St. Louis Post-Dispatch's Scores

  • Movies
For 954 reviews, this publication has graded:
  • 63% higher than the average critic
  • 3% same as the average critic
  • 34% lower than the average critic
On average, this publication grades 6.3 points higher than other critics. (0-100 point scale)
Average Movie review score: 68
Highest review score: 100 Beginners
Lowest review score: 25 After Earth
Score distribution:
  1. Negative: 68 out of 954
954 movie reviews
  1. Cue the folky music and the two eccentric locals who are the only other characters, and Prince Avalanche is a molehill that dreams it’s a mountain when it’s really, really stoned.
  2. It's one of the funniest and most perceptive films of the year.
  3. The secret in this case is the jokes, which are ferocious. Marrying a monster flick with an adolescent romance has produced a merry mutant.
  4. Cold in July has all the qualifications of a midnight movie in the making.
  5. Although the brazen lovers, bellicose ministers and backstabbing handmaidens are familiar elements, the film is so handsomely mounted that we happily endure the ride until the turning of the screws in the tragic last act.
  6. Whereas many kung-fu movies are a feast that leaves us weary with sensations, the tastefully bittersweet “Grandmaster” puts us in the mood for more.
  7. It's guilty of some sleight-of-hand hokum, but in pulling the rug from under the norm, Magic Mike turns a trick.
  8. Moviegoers looking for a thrill should go into The Cabin in the Woods knowing as little as possible about the film.
  9. Post-Dispatch classical music critic Sarah Bryan Miller told me that Gould's music is as divisive today as it was 50 years ago, when the pianist publicly clashed with conductor Leonard Bernstein over the tempo of a performance.
  10. This thriller is both skillfully familiar and chillingly strange.
  11. Rock misses the boat in deciding not to relate Good Hair to non African-Americans more.
  12. It's not warm and fuzzy, but for kids who comprehended "Coraline" and babysitters who savored "The Corpse Bride," this stop-motion marvel from some of the same animators is like an early Halloween treat.
  13. Eccentric enough to get mistaken for an uplifting fantasy, but it's Plaza who belongs in the penthouse.
  14. Star Trek Into Darkness offers much of what the fans expect and not much of what they don't. This character-driven vehicle is a supercharged example of cinematic craftsmanship.
  15. This affable comedy is a healthy alternative to tearjerkers.
  16. Such a disarming homage to the cinema of the Reagan era that even grouchy gremlins might feel like it's morning in America. But be forewarned that if this movie is exposed to sunlight, you'll notice the puppet strings.
  17. While the PG-13 approach to the most brutally sustained war the world has ever known makes it suitable for mature children, some cynical adults may resent the tug of the reins. Me, I cried like a grandmother.
  18. Manages to waste the talents of its strong supporting cast, which includes Thomas Haden Church, Patricia Clarkson, Lisa Kudrow, Malcolm McDowell and Stanley Tucci.
    • 72 Metascore
    • 75 Critic Score
    A lot like video games and candy: light entertainment but fun while it lasts.
  19. Among recent documentaries, First Position soars to the head of the class.
  20. This is a smart, moving film that's also very, very funny.
  21. The film is a raw, unsparing look at the downside of humanity.
  22. As opposed to the "gentlemen's clubs" in sinful cities like Las Vegas, the Crazy Horse attracts couples.
  23. In skewering the neuroses of New York bohemians, Durham has left us too little to care about.
  24. Wysocki is perfectly cast as a teen who's at odds with both his environment and himself. It's a terrific performance. And as the empathetic Fitzgerald, Reilly is at his quirky best.
  25. It's not exactly aiming for the moon, but in a marketplace where surpassed expectations are as rare as unicorns, Despicable Me is delightful.
  26. Unlike the benchmark sports documentary "Hoop Dreams," Undefeated doesn't have a deep penetration of poverty and race in its playbook, but it does have enough heart to make substantial forward progress.
  27. There will never be another Marilyn Monroe or Elizabeth Taylor, but Hollywood may have found a new Lee Remick in Mary Elizabeth Winstead.
  28. The plot is murky, the acting is melodramatic and the movie is way too long, but the target audience will salivate over the inventively choreographed set-pieces.
  29. The most mesmerizing parts of the movie make up a tutorial about how the Muppets are made and moved.

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