The A.V. Club's Scores

For 6,698 reviews, this publication has graded:
  • 50% higher than the average critic
  • 3% same as the average critic
  • 47% lower than the average critic
On average, this publication grades 2.5 points lower than other critics. (0-100 point scale)
Average Movie review score: 60
Highest review score: 100 Spider-Man 2
Lowest review score: 0 Nowhere Man
Score distribution:
6698 movie reviews
  1. Mackenzie's film could almost use one or two lurid touches in place of its stately distance. Then again, a more stylized approach might have allowed less room for Richardson, whose unsparing performance makes other elements almost irrelevant.
  2. Solomon handles their crises of conscience with a studied compassion that hangs over scenes like a lead weight, though the actors (particularly Dunst) do their best to bring more range to his gray palette.
  3. Elf
    The cast wrings laughs out of David Berenbaum's script as if it were a damp washcloth.
    • The A.V. Club
  4. Roberts' script and direction show sparks of wit, but the plot comes lifted from countless heist films.
  5. The lovable characters remain, but they never do much of interest in a sequel that's safely above average but superfluous.
  6. Though its milieu is often ugly and its story fairly soft, You'll Get Over It gets by thanks to its cast. The French film industry has a knack for finding attractive, expressive young actors, and this movie is no exception.
  7. Jacobs focuses almost exclusively on Dobson's theories and mission, which he illustrates by contrasting jaw-dropping images of the sun's surface with people ignoring Dobson's entreaties to "Come look at the sun."
  8. Machine makes its look-to-the-future-not-the-past message as clear as a Grammy acceptance speech, but as an exploration of regret and the elusive quality of time, it falls well short of "Memento," another film starring a sad-eyed Pearce.
  9. Unlike so many "Seven" followers, it makes its missteps memorably, and offers a variety of stylistic rewards by way of compensation.
    • 47 Metascore
    • 60 Critic Score
    As a cute diversion, it's a pleasant, painless, wonderfully forgettable surprise.
  10. The Take tells a compelling story of courageous, industrious people, but it begs for a second act.
  11. The sensual sex scenes and raw violence of God's Sandbox make it pretty much an exploitation film, and as an exploitation film, it isn't bad.
  12. Though he never quite rescues the film, Bardem continually suggests the tensions bubbling under the surface that Dancer itself never penetrates.
  13. Entrapment is ostensibly some sort of action film, but perhaps out of deference to its sleepwalking star, it moves slowly and contains very little actual action.
  14. A gorgeous film, framed with an eye that makes every country seem beautiful in one way or another. It's probably fitting that the human element seems fragile and flat by comparison, but the contrast leaves Beautiful Country fairly bland.
  15. Johnny English's international popularity may or may not translate here, but in a sequel-glutted summer, even a mildly amusing time-waster can't help but stand out.
  16. As her character resorts to increasingly cruel and devious pranks, Hudson only seems funnier and more endearing.
  17. The absence of style can be numbing, but it serves a purpose, positioning the documentary as a public record, not a work of art. As such, the film is eye-opening.
  18. When El Bola isn't drawing cheap sentiment from the sight of a bruised and scarred little boy, Mañas raises vexing questions about how and why parents leave lasting impressions on their children, and whether good intentions really matter.
  19. Given an irresistible premise, Nathanson doesn't trust his material enough to follow through without excessive mugging, but his sense of the absurd leads to amusing digressions along the way.
  20. The connection between Hu and Liu seems more scripted than real, founded on musty allegorical clichés about innocent country folk and corrupt city slickers.
  21. A slow, meditative movie-an appropriate choice given the subject matter-that ultimately fails, in spite of clearly heartfelt good intentions, because of its almost inhuman detachment.
    • 71 Metascore
    • 60 Critic Score
    Deserves credit for supplementing its special effects with a breezy script and genuinely charismatic performances by Will Smith and Tommy Lee Jones.
  22. Carries a potent statement about the superficialities of appearance, and how they're more meaningful to people than anyone likes to acknowledge. But when the players themselves are conceived this superficially, LaBute winds up invalidating his own point.
  23. Love Liza needs more than mood on its side. A moment of recognizable human behavior would have been a fine place to start.
  24. Moves forward on the conviction of its performances. Brody, in particular, shows uncommon sensitivity as a politically committed and temperamental photographer who responds to MacDowell's half-crazed resolution with heartbreaking zeal.
  25. If the people in Chrystal are intended to be authentic, why do none of them look like they've ever seen the inside of a Wal-Mart?
  26. Though it's tough to find much fault with a film so sweet, Piglet's Big Movie never lives up to its title.
  27. Predictable and corny, but to their credit, Cary and Rose strive to make the situation real.
  28. Mostly though, The Goebbels Experiment proves that historical figures have the worst perspective on themselves.

Top Trailers