The Globe and Mail (Toronto)'s Scores

  • Movies
For 3,882 reviews, this publication has graded:
  • 46% higher than the average critic
  • 3% same as the average critic
  • 51% lower than the average critic
On average, this publication grades 2 points lower than other critics. (0-100 point scale)
Average Movie review score: 60
Highest review score: 100 Maria Full of Grace
Lowest review score: 0 Far and Away
Score distribution:
3,882 movie reviews
  1. Old Dogs is offensive mostly because it wastes time.
    • 30 Metascore
    • 25 Critic Score
    Instead of playing the role in drag, the erstwhile Madea simply is a drag.
  2. There is no energy here. No sense of movie invention or fun.
    • 59 Metascore
    • 25 Critic Score
    So why are they divorcing, you ask. Who knows? Certainly not the creators of the very confused Celeste and Jesse Forever.
  3. A 105-minute cringe-a-thon that reduces the Katharine Hepburn of her generation to a sitcom harpy presiding over a brood of Valley Girl chicks.
  4. Jefferson in Paris isn't merely wooden; it's concrete. Nor is it simply bad; the thing is astonishingly bad. Sure looks pretty though. [08 Apr 1995]
    • The Globe and Mail (Toronto)
  5. Chan's comedic gifts and still-nimble moves are wasted in a string of unimaginative household calamities and practical jokes.
  6. The film is a howler of illogical, overwrought emotion, inexplicable actions and sudden bursts of bloody violence. [03 Mar 1984]
    • The Globe and Mail (Toronto)
  7. There is no narrative tension in the film, however, just a variety of grisly crucifixions. And the morality tales are blood-stained window dressing.
  8. The Love Guru is a comedy like the Leafs are a hockey team.
  9. Anyone interested in the contemporary debate between atheists and religious believers will gain nothing of value from the documentary The Unbelievers.
  10. The Wicker Man is one of those "what were they thinking?" movies.
  11. If all this sounds familiar, it should. Fathers seldom fare very well in family comedies.
  12. Here's the title: Couples Retreat. And here's the review: Couples, Retreat. Yep, just find the verb, treat it as a command, and vamoose, unless you harbour an abiding curiosity about how eternally long 100 minutes can feel.
  13. We know to a certainty what will happen. More to the point, the writers know that we know. But here’s the intriguing bit: They don’t care. Rather, their job as diligent Tinseltown hacks is simply to devise ways of filling up the remaining 90 minutes.
    • 57 Metascore
    • 25 Critic Score
    The laughs in this film are all mean-spirited or just frat-boy gross.
  14. Dopey.
  15. Everyone in the movie, of course, is anxious to see these comeback seniors beat each other up, except, perhaps, the viewing audience.
  16. A funereally unfunny comedy.
  17. Surviving Picasso is flat-out dull, hanging like a K Mart print in a suburban mall - a testament to Merchant-Ivory's blew-it period. [20 Sep 1996]
    • The Globe and Mail (Toronto)
  18. There is no tonal consistency from scene to scene, swinging from domestic drama to farce. Most of the actors -- especially Matthew Broderick -- look lost.
    • 50 Metascore
    • 25 Critic Score
    It is certainly possible that Baena is going for a deeper meaning, but even that feels like a case of indecisiveness.
  19. In The Dead Pool, Dirty Harry is downright dusty. The erstwhile right-wing San Francisco homicide inspector has mellowed so much in the fifth installment of his adventures that he's become the darling of the liberal Bay Area media and he seems almost bored by blowing people away. [13 Jul 1988, p.C7]
    • The Globe and Mail (Toronto)
    • 39 Metascore
    • 25 Critic Score
    Despite gorgeous visuals from an army of Disney animators, the film is one of the weakest the studio has produced in years and deserved a bargain-bin DVD release.
    • 12 Metascore
    • 25 Critic Score
    A limp Eddie Murphy vehicle that even he seems embarrassed to be part of.
    • 54 Metascore
    • 25 Critic Score
    Johnny Knoxville is now 42, and he’s clearly torn. He still wants to be a Jackass, but in a movie with an actual story that offers something even slightly more substantive than cringing at other people’s self-inflicted pain and humiliation.
  20. Crazy as this might sound, it turns out that self-indulgent ramblings designed to put your children to sleep are pretty much the opposite of art.
  21. Soderbergh has bathed the Depression in lovely, golden-brown hues - so lovely, so golden, that the flick seems to be unfolding from inside the delicious core of a burnished bran muffin. [20 August 1993]
    • The Globe and Mail (Toronto)
    • 30 Metascore
    • 25 Critic Score
    Few things are more painful to watch than a botched comedy.
  22. Adam is back to lining his pockets again.

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