Tampa Bay Times' Scores

  • Movies
For 723 reviews, this publication has graded:
  • 67% higher than the average critic
  • 3% same as the average critic
  • 30% lower than the average critic
On average, this publication grades 5.8 points higher than other critics. (0-100 point scale)
Average Movie review score: 68
Highest review score: 100 The Past
Lowest review score: 0 Little Fockers
Score distribution:
  1. Negative: 66 out of 723
723 movie reviews
  1. It's enough to make Kim Jong ill.
  2. Mad Men creator Matthew Weiner makes a troublesome filmmaking debut, wasting a dream cast for a comedy in a fitful story of family tension, mental illness and corrosive self-absorption.
  3. The movie's glaring problem is the design and execution of Chappie, whose look is unremarkable except for a pair of polymer rabbit ears ready for meme posterity.
    • 59 Metascore
    • 42 Critic Score
    Turns out we were right to wonder. The first film based on The Hobbit was charming fun, the second pretty good, too. But The Hobbit: The Battle of the Five Armies is a film too far, tedious and overlong and short on most of the elements that made the first two work.
  4. Despite its haunted house setting, the movie's most visible cobwebs are found in Jane Goldman's screenplay, adapted from Susan Hill's novel.
  5. The movie has all the propulsion of a trolling motor, traversing long-charted dramatic waters.
  6. Sinister is basically a collection of bogus snuff films linked by standard haunted house tricks - everything creaking and slamming, with the power conveniently shut off.
  7. A distinct lack of merriment marks each frame of this film, with Scott determined to erase all fond memories of past Robin Hoods.
  8. If not for a few choice performance moments and a couple of peppy montages, Wanderlust would be cinematic compost, recycled and thoroughly smelly.
  9. After a lucrative career of bashing well-made scary, epic, disaster and date movies, Friedberg and Seltzer have a source begging to be mocked.
  10. The Second Best Exotic Marigold Hotel is a downgrade from the first, doing lots of thing wrong that 2012's sleeper hit did right.
  11. Jonah Hex isn't abrupt by design but by desperation.
  12. Paul Haggis is positive that withholding information while John makes "A Beautiful Mind" flow charts and deals with bad dudes will keep it interesting. Haggis is wrong.
  13. Blended is simply more of the stale Sandler formula that audiences wisely haven't sought as much.
  14. As director and writer, MacFarlane appears to have forgotten everything about cinematic standards of pacing, characterization and meaningful smut, resulting in an encore that's slow, sketchy and dumb-dirty.
  15. Nothing to skip school over but at least it's not in 3-D. No sense in paying an extra ticket charge for something belonging on TV, anyway.
  16. Fey and Poehler remain game throughout, mustering a bit of besties magic here and there. Sisters flips a tested formula to become the New Coke of comedy, looking familiar and bubbly on the surface, disposable before it's finished.
  17. Timecop has its fleeting moments of fun; mostly when Van Damme finally starts ribbing himself, years after Stallone and Schwarzenegger poked a hole in their own musclebound images. But director Peter Hyams and screenwriter Mark Verheiden (who co-created the Timecop comic book character) aren't nearly as clever as they think they are. [16 Sep 1994, p.6]
    • Tampa Bay Times
  18. Date Night is really just another example of what happens when funny sitcom stars are lumped together in a movie, believing that laughter exponentially increases with screen size.
  19. Pan
    Director Joe Wright's movie barely gets off the ground, and gets old quickly.
  20. The Night Before isn't anything Harold, Kumar or Billy Bob Thornton didn't desecrate before and better.
  21. The fifth edition of the franchise, A Good Day to Die Hard, is the brawniest and most brainless of the bunch.
  22. The concept is rich with potential to offend yet after a promising opener Cody doesn't seem interested.
  23. A movie that wouldn't get much attention if the creator of "Titanic" and "Avatar" (as the ads overhype) weren't tangentially involved.
  24. Clash of the Titans redefines 3-D but in the wrong way; the movie is dull, dingy and, well, let's just say dull again.
  25. Step Up Revolution is a bad movie with a few good moments, usually when the cast sets aside delusions of acting prowess and does what comes naturally to them.
  26. Whatever raffish charm Reeves and Swayze exhibit is lost in the superficial gloss of Iliff's screenplay and Bigelow's direction. [12 July 1991, p.7]
    • Tampa Bay Times
  27. Always is meant to be a fantasy. But it is far too sappy to ignite the imagination. [22 Dec. 1989, p.6]
    • Tampa Bay Times
  28. Beverly Hills Cop II is practically a carbon copy of the original movie, which, at the very least, exhibited a glimmer of invention. The sequel is superior only in terms of technique. It looks slicker and sounds better; more like a music video. Its tone is fractionally more reserved. And there isn't the unsettling clash between humor and violence. [22 May 1987, p.1D]
    • Tampa Bay Times
    • 81 Metascore
    • 40 Critic Score
    Movies like Miss Daisy purport to be humanistic or aimed at a higher consciousness, but they're as self-righteous and silly as the one-dimensional characters they depict. [12 Jan. 1990, p.7]
    • Tampa Bay Times

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