The A.V. Club's Scores

For 4,782 reviews, this publication has graded:
  • 48% higher than the average critic
  • 3% same as the average critic
  • 49% lower than the average critic
On average, this publication grades 2.7 points lower than other critics. (0-100 point scale)
Average Movie review score: 59
Highest review score:
Critic Score 100
Lowest review score:
Critic Score 0
Score distribution:
4,782 movie reviews
  1. In the propaganda-filled realms of politics, sports, and the military, that kind of no-bullsh-- -allowed truth feels cathartic. No wonder the Tillman family has spent much of the last 10 years fighting for it.
  2. Zuckerberg's story ends up feeling bigger than his own life.
  3. Carlos is mostly tense and thrilling, revealing the poisonous side of global citizenship.
  4. Finds connections deeply embedded in a soccer culture fueled by the country's thieving cocaine trade.
  5. Viewers may not realize how far they've been pulled in until the movie ends, and they might feel a sense of loss that it can't keep going just a little while longer.
  6. A florid, often lurid, completely enthralling film held in place by a disarming Portman, who rarely leaves the frame.
  7. It's ultimately a tale of heroism in the face of fearsome, powerful opposition, but as stubborn pride masquerading as ideological purity proves Wilson's Achilles heel, the film's heroes reveal themselves as flawed to an almost fatal extent, and messily, fascinatingly human.
  8. It does justice to a subject who made his life and death works of art.
  9. Rabbit Hole is a tremendously sad movie, but it's also the furthest thing from a miserablist wallow.
  10. The Coens direct True Grit with a light touch, but like Portis' stark, funny novel, their adventure tale shaves off none of the rough edges.
  11. The result is one beautiful movie-and no less so for making a strong case that beauty is a lie.
  12. The performances are winning, the story is surprising without relying on unlikely twists, and the relationships are the richest and most nuanced since Leigh's "Secrets & Lies."
  13. It helps that the actors' faces are so mesmerizing, particularly Manjinder Virk as Lorraine.
  14. Louder Than A Bomb is a different kind of high-school movie, brimming with life and hope instead of social-climbing, bullying, and furtive first kisses.
  15. More about well-observed moments of everyday life than it is about heightened melodrama.
  16. The great Kôji Yakusho stars as a revered samurai who decides that enough is enough, and sets about assembling the assassins of the title like a men-on-a-mission movie.
  17. Like its fellow crowd-depressor "Blue Valentine," Beautiful Boy offers the antithesis of escapism: a claustrophobic, punishingly intense, beautifully measured exploration of the depths of human despair.
  18. Submarine is the film "Youth In Revolt" should have been, an achingly sad yet ribald account of a hyper-verbal oddball's ascent/descent into manhood.
    • Metascore: 71
    • Critic Score 91
    One Lucky Elephant would make an affecting pairing with James Marsh's upcoming "Project Nim," another film about an animal treated like a human until its essential wildness made that impossible.
  19. Never to be confused for the rom-com starring Amy Adams - though that would be the mother of all video-store mix-ups - Leap Year lets actions speak louder than words, and the actions here are shockingly explicit.
  20. To an equal extent, Project Nim shows the human capacity for cruelty and narcissism as well as compassion and selflessness.
  21. McKinney may well be a madwoman, but Morris connects so deeply to her obsessions that the film's tone never seems exploitative or mocking.
  22. Winnie The Pooh is a storybook brought to life with intelligence, wit, and palpable affection; where so many kids' films try desperately to come off as hip and timely that they often feel tacky and instantly dated, Winnie The Pooh is bravely quiet, old-fashioned, and wry.
  23. It's an ambitious premise and a risky approach, but Cahill and his cast execute it beautifully.
  24. The Future's main characters are, undeniably, dopes. But July and Linklater turn their ineptitude into a funny running joke, which becomes surprisingly affecting in the second half.
    • Metascore: 79
    • Critic Score 91
    Senna is considered one of motorsporting's greats, but Asif Kapadia's film also makes it clear he was a sort of artist, his talent accompanied by an unquenchable thirst for excellence and a belief that racing offered him a connection to God.
    • Metascore: 71
    • Critic Score 91
    For all its titular bravado, Warrior never lets the audience forget the economic and spiritual desperation driving its two main characters, who bleed for the screaming arena crowd in exchange for their shots at redemption, and offer a rare glimpse of soul in a type of film that usually isn't obliged to provide one.
    • Metascore: 80
    • Critic Score 91
    While it's far from easy going, The Mill And The Cross is worth attempting for its stunning visuals alone.
  25. Because the movie plays on so many common fears - including fears of being in a remote house with big windows when intruders arrive - the confusion of Martha Marcy May Marlene proves effective, not sloppy.
  26. Considine directs with the confidence of a veteran, giving his actors room to work while letting an ominous, overcast mood hang over almost every scene.