St. Louis Post-Dispatch's Scores

  • Movies
For 1,010 reviews, this publication has graded:
  • 63% higher than the average critic
  • 3% same as the average critic
  • 34% lower than the average critic
On average, this publication grades 6 points higher than other critics. (0-100 point scale)
Average Movie review score: 68
Highest review score: 100 Amour
Lowest review score: 25 New Year's Eve
Score distribution:
1,010 movie reviews
  1. Anyone old enough to have read Jules Verne or seen the way his work was successfully adapted in the past will suffer worse than the kids in the audience who just came to laugh.
  2. In matters of personal taste, there is no right or wrong, so if erasing brain cells is your idea of a good time, That's My Boy could be your cup of turpentine.
  3. Ted
    Ted does not only break before it ends. It snaps back so violently that it very well may knock out of your mind any recollection that the movie is fairly entertaining for about 30 minutes.
  4. With this unfunny fourth installment, the "Ice Age" franchise has skidded so far into kiddie land that adults who tread there risk extinction.
  5. Where the original play "La Ronde" was a social satire about the transmission of venereal disease, 30 Beats is a sickly stepchild.
  6. Kids are too smart to fall for it, and any grown-up who thinks that The Odd Life of Timothy Green is funny or heartwarming has a head made out of cabbage.
  7. Loud, incoherent and unfunny, Here Comes the Boom is the sound of American culture imploding.
  8. This world is divided between the makers and the takers, and after just a few minutes of Red Dawn, you'll realize there's not much more you can take.
  9. While the cast includes Luis Guzman (as a buffoonish deputy) and Johnny Knoxville (as a local gun nut), there's no sense that these are real people in a real town, and Schwarzenegger's Sheriff Owens has the weakest backstory of all.
  10. Dare we say it? Even the acting is atrocious, with pop-eyed Pacino chewing the scenery like a geezer gumming his oatmeal.
  11. Suffering through this felonious farce could only inspire a prison riot.
    • 46 Metascore
    • 38 Critic Score
    The film makes a few starts in many directions but doesn't go very far in any, and that's disappointing to those of us who thought so much of Soderbergh's previous effort. Oh, well, everyone's entitled to a clunker now and then. [7 Feb. 1992, p.3F]
    • St. Louis Post-Dispatch
  12. It’s nearly tragic to see America’s Greatest Living Actor on the guest list for The Big Wedding, the latest limp comedy about seniors behaving badly.
  13. Comedies about privileged princesses and unsuitable suitors come in all colors, but Peeples is only palatable on a double bill with pink antacid.
  14. The good news is that Ed Helms doesn’t wake up in a Tijuana brothel with an amputated leg and a donkey in the room. The bad news is that you’ll wish he had.
    • 55 Metascore
    • 38 Critic Score
    The overall feel is less of a cohesive documentary and more of a slapdash scrapbook of facts, historical information and name-dropping.
  15. A soulless, overblown bore.
    • 33 Metascore
    • 38 Critic Score
    That can’t disguise the script’s complete lack of wit or originality, though, or the generally wooden acting.
  16. It’s preposterous schlock masquerading as art.
  17. In trying to lift this lame schtick, De Niro, Douglas, Freeman and Kline are stand-up guys, but Last Vegas is a case of erectile dysfunction.
  18. This dead-on-arrival ’toon is some of the worst p.r. for rodents since bubonic plague hit medieval Europe.
  19. In Secret is so stifled, it makes “Les Misérables” look like “Amélie.”
  20. This movie is so tone-deaf it would only make sense in Vincent van Gogh’s missing ear.
  21. McCarthy and first-time director Falcone must have assumed that tossing a drunk and a dunce into a Cadillac would negate the need for a motive or even a script.
  22. If cranking out this kind of mediocre, head-scratching blarney is the only option available to Hollywood veterans like Reiner, we have some friendly advice: Open a haberdashery.
  23. So stupid and hateful, it needs to have a stake driven through its heart before it can spawn a franchise.
  24. Annabelle is so lazily coat-tailing on Roman Polanski, they should have called it “Rosemary’s Barbie.”
  25. This toothless attempt is just dead on arrival.
  26. Directed by Stiles White, whose credits lean more heavily in the special-effect arenas, Ouija is bland, safe horror for those who like their scares nonexistent.
  27. Sorry, Keanu, but you stole my time and you murdered my brain cells. By the sacred oath of WHOA, there will be blood, and this time it’s personal.

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