St. Louis Post-Dispatch's Scores

For 339 reviews, this publication has graded:
  • 63% higher than the average critic
  • 3% same as the average critic
  • 34% lower than the average critic
On average, this publication grades 2.4 points higher than other critics. (0-100 point scale)
Average TV Show review score: 67
Highest review score: 100 Mad Men: Season 7.5
Lowest review score: 0 Tucker: Season 1
Score distribution:
  1. Mixed: 0 out of 233
  2. Negative: 0 out of 233
233 tv reviews
  1. Every performance is strong, and the writing is solid. Unfortunately, "Soul Food" has succumbed to premium-cable syndrome, including extremely graphic sex scenes that will put off many viewers who might otherwise have enjoyed it. [28 Jun 2000]
    • St. Louis Post-Dispatch
  2. Peter Pan Live!, while better in many ways than last year's "Sound of Music Live!," was still uneven, partly because of casting and partly because of the dated source material.
  3. Not everything in the first show worked. A too-long segment involving a magic amulet that segued into a commercial for hummus (apparently actual, paid product placement) felt odd, but not unlike many "Colbert Report" bits. An appearance by George Clooney, with nothing to promote, also fell a bit flat. The Bush interview was more successful, although Colbert seemed over-caffeinated or perhaps just over-excited to finally be on the air.
  4. It's not terrible, just standard-issue sitcom, with relationships that don't feel true and laughs that seem forced.
  5. I don’t dislike the show Reckless could be, and Gigandet and Wood are cute together ... But the pivotal case, in which many officers may have drugged and raped a colleague, demands to be taken seriously ... Switching back and forth to lighthearted flirtation feels terribly wrong.
  6. The new Arrested Development is uneven--but Arrested Development always was, even at its peak. Binge-watching, though, makes it seem even more uneven, and that's too bad.
  7. [Creators Ryan Murphy and Brad Falchuk] want to horrify and disgust their audience, pushing well into the realm of slasher porn as perversions, sexual and otherwise, bleed into pleasure killings. Disturbing us is the point, of course, but good horror stories go beyond grotesqueries and gore. American Horror Story: Hotel may do that.
  8. [The cast] throw themselves into Kirstie wholeheartedly, but it's hard not to feel that they're slumming.
  9. Even for MTV’s young target audience, the characters in Scream are remarkably empty and bland. But this is a slasher show, after all.
  10. The show (co-created by Spelling) is standard-issue cable sitcom, with acting that's too broad (Garth is the exception here) and a laugh track that's loud and awkward.
  11. Set in Miami, Ballers is good at showing both the shiny high life of professional athletes and its dark, sad underbelly. But if you’re looking for laughs, keep looking.
  12. “Ballers” and “The Brink,” have their moments, neither provides a lot of laughs.
  13. As executed, it almost seems like a parody of the genre.... Beghe's growly, macho performance is hard to stomach, getting in the way of even noticing the attractive supporting cast.
  14. Fox originally provided a different pilot for Rake, one that wasn't so lighthearted. (Really.) That episode will air later, after, the network hopes, we've come to love this bad boy despite his foibles.
  15. In the first two episodes, a lot of the gags are just stupid: a stuffy man gets a cake in the face; Mary gets caught in a medieval chastity belt...But Taylor makes Mary easy to like, and John Cameron Mitchell provides nice counterpoint as her pal Derrick, who works in fashion photography and has an ironic comment on everything. [9 Sept 1996, p.6D]
    • St. Louis Post-Dispatch
  16. The line between charming and annoying is pretty fine here, and although Ed is indeed a cute show, I finished two episodes feeling more annoyed than charmed. Much of this zaniness seems as forced as the romance between Ed and Carol, which needs more time to develop. Maybe she'll grow to love him. Maybe you and I will, too. [8 Oct 2000, p.F6]
    • St. Louis Post-Dispatch
  17. The first episode does explain the premise pretty clearly--if you pay close enough attention and aren't laughing too hard.
  18. Adrien Brody is impressive as Houdini in the History Channel's two-night biography, and many of his stunts are re-created (and explained) in fascinating detail. But the miniseries, a co-production with Hungary, Houdini's home country, is too slow and too-often hokey to rate a rave.
  19. The judges seem well chosen. Unfortunately, The Taste kicks off with a bland and sluggish two-hour casting session.
  20. [Patrick Stewart is] a fantastic sport about the silly things asked of him, but that just makes it more of a shame that the show's writing doesn't do better by him.
  21. Writer Sarah Phelps has done her best, but short of throwing out Rowling's characters and plot, there was no real way to make The Casual Vacancy bearable.
  22. Together, they're charming, but the "will they or won't they?" romantic tension feels forced, and that takes much of the fun out of it.
  23. Bursts of violence aside, Agent X doesn’t work well as an action thriller. And while watching it for comedy, intentional or not, is more enjoyable, that’s probably no reason to tune in every week.
  24. One episode does not a season make. But the Season 9 premiere, "New Guys," is as uneven as most episodes have been for the last few years.
  25. There's a plot, which any of us could have written in our sleep.
  26. The acting is pretty much non-existent, casting is weak, and the special effects are unimpressive. But there's some terrific makeup work on some of the non-human creatures around, and somebody went to the trouble of deciding that a space station for many different species would have to be equipped with many different environments to accommodate them...Nice touch. [22 Feb 1993, p.5D]
    • St. Louis Post-Dispatch
  27. “I am confused about everything,” Peter tells his girlfriend before fleeing the scene of a bully smackdown. Sampling The Messengers, you may be too.
  28. There are nice moments, especially from Holloway, whose quips are vastly more clever than the rest of the show.
  29. Szymanski, who directed from a script by Murray Miller, gets the look of the documentary, including some real footage mixed with new scenes made to look vintage, just right. The tone, though, is so broad, we never for a second forget the “mocku” in the “mentary.”
  30. The original pilot was a mess, confusing and annoyingly full of holes, but an extremely well-cast mess with a lot of potential. [17 Sept 1995, p.6C]
    • St. Louis Post-Dispatch

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