The A.V. Club's Scores

For 5,223 reviews, this publication has graded:
  • 49% higher than the average critic
  • 3% same as the average critic
  • 48% lower than the average critic
On average, this publication grades 2 points lower than other critics. (0-100 point scale)
Average Movie review score: 59
Highest review score: 100 Boogie Nights
Lowest review score: 0 Bruce Almighty
Score distribution:
5,223 movie reviews
  1. Like the best crime stories, this one isn't about how the bad guys live, it's about how WE live.
    • 83 Metascore
    • 100 Critic Score
    The numerous, extended revival scenes are amazing, with Duvall a dynamo of divine energy and devout dedication.
  2. The film succeeds by expertly melding the two stages of Tarantino's career. The rambling Tarantino of "Jackie Brown" and "Pulp Fiction" is evident in every lovingly crafted and delivered monologue, each leisurely paced scene and long take. The more action-oriented, fight-intensive Tarantino reappears in the viscerally exciting bursts of ultra-violence that punctuate the stretches of dialogue.
  3. If nothing else, the film puts the lie to the notion that an abortion could ever be frivolous or lightly considered. On that point, everyone in Lake Of Fire agrees, whether they acknowledge the other side or not.
  4. Burton brings his signature visual style, and a pair of stock players for his stars, into this film adaptation, but he wisely follows Sondheim's lead, letting the music and spirit of the original piece show the way.
  5. What's most valuable about Side By Side is how comprehensive it is in documenting how the art form changed.
  6. O'Toole is frail and probably won't make many more movies. So Venus is pitched partly as a fond farewell to a beloved artist, and his whole beautiful generation.
  7. Copti and Shani show characters of different backgrounds interacting peacefully as individuals, then show how those characters subtly change when their affiliation with a group becomes an issue. And always the threat of violence looms.
  8. The result is one beautiful movie-and no less so for making a strong case that beauty is a lie.
  9. There's a suffocating air to The Deep Blue Sea that makes it harder to access than other period romances of its kind, but Davies aligns himself wholly with Hester.
  10. It takes enormous skill to pull off such a high-wire act without diminishing the gravity of the situation, but Bong and his first-rate cast are up to the task.
  11. Instead of hitting all the usual beats, Sugar just moseys in a mostly delightful way.
  12. Above all, Frances Ha is a wry and moving portrait of friendship, highlighting the way that two people who know everything about each other can nevertheless grow apart as their needs change.
  13. Hunger may be criticized for being willfully arty, or for reducing a complex political situation to a broadly allegorical vision of martyrdom, but it's never less than visually stunning.
  14. While the improvisatory movement of the camera helps create a sense of ambiguous tension in the scenes where the crew interacts with the pirates, it also undercuts several more overtly dramatic moments. However, this shortcoming of filmmaking imagination is largely redeemed by the pessimistic wallop of the movie’s ending.
  15. Yet in his despair, there's something Kudlow misses, and it's what makes Anvil! as moving as it is hilarious.
  16. In a heartbreaking, scene-stealing performance, Wilkinson plays his bipolar character's manic delirium as a heightened form of awareness, a life-affirming source of moral clarity in a cloudy and corrupt world.
    • 82 Metascore
    • 83 Critic Score
    It's a sweetly queasy film that suggests the spirit that sustains us, the demons we hide from the world, and the monsters that prey upon us in the dark might all be variations on the same beast.
  17. Though it's dominated by two people walking and talking, after a point it's as difficult to parse what's real and what's constructed in Certified Copy as it is in the home stretch of "Inception" (although "Before Sunset" and Roberto Rossellini's "Journey To Italy" provide closer models).
  18. Haneke’s latest is essentially an inquiry into the roots of a certain kind of evil.
  19. Driven by Dominique's personal magnetism, The Agronomist is a haunting, inspirational valentine to free speech and human resilience.
  20. It may be painful at times, but Rachel Getting Married sure is one heck of a party.
  21. The film's capes and cowls suggest one genre, but it's a metropolis-sized tragedy at heart.
  22. Mysteries Of Lisbon is an odd kind of epic: It's digressive and even trifling at times, and though a large cast wanders through the frame, the individual scenes tend to be focused on just two or three people, having winding conversations about political intrigue and affairs of the heart.
    • 82 Metascore
    • 83 Critic Score
    Effervescent in style, conveying a substantive message without ever devolving into saccharine preachiness.
  23. Berger also shows a dark wit and a faith in old-fashioned melodrama that puts Blancanieves more in the camp of Pedro Almodóvar than Guy Maddin’s golden-age pastiches. (And aside from being silent and a period piece, the movie has almost nothing in common with "The Artist.")
  24. The body means different things for each of them, and Ceylan's mesmerizing existential drama takes its time establishing the players and bringing their inner lives into focus. It's cinema as autopsy.
  25. Like a lot of folk tales, Ten Canoes peters out into something more prosaic than profound, but it flows like water, and has a deceptively gentle pull that proves hard to escape.
  26. Arijon's choice to film the survivors returning to the Andes with their children pays huge dividends, leading to an ending that puts the real meaning of their ordeal in moving terms.
  27. It comes off as calculatedly irreverent at times, and its Wes Anderson-isms are too precious by half, but its sweetness is genuine and next-to-impossible to resist.

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