemistry. [26 Sep 2002]
    • St. Louis Post-Dispatch
  4. Thigpen is terrific as Ella, and she and Nelson have immediate buddy-buddy chemistry. The District could be just the ticket for Saturday night stay-at-homes looking for something upbeat, but be forewarned that the show tunes and peppy speeches are interspersed with bursts of violence so extreme as to make "Walker, Texas Ranger" look like "Sabrina, the Teenage Witch." [6 Oct 2000, p.D7]
    • St. Louis Post-Dispatch
  5. Mob City is smart, stylish, sexy and altogether addictive.
  6. By the time the episode wraps up with a good-vs.-evil clash, though, it's really rolling, with special effects that are both fun and scary. Doherty, Combs and Milano are appealing, and also believable as sisters, and T.W. King adds a down-to-earth touch as police detective Andy Trudeau, Prue's old boyfriend, who suspects that something is up. [7 Oct 1998, p.E6]
    • St. Louis Post-Dispatch
  7. Once it relaxes, however, Scrubs turns out to be a thoughtful show that has dispensed with a laugh track and proves amusing enough not to need one. (Now, let's dispense with those fantasies.) Shot with a single camera in a former hospital, it aims for the exaggerated realism and the light-meets-dark tone of "M*A*S*H" -- a worthy ambition even if it doesn't get there. [2 Oct 2001, p.F1]
    • St. Louis Post-Dispatch
  8. Beyond the "yikes" factor, Nip/Tuck tells compelling stories about its troubled characters. [22 July 2003, p.E1]
    • St. Louis Post-Dispatch
  9. Britain's BBC2 and screenwriter Lucinda Coxon have captured the feverish tone and most fascinating storylines of Faber's book in a miniseries making its U.S. debut.
  10. Some UFO cliches - bright lights, mysterious marks, lost time - turn up here (could they be cliches because they're...true?), but intelligent writing and sharp plotting lift the series far above the standard for the genre. The lead characters have a quirky chemistry that (refreshingly) isn't built on the "squabble and kiss" standard. (They're both pretty appealing, however, and if they should eventually kiss, I for one wouldn't mind.) [9 Sept 1993, p.06G]
    • St. Louis Post-Dispatch
  11. I think 'I'll Fly Away' richly deserves the 'quality' label. That's not to say it has sprung full grown and perfect from the forehead of its creators. [7 Oct 1991]
    • St. Louis Post-Dispatch
  12. Only the darkness of the show is disconcerting. Poignancy is great, and presumably Clark will triumph in his battles against evil. But in post-Columbine, post-Sept. 11 America, humor has never been a more valuable commodity. If Smallville can strike the right balance, the series should fly. [16 Oct 2001, p.F1]
    • St. Louis Post-Dispatch
  13. One of the sweet surprises of the season, a family sitcom that manages to be realistic without being either silly or mean-spirited. It's funny, too. [12 Sep 1996]
    • St. Louis Post-Dispatch
  14. Together, they're TV's Cute and Quirky Couple of the Year. Speaking of cute and quirky - Dharma & Greg sometimes tries a little too hard to be both. But mainly, it's delightful. [24 Sept 1997, p.8E]
    • St. Louis Post-Dispatch
  15. Family Matters has assembled one of the most broadly appealing casts seen in recent years. Reginald VelJohnson, who played the sympathetic cop in the movie "Die Hard," is almost irresistible as a character. And yet the show's concept is so familiar that Family Matters will have to struggle to be fresh, to avoid going over old ground, to give its characters texture and definition. The potential for some excellent comedy is certainly here. [18 Sept 1989, p.1D]
    • St. Louis Post-Dispatch
  16. A quirky mix of light and dark, humor and grit, sentiment and substance -- "The O.C." if scripted by Raymond Chandler. [21 Sept 2004, p.E1]
    • St. Louis Post-Dispatch
  17. It's just what TV viewers want in summer -- fun. [23 Jun 2005]
    • St. Louis Post-Dispatch
  18. Involving, enjoyable TV. [5 Oct 1999, p.D6]
    • St. Louis Post-Dispatch
  19. The mystery is wonderfully intriguing; the performances are excellent, especially from Maslany but also from Jordan Gavaris as her foster brother and best friend, Felix.
  20. The Following is as graphically violent, gruesomely gory and generally horrifying as anything on network TV and most anything on basic cable. But as crafted by Kevin Williamson, 'The Following' is also riveting.
  21. A classic buddy dramedy about mismatched people forced to work together, Battle Creek is fast-paced and clever.
  22. Is there enough plot on which to build an ongoing series, or just a fun movie? The fact that it’s different and ambitious, though, already makes Last Man more interesting than many new shows.
  23. The moments in which Monaghan interacts with people who don't quite understand him are among the most charming.
  24. Summer will be a lot more entertaining than it might have been otherwise.
  25. The second season of HBO's Deadwood gets off to such a sluggish start that fans can be forgiven if -- like saloon boss Al Swearengen -- they worry that change is coming all too fast to the raw, lawless Western town. [6 Mar 2005, p.F03]
    • St. Louis Post-Dispatch
  26. The Honorable Woman is intriguing from the start, but almost in spite of itself, as everyone seems to have a dark secret and nothing is what it seems.
  27. Red Band Society, although sometimes sappy, isn't sad or dreary.
  28. Kaling is happy to make fun of herself to get a laugh, and her most painful scenes are some of the most amusing in The Mindy Project, which is far from perfect but still one of the top prospects among new fall comedies.
  29. We see the orchestra and its egos through [new oboe player Hailey's (Lola Kirke)] sometimes incredulous eyes.... Mozart in the Jungle” made me laugh, although I have no idea whether it will make musicians or insiders with the St. Louis Symphony Orchestra crack a smile.

Top Trailers